Highlighted: Joseph Rossano’s Amazing Crushed Glass Sculpture in “Conservation From Here”

Mark Moore Fine Art is proud to announce the opening of a new touring exhibition by artist JOSEPH ROSSANO. Please find below a few of the highlights of this exhibition for your reference which includes four of Rossano’s amazing crushed glass sculpture works.

ROSSANO.CFH.North.Room.Installation.Tusk.Elk.Detail.(W.Geddes)

JOSEPH ROSSANO/ Conservation From Here (2017-2018) / Installation View at the Sagamore Hill National Historic Site and Oyster Bay Historical Society, “Conservation From Here”, Oyster Bay, NY

Conservation From Here” features the work of Joseph Rossano in an exhibition synthesizing art and science. It remarks on historic moments in conservation in the United States and lights the way for the future conservation of all species, including our own. This exhibition is on view concurrently as an ARTSY Online Exclusive and at the Sagamore Hill National Historic Site and Oyster Bay Historical Society, “Conservation From Here”, Oyster Bay, NY.

PREVIEW THE EXHIBITION NOW BY CLICKING HERE

ROSSANO.CFH.North.Room.Installation.Tusk.Elk.(W.Geddes)

JOSEPH ROSSANO/ Conservation From Here (2017-2018) / Installation View at the Sagamore Hill National Historic Site and Oyster Bay Historical Society, “Conservation From Here”, Oyster Bay, NY

“The conservation of natural resources is the fundamental problem. Unless we solve that problem, it will avail us little to solve all others.” ~ Theodore Roosevelt, October 4, 1907

“CONSERVATION FROM HERE” originates at the home of the conservation movement’s most historically recognized champion, Theodore Roosevelt. Through the visual and emotional enticement of art, and supported by ongoing programs and curricula, the exhibit leads viewers to the understanding that conservation begins, for each and every one of us, wherever “here” might be … a moment in time, a longstanding or newly formed perspective, a physical place we inhabit or otherwise hold dear. This multimedia exhibit originates at Sagamore Hill National Historic Site, the home of Theodore Roosevelt, and examines a more than 100 year-old promise of conservation, inspiring a new generation to revere and conserve animals and their habitats.

JOSEPH ROSSANO/ North Room: Roosevelt Elk #1, 2017 / 65.25”H x 60”W x 50”D / Crushed Glass, Whitewash, Carving and DNA

JOSEPH ROSSANO’s work uses the spectacle of art to disarm an audience, opening that audience to truths about man and nature. On the surface, it appears as though he is manufacturing representational art; the hidden reality is quite different. Rossano has made butterflies from fighter aircrafts; used whitewash and tar to tell a story of human behavior refusing to disappear; and employed 800-year-old trees as a historic reference to modern humanity. 

Through the use of contextually significant materials, the artist’s work relates an environmental truth hidden in plain sight. Engaging in intensively researched life science theory, Rossano curates a narrative of his own manufacture, which exposes the viewer to that hidden truth and the theory it supports. Through a mutual desire to protect the natural world, he enlists prominent life scientists to, together, lead viewers to poignant, of the moment theories, represented in three dimensions.

ROSSANO.CFH.North.Room.Installation.(W.Geddes)

JOSEPH ROSSANO/ Conservation From Here (2017-2018) / Installation View at the Sagamore Hill National Historic Site and Oyster Bay Historical Society, “Conservation From Here”, Oyster Bay, NY 

Until a recent shift in scale, the vast majority of what he made reflected personal toil, crafted, conceived and researched by his hand and mind alone. No longer pursuing intimate works, Rossano now continues in the same vein with large-scale installations in the homes of U.S. President’s, and more, exposing ever larger audiences to the conceptual matrix surrounding his work and our world. These new works are created in association with other artists, corporations, and individuals, all willing to donate their time and materials to the causes Rossano addresses and messages they deliver – a model of community collaborating for a cause. 

The scientist, the environmentalist, and the conservationist constantly face the challenge of convincing an audience to care about their work, cause, etc. Although artists face the same challenges, more often than not, it is an ego driven exercise. Rossano have chosen to make makes things regardless of profit, that are about something bigger than ourselves, , about individuals and creatures—whether they be human or other—that need our help. 

ROSSANO.CFH.North.Room.Installation.Buffalo.(W.Geddes)

JOSEPH ROSSANO/ North Room: Buffalo #1, 2017 / 36”H x 26”W x 28”D / Crushed Glass, Whitewash, Carving, and DNA

Joseph Rossano, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, and the South Australia Museum.

#josephrossano #markmoorefineart #CFH #conservationfromhere

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