Tim Bavington Unveils New Major Sculpture in Dallas

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Artist Tim Bavington has completed a major new sculpture commission adjacent to the W Dallas in Victory Park, near Downtown, Uptown, Turtle Creek, the high-style Design District of Dallas.

The work was a commissioned piece for this site and is titled Matchbox and stands 15 feet high by 34 feet feet wide. Made with steel pipe and automotive paint, “Matchbox” will be a visual translation of “Matchbox” – the song recorded by The Beatles in 1964.

The Beatles version of Matchbox was chosen for both its connection to the artist Tim Bavington (UK) as well as the songs historical beginnings in TX. Dating as far back as the 1927 recording by Blind Lemon Jefferson to more recent covers by Stevie Ray Vaughn and Albert King. The 1927 Jefferson connection is especially significant to the proposed sculpture as outlined below.

Blind Lemon Jefferson born (c) 1893 in Coutchman,TX. now a ghost town that had at one time existed in the Freestone County area 100 miles south of Dallas. Blind Lemon Jefferson was an American blues and gospel singer whose musical career got started around 1910 while playing the street corners in and around the Deep Ellum section of Dallas. Playing alongside other blues musicians including Huddie “Leadbelly” Ledbetter and a young Texan Aaron “T- Bone” Walker. The artist felt that this is a significant conceptual connection as Deep Ellum lays just 2.5 miles from the proposed site in Victory Park.

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The work was developed by Tim Bavington (NV), La Paloma Fine Art Fabricators (CA), and Mark Moore Fine Art (CA).

Music is the genesis of Tim Bavington’s paintings. Through synthetic polymer paint, Bavington acts as a translator between the aural and the visual as he transforms guitar solos, melodies and bass lines into vertical bands of color. Tracks from bands such as The Darkness, Oasis and The Rolling Stones become vibrant bands of color, and bridge compositional concepts between seemingly unlike disciplines. Although Bavington has a method that designates sound to color and composition, the paintings are not literal translations; they remain open to intuition and decision-making, allowing for a distinct artistic presence.

Tim Bavington (b. 1966, England) received his BFA from the Art Center (CA) before making the permanent move to Las Vegas, where he completed his MFA at the University of Nevada, Las Vegas (NV). His work is included in the public collections of Fredrick R. Weisman Collection (CA), Crocker Art Museum (CA), Honolulu Art Museum (HI), Albright-Knox Art Gallery (NY), Creative Artists Agency (CA), Joslyn Art Museum (NE), Museum of Contemporary Art, San Diego (CA), Portland Art Museum (OR), United Talent Agency (CA), Vivendi Universal (CA), Palm Springs Art Museum (CA), Denver Art Museum (CO), The Museum of Modern Art (NY), Nora Eccles Harrison Museum of Art, Utah State University (UT) and the McNay Art Museum (TX). He has exhibited at LeeAhn Gallery (Daegu), Jack Shainman Gallery (NY), Galerie Jean-Luc & Takako Richard (Paris), Space Gallery (London), Museum of Fine Arts (MA), Laguna Art Museum (CA), Museo de Arte Contemporaneo de Buenos Aires, and the Texas Fine Arts Center (TX) among others.

#markmoorefineart #timbavington #Wdallas

Highly Recommended: Kim Rugg Drawing Exhibition Featured on ARTSY

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Mark Moore Fine Art is very pleased to present an exclusive online exhibition of the recent “Map Series” works by British Artist Kim Rugg titled “Physical Graffiti” opening today and continuing through October 29th.
For this newest incarnation of her practice, Rugg has recently re-envisioned maps of countries, states, and cities around the world – all without borders, featuring a staggeringly precise hand-drawn layout with only city names and the names of regions and the missing topographic features as reference points.

This special presentation of these amazing works can be previewed now at the following link: 

https://www.artsy.net/mark-moore-gallery/shows

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In her “Maps”, Kim Rugg re-envisions the topography of various states, countries, continents, and even the world without borders, featuring a staggeringly precise hand-drawn layout with only city names and regions as reference points. In her own sense of abstracted cartography, Rugg redistributes traditional map colors (or eliminates them entirely) in order to nullify the social preeminence given to constructed territories, and highlight the idea that our attention is manipulated to focus on the powerful few instead of the physical many.
Through this visual ruse in the “Maps” Series of works, Rugg critiques the media’s tendency to seduce its viewership through sensation and illusion rather than verisimilitude. A consistent theme throughout all of her work, patterns within the tactics of journalists, broadcasters, historians, and reporters alike are given clarity through Rugg’s purposeful distortion. At first glance, Rugg’s work appears disconnected from our regular lines of communication, but upon closer inspection, her visual subterfuge astutely mimics that of the everyday propagandist.
I have taken the liberty of placing all available works currently available by Kim Rugg for you the artist page of our ARTSY website for you to view there. To view this work, go to the following special link I have set up for you by clicking here.

