Category Archives: Mark Moore Gallery

Penelope Umbrico in Widewalls

Penelope Umbrico has been featured in a new article on Widewalls titled, “These Abstract Photographers Redefine Perception of the Real,” naming Umbrico as one of “the greatest masters in the history of Abstract Photography.”

Read the article here.

Umbrico’s show, Bad Display is at the gallery through June 18th.

Umbrico_57-37_from the series Bad Display (eBay)_20x30in_300dpi

Christopher Russell in Artillery Magazine

Christopher Russell’s  show Ersatz Infinities has been reviewed by Cooper Johnson in Artillery Magazine.

Read the review here.

Ersatz Infinities runs through June 18th at the gallery.

The Falls XXXV copy

Andrew Schoultz Mural in Manila, Philippines

 Andrew Schoultz has just completed his largest mural to date: a seven story high tree overlooking one of Manila’s busiest intersections. Schoultz spent 7 days on the mural, titled “The Heard of Gods Country,” as part of ArtBGC Mural Festival.



David Maisel at the Museum Belvédère in Heerenveen

David Maisel is part of the Noorderlicht Photofestival at the Museum Belvédère in Heerenveen.

NOORDERLICHT 2016 casts a forensic look at the traces left behind in the landscape with ARENA running from 22 May through to 3 July at Museum Belvédère in Heerenveen. 21 artists from around the world unearth the stories that take place on and under the skin of the landscape.

We live in a time when our global culture has subordinated nature. It has become almost impossible to experience unspoilt land, no matter how far we direct our gaze. What remains once humanity and its thirst for action has left the stage, in search of ever-greener pastures?

ARENA is the prologue to the project series Landscape as Arena, which focuses on the decisive impact man has on the landscape. With his dominant creational force, man leaves an overpowering mark on the landscape: by living, working, and recreating on it, and by extracting raw materials from it on a mass scale. Through the continual exploitation of land worldwide, we see the landscape steadily changing. Every economical application brings new stories into the soil, but also into the oceans and the sky. They lie there, like layers of geological sediment, awaiting eventual exposure.

The traces man leaves behind in this way result from careless deeds as well as from unscrupulous actions. At one end of the spectrum we find the innocent residues of history, at the other extreme we see changes that are so radical that the future of our planet is at stake. Changes in climate make it painfully clear that the human impact has become far greater than we could ever have imagined. The current geological era is therefore often called the Anthropocene, the era in which the consequences of human activity become perceptible in the climate and atmosphere.

For ARENA twenty-one artists have been invited from around the world, showing with their respective images a part of the bigger story. The photographic series offer the public substance for reflection and make us aware of the fragility of the created landscape. At the same time, Noorderlicht demonstrates how engaged art can be inspirational, in the transition towards a more responsible way of dealing with our natural environment.

The exhibition shows, for example, photographs of the mining industry in Chile and its effects on the environment. We see the plastic floating in our oceans. Quarries intended to contain the radioactive waste from Fukushima. The sweltering rainforest and cold glaciers. But also photographs of Dutch dunes brought back to their original state, and images of – is it fictional or real? – a previously inhabited island given back to nature by man.


David Klamen Acquired by Crocker Art Museum

The gallery is pleased to announce the acquisition by Crocker Art Museum of David Klamen‘s work Parenthesis #4 (2001).

The first public art museum founded in the Western United States, the Crocker Art Museum was established in 1885 and is now one of the leading art museums in California. The Crocker serves as the primary regional resource for the study and appreciation of fine art. The Museum offers a diverse spectrum of special exhibitions and programs to complement its collections of Californian art, works on paper, European art, international ceramics, photography, Asian art, and African and Oceanic art. The Crocker Art Museum is the only museum in the Sacramento region accredited by the American Alliance of Museums (AAM), a recognition given to less than 800 of the nation’s 17,500 museums. AAM accreditation certifies that a museum operates according to standards set forth by the museum profession, manages its collections responsibly, and provides quality service to the public.

David Klamen (American, b.1961) is a contemporary painter whose work grows in conjunction with his interest in philosophy and scholarship, centralized around the questions,”How do I know what I know?” and “How do I know myself?” Klamen paints figuratively and abstractly, sometimes combining the two by incorporating geometric lines or patterns atop his high finished landscapes. Says Richard Gray Gallery, “His current paintings test epistemological strategies as diverse as OP Art (and its implication that knowledge may be a purely retinal experience), empiricism (the idea that the sole source of knowledge is direct quantifiable experience), introspection, and others. In this investigation, Klamen plays with the history of art, utilizing modern and pre-modern conventions as metaphors for our communal search for meaning.”




Penelope Umbrico lecture at The Photo Center NW

Join PCNW for an artist lecture on image reappropriation with Penelope Umbrico.

Friday, May 20th
6:30 – 8:30PM

Umbrico works “within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects, and information that surrounds us, searching for decisive moments—but in these worlds, decisive moments are cultural absurdities.” She finds these moments in the pages of consumer product mail-order catalogs, travel and leisure brochures; and websites like Craigslist, EBay, and Flickr. Identifying image typologies—candy-colored horizons and sunsets, books used as props—brings the farcical, surreal nature of consumerism to new light.

Click here for information.

Umbrico_57-38_from the series Bad Display (eBay)_30x40in_300dpi

Penelope Umbrico Acquired by Denver Art Museum

The gallery is pleased to announce the Denver Art Museum‘s acquisition of Penelope Umbrico‘s work, “18,297,350 Suns from Sunsets from Flickr 04/16/14″ ( 2014). 

The Denver Art Museum is an educational, nonprofit resource that sparks creative thinking and expression through transformative experiences with art. Its holdings reflect the city and region—and provide invaluable ways for the community to learn about cultures from around the world. Its mission is to enrich the lives of present and future generations through the acquisition, presentation, and preservation of works of art, supported by exemplary scholarship and public programs related to both its permanent collections and to temporary exhibitions presented by the museum.

Penelope Umbrico (born in Philadelphia, 1957) graduated from the Ontario College of Art and Design in Toronto, and received her MFA from the School of Visual Arts, New York. She has participated extensively in solo and group exhibitions, including at the San Francisco Museum of Modern Art and PS1 Contemporary Art Center, New York. Umbrico is core faculty in the School of Visual Arts MFA Photography, Video, and Related Media Program. Selected public collections include the Guggenheim Museum (NY), International Center of Photography (NY), McNay Museum of Art (TX), Metropolitan Museum of Art (NY), Museum of Contemporary Photography (IL), Museum of Contemporary Art, San Diego (CA), Museum of Modern Art (NY), and the San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), among others. She lives in New York City.

21,887,750 Suns from Sunset from Flickr (Partial) 06:27:2014