Monthly Archives: August 2016

The gallery is thrilled to announce the acquisition of four works by Heidi Schwegler for the permanent collection of the Portland Art Museum.

The Portland Art Museum is the leading cultural institution in the state and region.  Its hallmarks are innovation, excellence, and engaged community partnerships.  The Museum presents a relevant and dynamic program originating from its collections and Film Center.  With historically preserved and newly designed architectural space of the highest quality, the Museum invites, inspires, and fosters contemplation and discussion.  As a beacon for culture and education for our growing and evolving community, the Museum is known for its exceptional trustees, staff, programs, collections, and visitor amenities.

Heidi Schwegler (b. 1967 in San Antonio, TX) explores a wide range of materials in the service of her subject matter. She is drawn to the peripheral ruin, modifying discarded objects to give them a new sense of purpose. There is an equilibrium inherent in such things – they float between endurance and decay, a living death. Her numerous shows include exhibitions at the Co/Lab Art Fari (CA), Raid Projects, (CA), Platform China (Beijing), Scope Art 2004 (NY), and the Hallie Ford Museum (OR). Schwegler is a recent Ford Family Fellow, received a 2010 MacDowell Colony Fellowship and several RACC Individual Project Grants. Reviews of Schwegler’s work have appeared in Art in America, Daily Serving, ArtNews and the Huffington Post. She earned her MFA from the University of Oregon and is Chair of the MFA in Applied Craft + Design, a joint program of Oregon College of Art and Craft, and the Pacific Northwest College of Art.

Daniel Canogar is part of the exhibition From Rodin to de Bruyckere – The Surface as a Carrier of Meaning in Sculpture at Lehmbruck Museum in Germany.

2 July to 23 October, 2016

With works by Auguste Rodin, Medardo Rosso, Wilhelm Lehmbruck, Constantin Brâncuși, Max Bill, Mary Vieira, Janet Cardiff/Georges Bures Miller, Daniel Canogar, Dorothee Golz, Rebecca Horn, Carsten Nicolai, Julian Opie, Georg Baselitz, Jeppe Hein, Elina Autio, Stella Hamberg, Evan Roth, Michael v. Kaler, Heike Weber, Berlinde de Bruyckere and others. 

The gallery is thrilled to announce the acquisition by Crocker Art Museum of Tim Bavington‘s work Study for “Blue Suede (#1)” (2012).

The first public art museum founded in the Western United States, the Crocker Art Museum was established in 1885 and is now one of the leading art museums in California. The Crocker serves as the primary regional resource for the study and appreciation of fine art. The Museum offers a diverse spectrum of special exhibitions and programs to complement its collections of Californian art, works on paper, European art, international ceramics, photography, Asian art, and African and Oceanic art. The Crocker Art Museum is the only museum in the Sacramento region accredited by the American Alliance of Museums (AAM), a recognition given to less than 800 of the nation’s 17,500 museums. AAM accreditation certifies that a museum operates according to standards set forth by the museum profession, manages its collections responsibly, and provides quality service to the public.

Music is the genesis of Tim Bavington’s paintings. Through synthetic polymer paint, Bavington acts as a translator between the aural and the visual as he transforms guitar solos, melodies and bass lines into vertical bands of color. Tracks from bands such as The Darkness, Oasis and The Rolling Stones become vibrant bands of color, and bridge compositional concepts between seemingly unlike disciplines. Although Bavington has a method that designates sound to color and composition, the paintings are not literal translations; they remain open to intuition and decision-making, allowing for a distinct artistic presence.

Heidi Schwegler is highlighted in a review of the exhibition Uncommon Likeness, at Sheldon Art Museum. The articled is titled ,”Uncommon Likeness’ explores identity in one of best ever Sheldon exhibitions,” and is written by critic L. Kent Wolgamott.

Click here to read the article.

Jeffry Mitchell has a solo exhibition at Sheldon Museum of Art from July 22 through November 27, 2016. 

A cast of animal, plant, and human characters make regular appearances in Jeffry Mitchell’s ceramic works. They might be seen as stand-ins for the artist himself, or possibly as representing facets of Mitchell’s experience growing up gay in a working-class Catholic family.

The objects on view in Sheldon’s Focus Gallery come from a larger series by Mitchell of twenty-four works referencing the hours in a single day. The forms resemble those of intimate-scale dioramas or theatrical stages and are also reminiscent of medieval reliquaries.