 

Rugg received her MFA in Sculpture from the Royal College of Art (London). Her work can be seen in the permanent collections of the National Gallery of Art (D.C.) and the Frederick R. Weisman Foundation (CA), the Museum of Contemporary Art, San Diego (CA), and the Norton Museum (FL), among others. She has been included in exhibitions at the San Jose Institute of Contemporary Art (CA), Elizabeth Foundation for the Arts (NY), Galerie Schmidt Maczollek (Cologne), and Nettie Horn Gallery (Manchester), and was the recipient of the Thames and Hudson Prize from the Royal College of Art Society in 2004. She lives and works in London (UK).

To view all available works by Kim Rugg, a full biography, recent reviews, video interviews, press, and other materials, please visit his artist page on the Mark Moore Fine Art website.
#markmoorefineart #kimrugg

Featured Artist Interview of the Week: KRIS KUKSI

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We are very pleased to announce our new video channel on Youtube and the addition of several new short video interviews that have just been added to this site for your reference. I would invite you to check out the MARK MOORE FINE ART VIDEO CHANNEL and encourage you to subscribe to future videos at the following link by clicking HERE.

The short film collection at MMFA Video Channel now features four new videos that have been just posted that include a looks inside the studios of artists: ALLISON SCHULNIK, ANDREW SCHOULTZ, VERNON FISHER, and JOHN BAUER. In total we have nearly fifty new or recent videos posted there for you to view – and that list grows weekly. Other artists featured on the MMFA Channel are: Jason Salavon, Kris Kuksi, Stephanie Washburn, Julie Oppermann, Tim Bavington, Joshua Dildine, and Julie Heffernan – just to name a few.

This week’s featured video interview is with KRIS KUKSI which can be viewed here:

For additional information on this artist and their work, please go to our website at http://www.markmoorefineart.com or check out their artist page on ARTSY at the following link:

https://www.artsy.net/mark-moore-gallery

#markmooregallery #kriskuksi

Closing Soon: Allison Schulnik and Jeffry Mitchell in “BC TO BC” at the San Diego Art Institute

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The San Diego Art Institute is excited to invite you to their current exhibition BC to BC featuring ceramic sculptures by 34 of the West Coast’s most innovative contemporary artists from Baja California to British Columbia. BC to BC is on view through October 20, 2017. 

Featured Artists include: Allison Schulnik, Peter Shire, Jeffry Mitchell, Kristen Morgin, Jessica Jackson Hutchins, Maggie Boyd, Juan Villavicencio, Clayton Bailey, Jeff Irwin, + many more!

San Diego Art Institute

1439 El Prado, San Diego, CA, 92101, United States (map)

#markmoorefineart #sandiegoartinstitute #jeffrymitchell #allisonschulnik

Allison Schulnik Exhibition “Nest” Review in ARTINFO

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Image: Loch Bone Moth #4, 2017. Gouache on paper. 11 x 15 1/2 in (Courtesy: Galería Javier López & Fer Francés)

Nest is the title of the latest works by American artist Allison Schulnik. The collection, diverse in material, medium and subject matter, is being presented at the Javier Lopez Frances gallery in Madrid. This personal project will be on view until November 3rd.

Read the review from ARTINFO now at the following link:

http://www.blouinartinfo.com/news/story/2574781/allison-schulniks-most-personal-project-to-date-nest-at

#markmoorefineart #allison schulnik #JavierLopezFrances

 

Recommended: Ali Smith “Ali Smith featured in “Electric Prism and Can I Touch it” at Mindy Solomon (Miami)

Core Creative and Friend members are invited to a private tour of Mindy Solomon Gallery’s fall shows Ali Smith: Electric Prism and Can I Touch it, featuring the works of Alec Egan, Mandy Lyn Ford, Bobby Mathieson, Sophia Narrett, and Mette Tommerupp.

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Ali Smith, The Great Divide, 100″ x 80″, 2017, oil on canvas
Courtesy of the Mindy Solomon Gallery

#mindysolomongallery #alismith

 

In Memory of Art Patron and Dealer Greg Escalante

Featured Artist Interview of the Week: TIM BAVINGTON & JOSH DILDINE

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Tim Bavington, “BNS #1 (Brand New Start)” / synthetic polymer on canvas / 24 x 96 inches

We are very pleased to announce our new video channel on Youtube and the addition of several new short video interviews that have just been added to this site for your reference. I would invite you to check out the MARK MOORE FINE ART VIDEO CHANNEL and encourage you to subscribe to future videos at the following link by clicking HERE.

