Tag Archives: Mark Moore Gallery

Aside

Gallery artist Penelope Umbrico will be featured in a solo exhibition of her work at Bethel University’s Olson Gallery in Twin Cities, MN. The exhibition will feature her continuation of Moving Mountains using Dr. George C. Poundstone’s photographs from Bethel University’s Permanent Collection … Continue reading

News from the Miami Fairs

As noted in yesterday’s Huffington Post, art collector SEAN “DIDDY” COMBS acquired two works by Mark Moore Gallery artist ANDREW SCHOULTZ at the Miami Art Fairs on opening day. Schoultz’s first Los Angeles show opens at the gallery January 12. 2013.

Miami Project Art Fair - Dec 4-9, 2012 - Midtown Miami / Wynwood District

Here are a few highlights–

First, a nod to something we mentioned yesterday: Sean “Diddy” Combs’ purchase of two Andrew Schoultz gold flag paintings at Marx & Zavatero Gallery.

Andrew Schoultz
Gold Dripping Flag (exposed)
acrylic & 23-karat gold leaf on stretched and dyed American flag over panel, 2012

MMG artist Ben Weiner’s upcoming solo exhibition, SMUSH, opens November 1 at Benrimon Contemporary in New York

Ben Weiner’s first solo exhibition at the Benrimon Contemporary, on view until December 15, includes paintings, a multi-channel video installation, and sculptural objects.

Ben Weiner - Shrine

Ben Weiner
Shrine, 2012
Oil on canvas, 52 x 78 inches

Engaging in a variety of media, ranging from Weiner’s signature large-scale paintings and time-lapse videos to a series of sculptural objects, SMUSH explores a process-based narrative, adapting medium specificity for the reality television era. The exhibition explores the structure of paint at a microscopic level, unveiling the organic origins of a man-made material.

Weiner bases his paintings on highly magnified views of the paint on his palette. Viewed at a perspective alien to the naked eye, blobs of paint appear as organic terrains and hyperpigmented, trompe l’oeil landscapes. These paintings chart the evolving topography of his palette, with the process creation of one painting generating source imagery for the next.

In addition to the paintings, the exhibit will present new videos and sculptural objects. Weiner’s time-lapse video projections magnify the process by which pigment, linseed oil, varnish, and turpentine are mixed together to make paint, distilling days of footage into several minutes. The resulting videos bring the viewer into a fantastical molten universe, where landscape and material is ever in flux.

For the first time in his career, Weiner will exhibit sculptural objects, crystalline forms grown from the minerals in paint pigment. By dissolving these minerals into solutions and letting them evaporate in molds, Weiner channels the natural processes by which crystals form. The objects meld glamour with the organic, while reassessing the cycle of nature and artificiality.

Ben Weiner was born in 1980 and lives and works in New York City. His work has been included in exhibitions at The Aldrich Contemporary Art Museum, The Carnegie Art Museum, The Frederick R. Weisman Museum of Art at Pepperdine University, and The Riverside Art Museum. Weiner has had two solo exhibitions with Mark Moore Gallery in Los Angeles, and his works are in the permanent collections of the Sammlung Mondstudio (Germany), Progressive Insurance (Ohio), and the Frederick R. Weisman Foundation (California). In 2010 Weiner was awarded the New York Foundation for the Arts Fellowship.

Opening reception:
Thursday, November 1
6-8pm
Benrimon Contemporary
514 West 24th Street
New York, New York

Kiel Johnson’s Retro Thingamajigs at the Taubman Museum

Those lamenting the disappearance of the Polaroid camera and relishing the banjo’s reappearance have something in common with Kiel Johnson: a love for the sounds and objects of a bygone era, and nostalgic affections for the handmade. Opening on June 3, 2011 at the Taubman Museum of Art in Roanoke (VA), is One Thing Leads to Another, the artist’s first major museum retrospective exhibition featuring his handmade machinery and ink drawings, in addition to an on-site painting and exterior mural. Many of Johnson’s hand-crafted cassette tapes, SLR and Polaroid cameras, boom boxes, and musical instruments will be on view – all constructed from his signature cardboard medium – in addition to Publish or Perish, a sizable tribute to his family’s newspaper printing press, in “working” condition. The collection of gadgetry will remain on view through August 28, 2011.

Ben Weiner’s Abstractions Travel to St. Louis

As of Friday, May 20th, Ben Weiner‘s video work entitled Na + (aq) + C5H8NO – (aq) NaC5H8NO4(s) can be found in Bruno David Gallery‘s New Media Room. Representing his most recent form of photographic exploration, the piece utilizes stop motion technique to combine thousands of photographs into a swirling, coalescing landscape of lavish texture that is mysteriously familiar, transcendent, and disorienting all at the same time. Depicting magnifications of synthetic materials, the resulting terrain fuses object, subject, and medium in an exploration of beauty, surface, abstraction, and consumer/art object duality.

The exhibition will run though July 2 in all of its opulent glory. Visit the exhibition’s website for more information.

Allison Schulnik Gets “Cryptic”

Showing alongside Francisco Goya, Folkert de Jong, Hiraki Sawa, Dana Schutz, Javier Tellez, and Erika Wanenmacher, Allison Schulnik will be keeping some pretty good artistic company during her upcoming exhibition at the Contemporary Arts Museum, St. Louis. Featured in “Cryptic: The Use of Allegory in Contemporary Art, with a Master Class from Goya” curated by Laura Steward, Schulnik will have several specifically selected paintings shown in the 8,000 square foot exhibition space – which will be accompanied by a publication and lecture program.

Additionally, Schulnik’s works (in addition those of the other featured artists) will be paired in conversation with a group of Goya’s prints – creating an ongoing dialogue between their open-ended allegories both past and present.

Opening this Friday, May 20th, 2011, the exhibition remains on view through August 14th, 2011.