Art critic Jennifer Rabin has written an in-depth review of Heidi Schwegler‘s exhibition at the Portland Biennial titled, “Portland2016: The cellular memory of place, Part One.”

Read the article here.

Click here for installation shots of Schwegler’s exhibition.

The gallery is pleased to announce the acquisition by Crocker Art Museum of Allison Schulnik‘s work Eager Red Big Guy (2013). 

The first public art museum founded in the Western United States, the Crocker Art Museum was established in 1885 and is now one of the leading art museums in California. The Crocker serves as the primary regional resource for the study and appreciation of fine art. The Museum offers a diverse spectrum of special exhibitions and programs to complement its collections of Californian art, works on paper, European art, international ceramics, photography, Asian art, and African and Oceanic art. The Crocker Art Museum is the only museum in the Sacramento region accredited by the American Alliance of Museums (AAM), a recognition given to less than 800 of the nation’s 17,500 museums. AAM accreditation certifies that a museum operates according to standards set forth by the museum profession, manages its collections responsibly, and provides quality service to the public.

Born in 1978 (San Diego, CA), Schulnik earned her BFA in Experimental Animation from the California Institute of the Arts, Valencia (CA). She has had solo exhibitions at the Oklahoma City Museum of Art (OK), Nerman Museum of Contemporary Art (KS), Rokeby Gallery (London), Unosunove Arte Contemporanea (Rome), Division Gallery (Montreal), and ZieherSmith Gallery (NY), in addition to her inclusion in film festivals around the world. Her work has also been shown at the Garage Center for Contemporary Culture (Moscow), Hammer Museum (CA), Los Angeles County Museum of Art (CA), Santa Barbara Museum of Art (CA), Contemporary Arts Museum (LA), and Hangar-7 (Salzburg), among many others. Allison Schulnik’s work is in the public collections of the Los Angeles County Museum of Art (CA), Nerman Museum of Contemporary Art (KS), Museum of Contemporary Art, San Diego (CA), Santa Barbara Art Museum (CA), Museé de Beaux Arts (Montreal), Farnsworth Art Museum (ME), Laguna Art Museum (CA), Montreal Contemporary Art Museum (Canada), Wadsworth Atheneum Museum of Art (CT), and Montreal Museum of Fine Arts (Canada). The artist lives and works in Los Angeles, CA.

Heidi Schwegler is part of Uncommon Likeness: Identity in Flux, at the Sheldon Museum of Art.

This exhibition brings together major paintings, photographs, and sculptural works by contemporary artists who choose to depict the body as a point of examining mortality, transience, and identity. Uncommon Likeness includes loans from artists and prominent private collections, as well objects from Sheldon’s permanent collection, that speak to the human condition of negotiating both literal and figurative borders of geography, society, psychology, gender, and spirituality in today’s world.

Click here for more information on the exhibition.

Jean Shin is highlighted in the New York Times review of the group show “Game On,” at the Children’s Museum of Art.

Click here to read the article.

The gallery is please to announce the acquisition of Chris Duncan’s major work, “White Cinderblock,” by the Berkeley Art Museum, for their permanent collection.

The Berkeley Art Museum and Pacific Film Archive’s comprehensive collection—more than 19,000 works of art and 17,500 films and videos—is characterized by artistic excellence and innovation, intellectual exploration, and social commentary. Representing a tremendous diversity of global cultures and historical periods, the collection has particular strengths in Ming and Qing dynasty Chinese painting, Mughal dynasty Indian miniature painting, Baroque painting, old master prints and drawings, early American painting, nineteenth- and early-twentieth-century photography, Conceptual art, and international contemporary art, classic and international cinema, West Coast avant-garde film, international animation, Soviet cinema, early video art, and the largest collection of Japanese films outside of Japan. BAMPFA’s Modern collection is built around a remarkable core holding of fifty paintings by the Abstract Expressionist painter and teacher Hans Hofmann and includes significant works by Mark Rothko, Helen Frankenthaler, Ad Reinhardt, Jackson Pollock, David Smith, and Clyfford Still.

Chris Duncan is an Oakland-based artist who employs repetition and accumulation as a basis for experiments in visual and sound based media. Often in flux between maximal and minimal, Duncan’s work is a constant balancing act of positive and negative, loud and quite, solitary and participatory and tends to lead towards questions regarding perception, experience and transcendence. Time’s physical and psychological effect have become paramount in these experimental endeavors.