Category Archives: Mark Moore Gallery

Now Representing: David Maisel

Mark Moore Gallery is pleased to announce its representation of San Francisco-based photographer, David Maisel.

Maisel’s large-scaled, surreal photographs chronicle the complex relationships between natural systems and human culture. His research-based practice has been the subject of five monographs, including “The Lake Project” (Nazraeli Press, 2004), “Oblivion” (Nazraeli Press, 2006), “Library of Dust” (Chronicle Books, 2008), “History’s Shadow” (Nazraeli Press, 2011), and “Black Maps: American Landscape and the Apocalyptic Sublime” (Steidl, 2013). Maisel’s images of radically altered terrain have transformed the practice of contemporary landscape photography. His hallucinatory worldview encompasses both stark documentary and tragic metaphor, and explores the relationship between nature and humanity today. Maisel’s images of environmentally impacted sites consider the aesthetics and politics of open pit mines, clear-cut forests, rampant urbanization and sprawl, and zones of water reclamation. These surreal and disquieting images take us towards the margins of the unknown, and as the Los Angeles Times has stated, “argue for an expanded definition of beauty, one that bypasses glamour to encompass the damaged, the transmuted, the decomposed.” Maisel also explores similar ideas of perception through alternative techniques in other bodies of work, such as “History’s Shadow” (completed during the artist’s residency at the Getty Research Institute) and “Library of Dust,” which The New York Times has called “a fevered meditation on memory, loss, and the uncanny monuments we sometimes recover about what has gone before.”

Maisel is the recipient of a 2011 grant from the Center for Cultural Innovation, a 2008 Artist Residency from the Headlands Center for the Arts, and a 2007 Scholar/Artist Residency from the Getty Research Institute. Maisel has received fellowships from the National Endowment for the Arts and the Opsis Foundation. He was appointed a Trustee of the Headlands Center for the Arts in 2011. His work has been shown globally, including in such prestigious institutions as the California Museum of Photography (CA), Scottsdale Museum of Contemporary Art (AZ), Portland Art Museum (OR), Fotografie Forum International (Frankfurt), American Academy (Rome), Musee des Beaux Artes (Bordeaux), and Seoul Arts Center (Seoul) among many other venues. Maisel’s works are in major public collections, including the Metropolitan Museum of Art (NY), the Getty Museum (CA), the National Gallery of Art (D.C.), the Victoria and Albert Museum (London), and the Los Angeles County Museum of Art (CA), among many other institutions. He received his BA from Princeton University, studied at Harvard’s Graduate School of Design, and received his MFA from California College of the Arts. The artist lives and works in Sausalito (CA).

For information about this artist and available works, please feel free to contact the gallery, and we will accommodate your needs. The gallery will feature new works by Maisel at the Miami Project Art Fair, December 2-7, 2014.

BOROX 5

Featured New Works: Joshua Dildine

As part of the gallery’s new “Featured Works” program, we are pleased to spotlight new paintings by Joshua Dildine. Dildine was recently chosen by ArtBook Guy as one of “100 Super Hot Artists for 2014,” and currently has works on view in “Savage Sentimentality,” a group exhibition at Cerritos College Art Gallery (which remains on view through October 10, 2014).

Merging archival autobiographical photographs with viciously gestural painting, Joshua Dildine confronts the subject of conventional recollection. A fixation shared by society at large, the contemplation of past events and relationships ultimately shapes our psychology moving forward – as a flicker of fond reminiscence, ardent shame, or jovial glee can be activated by a single sensory cue. With a purposeful cognizance, Dildine mines these runes for the underlying traits that forge our shared humanity: the humor found in the compromising, the endearment found in the aggravating, or the conflict found in the absent. His painterly swaths are as visceral as the family photos they conceal, his vivid palette alluding to the glaring absurdity of our incessant self-analysis and contemplation of the past. Through a carefully disjointed lens, Dildine creates experiences that are at once present and bygone, and whimsically harnesses the contemporaneous nature of our being.

Dildine (b. 1984, CA), received his MFA from Claremont Graduate University (CA). He has been featured in group exhibitions in Oakland, Los Angeles, San Diego, and Murfreesboro, as well as the Frederick Weisman Museum of Fine Art (CA). He was also the recipient of the 2010 Claremont Graduate University Award. The artist lives and works in Claremont, CA.

Dildine

Holiday Weekend Hours

Please note that the gallery will be closed Saturday, August 30, 2014 in recognition of Labor Day. We will reopen again on Tuesday, September 2 with the current Clayton Brothers exhibition on view. Thank you, and have a restful long weekend.

Claytons

Penelope Umbrico in San Diego

On the occasion of Aperture’s sixtieth anniversary in 2012, a select group of contemporary photographers responded to Aperture publications that had been influential in forming their work, paying them artistic homage. Artists were commissioned to create a new work inspired by the ideas that they had found most influential or of greatest concern in the earlier work. One such artist was MMG’s Penelope Umbrico – whose work is included in “Aperture Remix,” a traveling exhibition currently on view at the Museum of Photographic Arts in San Diego (CA).

Featured artists and who/what they are remixing include:

Rinko Kawauchi – Sally Mann
Vik Muniz – Edward Weston
Taiyo Onorato & Nico Krebs – Aperture essay books
Martin Parr – Aperture magazine issue 103
Doug Rickard – Stephen Shore
Viviane Sassen – Edward Weston
Alec Soth – Robert Adams
Penelope Umbrico – Masters of Photography series
James Welling – Paul Strand

The exhibition was organized by the Aperture Foundation, New York, and curated by Lesley A. Martin. The show remains on view through October 5, 2014. For information about available works from this series, please email info@markmooregallery.com

 

Umbrico

Jason Salavon Acquired by Crocker Art Museum

Mark Moore Gallery is pleased to announce the acquisition of “The Smith & Jones Checkerboard” – a work by interdisciplinary artist, Jason Salavon – by the Crocker Art Museum (CA) for its permanent collection.

