Reviewer Keren Moscovitch writes:
“Joshua Dildine’s astute solo exhibition at Freight + Volume addresses issues of memory, the archive, family dynamics and technology. An examination of the ways his work leaps off the wall and enters our consciousness may help elucidate the discourse it provokes. In short, to see a Dildine on the wall of a gallery is to look at a painting—a sensitively gestural work of art that reveals its process below the surface of its brush strokes and saturates the viewer’s field of vision with color, action and surface.”
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