| Kim Rugg Fallen Angel (Los Angeles Times), 2005 Reconfigured newsprint 22 3/4 × 12 1/2 in / 57.8 × 31.8 cm Collection of the Seattle Art Museum |
| Mark Moore Fine Art is proud to announce that the SEATTLE ART MUSEUM has acquired a second major work from the NEWSPAPER Series by artist KIM RUGG for its permanent collection. Kim Rugg is renowned for her meticulous and labor-intensive work which involves deconstructing and slicing an object into minute shards to then re-organize and reconstruct it according to arbitrary codes. The original meaning is removed to reveal new ones, and to corrupt or destroy the object’s function. This act of mischievous “sabotage” is applied to ephemeral and iconic objects such as newspapers, comic books, product boxes, sweaters, and stamps, and more recently to larger formats such as wallpaper and furniture – and, by doing so, she turns a neutral vehicle for a message into an object to be considered.By giving value to something which would normally be disposed of, Rugg transgresses conventional systems by obliterating what is conceived to be the important element, “the content”, and retaining everything else, the material, the shapes, the typography, the color palettes, and the layout. Through these works, she continues her investigation into the relationship between images and their signifier. Rugg questions the way in which the information we process daily is preconceived and prompts the viewer to consider the familiar from an entirely new perspective.Matter is neither created nor destroyed in Kim Rugg’s work, but surgically, strategically repurposed. Rugg reconfigures familiar printed materials: here newspapers, magazines, and maps; previously also postage stamps, comic books and cereal boxes. By altering their forms and tweaking or altogether eliminating their legibility, she slams on the visual brakes, forcing a closer, slower inspection of objects we typically look through rather than at. The raw materials of her enterprise give up their transparency and functionality as information delivery systems to become instead sculptural interpretations of those same systems. They sacrifice one type of authority but assume another. Kim Rugg received her MFA in Sculpture from the Royal College of Art (London). Her work can be seen in the permanent collections of the National Gallery of Art (D.C.) and the Frederick R. Weisman Foundation (CA), the Museum of Contemporary Art, San Diego (CA), Honolulu Museum of Art, the Norton Museum (FL), and the Museum of Fine Arts Houston (TX) among others. She has been included in exhibitions at the San Jose Institute of Contemporary Art (CA), Elizabeth Foundation for the Arts (NY), Galerie Schmidt Maczollek (Cologne), and Nettie Horn Gallery (Manchester), P.P.O.W. Gallery (NYC), and was the recipient of the Thames and Hudson Prize from the Royal College of Art Society in 2004. She lives and works in London (UK). The Seattle Art Museum (SAM) is the largest visual arts institution in the Pacific Northwest, featuring a collection of over 25,000 artworks from around the world. Located in downtown Seattle near Pike Place Market, it serves as a central cultural hub, with two additional locations: the Seattle Asian Art Museum in Volunteer Park and the Olympic Sculpture Park on the waterfront. The collection features diverse, global art ranging from ancient to contemporary, including significant Northwest Coast Native American art, African art, and modern installations. |
For more information on this artist, go to: https://www.markmoorefineart.com/artists/kim-rugg
Mark Moore Fine Art Blog 