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Josh Dildine, Vocal Arm Iron, 2016 / Acrylic, oil, and UV coated ink on canvas / 48 × 70 in

The short film collection at MMFA Video Channel now features four new videos that have been just posted that include a looks inside the studios of artists: ALLISON SCHULNIK, ANDREW SCHOULTZ, VERNON FISHER, and JOHN BAUER. In total we have nearly fifty new or recent videos posted there for you to view – and that list grows weekly. Other artists featured on the MMFA Channel are: Jason Salavon, Kris Kuksi, Stephanie Washburn, Julie Oppermann, Tim Bavington, Joshua Dildine, and Julie Heffernan – just to name a few.

This week’s featured video interview is with TIM BAVINGTON & JOSH DILDINE which can be viewed here:

https://www.youtube.com/watch?v=vwj2JSWNS0w

For additional information on this artist and their work, please go to our website at http://www.markmoorefineart.com or check out their artist page on ARTSY at the following link:

https://www.artsy.net/mark-moore-gallery

#markmooregallery

How You Can Help Those Affected By The California Fires

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Wildfires have swept through California, killing at least 15 people and injuring over 100. With thousands of acres burned and the fires still raging, here’s how you can help those affected by the blazes. We were part of the evacuations ourselves this week as part of the #canyon2fire

Facebook has created exclusive Crisis Response Centers for three of the fires — the Sulphur Fire, the Tubbs Fire and the Atlas Fire.

If you want to volunteer to help, you can let the community of the Crisis Response Center know that you’re looking to participate in volunteer efforts.

The Crisis Response Centers also allow people to start a fundraiser or donate to ongoing fundraisers. They also serve as a resource to view information about the wildfires, including local news reports and updates, as well as photos that other Facebook users in the area are posting of the devastation.

The online centers also allow you to check in, letting your Facebook friends know you’re safe if you’re living in the affected areas, or allow you to make sure that your friends in those areas are safe.

To ensure that you’re contributing to established agencies, you can visit an organization like Charity Navigator or GiveWell, which monitor charities, making it easier to determine where to send your money securely.

The American Red Cross is among established relief organizations that are highly rated by Charity Navigator. The Red Cross is working to provide shelter, food and comfort to those that had to flee their neighborhoods in the affected wildfire areas.

Closing Soon: Tim Bavington “Tone Poems” at Lehman Morgan Gallery (NYC)

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Image: Tim Bavington, Aquamarine, 2017; Synthetic polymer on canvas; 32 x 96 in (81.28 x 243.84 cm)

Tim Bavington “Tone Poems”
Lehman Morgan Gallery (New York)
Closing October 21, 2017

In 1956, Frank Sinatra conducted an album for Capitol Records called Tone Poems of Color. The record consists of twelve tracks inspired by the poetry of Norman Sickle, each piece written by a notable 20th Century Hollywood composer and designated by a color as its title. In the manner of mid- 1800’s European orchestral music, these “tone poems” attempt to translate the emotive and narrative content latent in non-musical sources directly into sound.

Tim Bavington’s celebrated oeuvre takes this idea of translation head on, considering the correlative, reciprocal, and at times ambiguous relationship between the visual and aural, art and music. The artist’s approach to geometric abstraction is based in a complex system of annotation and interpretation, whereby popular songs’ musical “DNA” (e.g. melody, beat, etc.) find subjective representation in color and form. This, in effect, is Bavington’s conceptual framework for making paintings.

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Inspired by Sinatra’s record, the artist’s latest studio work explores the nuances and energy of individual colors. The basis for each painting is a musical composition with a single color in the title: Jimi Hendrix’s Purple Haze, for instance. Whereas much of Bavington’s previous output delivered color at “full volume,” many of the new paintings reflect a lowering of chromatic intensity, as well as a broader tonal range and more limited palette. Morgan Lehman is delighted to present these works in Tim Bavington’s first solo exhibition with the gallery.

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Tim Bavington (b. 1966, England) received his BFA from ArtCenter College of Design before moving to Las Vegas, where he completed his MFA at the University of Nevada, Las Vegas. Bavington’s work is included in numerous public collections, including The Museum of Modern Art (New York), Fredrick R. Weisman Collection, Crocker Art Museum, Honolulu Art Museum, Albright-Knox Art Gallery, Joslyn Art Museum, Museum of Contemporary Art San Diego, Portland Art Museum, Museum of Fine Arts Houston, Palm Springs Art Museum, Denver Art Museum, Nora Eccles Harrison Museum of Art at Utah State University, as well as the McNay Art Museum in Texas. His largest work to date, Pipe Dream, is a major public sculpture commissioned by the Smith Center for the Performing Arts in Las Vegas and is based on the 1942 Aaron Copeland classic, Fanfare for the Common Man.

#timbavington #morganlehmangallery