First Look: New Work in the studio of Tim Bavington

I wanted to share the images of the following new works by artist TIM BAVINGTON just completed in the artist’s studio today. There are some wonderful   new paintings here – please take a look. The images and particulars are below:

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TIM BAVINGTON Wildwood Flower, 2017 / Acrylic on canvas, two panels / 64 x 64 inches

Music is the genesis of Tim Bavington’s work. Through synthetic polymer paint, Bavington acts as a translator between the aural and the visual as he transforms guitar solos, melodies and bass lines into vertical bands of color. Tracks from bands such as The Darkness, Oasis and The Rolling Stones become vibrant bands of color, and bridge compositional concepts between seemingly unlike disciplines. Although Bavington has a method that designates sound to color and composition, the paintings are not literal translations; they remain open to intuition and decision-making, allowing for a distinct artistic presence.

“[His] painting is to normal aesthetic sensibility what crack cocaine is to mint tea….not so much like neon lights as they are what neon lights dream of growing up to be.” – The New Yorker Magazine

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TIM BAVINGTON Dying of the Light, 2017 / Acrylic on canvas / 24 x 72 inches

Tim Bavington (b. 1966, England) received his BFA from the Art Center (CA) before making the permanent move to Las Vegas, where he completed his MFA at the University of Nevada, Las Vegas (NV). His work is included in the public collections of Fredrick R. Weisman Collection (CA), Albright-Knox Art Gallery (NY), Creative Artists Agency (CA), Joslyn Art Museum (NE), Museum of Contemporary Art, San Diego (CA), Portland Art Museum (OR), United Talent Agency (CA), Vivendi Universal (CA), Palm Springs Art Museum (CA), Denver Art Museum (CO) and The Museum of Modern Art (NY). He has exhibited at LeeAhn Gallery (Daegu), Jack Shainman Gallery (NY), Galerie Jean-Luc & Takako Richard (Paris), Space Gallery (London), Museum of Fine Arts (MA), Laguna Art Museum (CA), and the Texas Fine Arts Center (TX), among others.

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TIM BAVINGTON White Room, 2017 / Acrylic on canvas, two panels / 12 x 112 inches

The best way to review available works by any given artist at the gallery is to access their PRIVATE VIEWING area on our website.

If you would like to look through our available inventory and the prices for these works, I have taken the liberty of placing all available works in the PRIVATE VIEWING area of our website for you to view there. We update these daily. To view this work, go to this special link I have set up for HERE.

Enter the following User name: artist last name

Enter the following password: artist first name

Example, for Tim Bavington:

Enter the following User name: bavington

Enter the following password: tim

Please use all lowercase letters for the username and password.

The information on the work, the price, and the piece will be there in a Private Viewing Room for you to review. Click on the arrows (“<” or “>”) to go to the next image and click on the “+” sign to enlarge.

This access information works for every artist we show. The information is current and updated daily. It may give you some ideas on what is available to you.

Hi-res images are available upon request.

“There’s little question that these paintings have a musical quality, as many abstract paintings do. What’s more, the works, and their titles, reflect a younger artist’s unapologetic aesthetic sensibility that includes pop, rock, and mod in its source material, not to mention Vegas Baroque and Marfa Minimalism, Dan Flavin, Kenneth Noland, bar codes, Bridget Riley, psychedelia, electronic, Ed Ruscha, test patterns, screen savers, Hang Ten T-shirts, Saturday Night Fever disco floors, and the communication sequences in Close Encounters of the Third Kind. And like that drink that didn’t sound so good when you heard the ingredients but turned out to warrant another round, Bavington’s paintings, at their best, show that even the funky and often -maligned spirits on which his generation was weaned make for fine cocktails when properly poured.” – Art Critic Christopher Miles, ARTFORUM

Images, biography, reviews, on-line catalogs, and general information on Tim Bavington and his work can be found on our website for your reference. Please double-click on the following link to view these works HERE.

This work is all available subject to a prior sale. Shipping, customs (if applicable), and/or viewing expenses, if any, would be additional.

Please contact me for any additional information on this artists or this work at:

mark@markmoorefineart.com

#markmoorefineart

#timbavington

 

 

 

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