Salavon uses software processes of his own design to generate and reconfigure masses of communal material to present new perspectives on the familiar. Though formally varied, his projects frequently manipulate the roles of individual elements derived from diverse visual populations. This often unearths unexpected patterns in the relationship between the part and the whole, the individual and the group. Reflecting a natural attraction to popular culture and the day-to-day, his work regularly incorporates the use of common references and source material. Often, the final compositions are exhibited as art objects – such as photographic prints and video installations – while others exist in a real-time software context.

We congratulate Jason on this accolade! For inquiries regarding available work or information about the artist, please send an email to info@markmooregallery.com.

Salavon

Andrew Schoultz Releases New Print Edition

In celebration of his upcoming exhibition in Cologne (Germany), Andrew Schoultz will release a new print edition produced with DRAW A LINE. Set to be released tomorrow (August 27th, 2014) at 12pm, the print will feature some of Schoultz’s most iconic imagery. Says the artist:

“I am really happy with how it turned out. It is 100% hand silkscreen print, signed and numbered on archival acid-free thick rag paper. All of the transparencies were hand painted, which really gives it a very unique quality. The people at DRAW A LINE are sincere, great people who are doing great projects with artists from all over the world, and putting a lot of effort into each individual project. Their editions are not just being pumped out of a digital printer. They are unique and original and their approach is in line with historical print processes, which seems to becoming more and more rare these days. You are sure to hear about these guys a lot in the near future. If you are interested in purchasing one of these limited editions, go to there website and check it out.”

Congratulations to Andrew and DRAW A LINE on this new project! Andrew’s solo exhibition at Gallery-Ruttkowski 68 (Cologne), “Der Untergang des Abendlandes” (Decline of the West); New Work by Andrew Schoultz,” will be on view October 11- November 22, 2014.

Schoultz

Ben Weiner Featured in W Magazine

Congratulations to gallery artist, Ben Weiner, on his recent feature in W Magazine! Says writer Kat Herriman:

“Ben Weiner’s Queens studio is filled with both paint cans and prescription pill bottles—a testament to the artist’s unique practice of transforming household substances (both legal and illegal) into fragile crystal sculptures and psychedelic prints. Using commonplace stimulants like Five Hour Energy (Berry flavor) and MDMA, Weiner probes our curious trust in drugs by turning them into something unrecognizable, messy, and yet distinctively chemical. His process is loosely derived from chemigrams and is as much creative experimentation as it is chemistry, but it’s the unpredictability of his results that make them all the more intriguing.”

To read the full article, and see a photo slide show that showcases Ben’s studio process, click here! Inquiries about available works from this new series may be directed to info@markmooregallery.com.

Weiner

Andrew Schoultz Solo Exhibition in Cologne, Germany

Andrew Schoultz will be opening a solo show in Cologne, Germany at gallery Ruttkowski 68. The exhibition title, Der Untergang ds Abenndlandes (Decline of the West) was inspired by German author Oswald Spengler’s “Decline of the West with whom the artist felt a relevant conceptual connection.

Decline of the West: New Work by Andrew Schoultz
October 11 – November 22, 2014

Ruttkowksi 68
Bismarckstrasse 68
50672 Cologne
Germany

Allison Schulnik a Finalist at ShortList Film Festival

On August 13, the entertainment news site The Wrap, announced the 12 finalists for its third annual ShortList Film Festival. One of the selected films is Allison Schulnik’s Eager (2014), which screened at this year’s Stuttgart and Annecy animation film festivals, and also earned a Special Jury Recognition Award for Animation at SXSW.

The film had its premiere at the ZieherSmith Gallery in New York in January. It’s a traditional, stop-motion and claymation work in which “a rhythmic ritual is performed by a bizarre ensemble of macabre figures.”

The ShortList Festival films are available for viewing and voting at shortlistfilmfestival.com through Aug. 27. The finalists will also be broadcast on the the EPIX network Aug. 24 at 6 pm ET/3 pm PT and again in EPIX’s Drive-In (SD) channel on Aug. 25 at midnight ET/Aug. 24 9 pm PT.

Two $5,000 awards—The Audience Prize and the Industry Prize—will be handed out during a ceremony on Aug. 28 at the YouTube space in Los Angeles. The Industry winner, chosen by a jury of independent film experts,  also earns a meeting with executives at Paramount Pictures, MGM or Lionsgate to pitch their next project. The Audience Prize winner, determined by the popular vote, will be able to use the YouTube Space and production facilities for their next project.

We congratulate Allison on this remarkable nomination!

Eager

Kim Rugg at Salisbury University Art Gallery

Works by gallery artist Kim Rugg will be featured in “TXTED,” an upcoming group exhibition taking place at the Salisbury University Art Gallery. The exhibition, curated by Marisa Sage, explores the ever the evolving conversation between art and language. This group text based exhibition will contain paintings, photographs, drawings, sculpture, and installation: all which utilize text as the agent to intricate conceptual metaphors, visual insights, and complex narratives. The role humorous and “simple” texts take on in this exhibition echoes their role in “art” currently as a tool which disarms the viewer, allowing them to trust the artist before they are hit with concepts and processes which often reveal the harsh realities of our current political climates and complex societies.

Artists in this exhibition include: Sol LeWitt, Alex Gingrow, Carrie Mae Weems, Iviva Olenick, Jayson Musson, Michael Scoggins, Meg Hitchcock, John Salvest, David Rathman, William Powhida, Kim Rugg, Daniel Oglander, and Nate Larson & Marni Shindelman. “TXTED” will be on view September 2 – October 25, 2014.

Rugg