Tag Archives: pottery

MMFA Artist ZEMER PELED Featured In THE CONVERSATION on BBC

Focus: Women Making Art From Clay

The Conversation

https://www.bbc.co.uk/programmes/w3cszj4q

Pottery is one of the oldest and most widespread decorative arts and has enjoyed rising popularity in recent years. At the same time, ceramics are increasingly significant as contemporary art. Kim Chakanetsa talks to two ceramicists about sprigging, drying, firing and smashing; commercial collaborations; and getting their pieces in museums. 

Hitomi Hosono is a Japanese ceramicist whose delicate work sits in the British Museum and V&A. She’s also collaborated with the world-famous Wedgewood pottery manufacturer to make jasperware vases. Her ceramics, with a chalk-like finish and gold embellishments, are rooted in both Japanese and European traditions. Inspired by the intricacy of plants, leaves and flowers her pots seem to sway in the breeze and grow.

Israeli ceramicist Zemer Peled took up pottery as part of therapy after a break-up in her 20s and now exhibits at galleries and museums around the world. Her work examines the beauty and brutality of the natural world. She makes large and small-scale sculptures and installations from thousands of porcelain shards – and has a growing collection of hammers!

Produced by Jane Thurlow 

IMAGE DETAILS
Left: Hitomi Hosono (courtesy Adrian Sassoon)
Right: Zemer Peled (credit Zemer Peled Studio)

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MEHGAN SMYTHE: RECENT EXPLORATIONS IN CERAMIC SCULPTURE | An Exclusive ARTSY Online Exhibition On View Now

MEHGAN SMYTHE: RECENT EXPLORATIONS IN CERAMIC SCULPTURE | An Exclusive ARTSY Online Exhibition On View Now

We are proud to present the new ceramic works of Meghan Smythe in her exclusive ARTSY exhibition, “Recent Explorations in Ceramic Sculpture”. Through her use of traditional monument format, Smythe captures the delicate balance between intimacy and brutality, beauty and ugliness.

VIEW THIS SHOW NOW AT: https://bit.ly/48ZMQcJ

Using a traditional sculptural format (the monument), Meghan Smythe captures contradicting extremes within human gesture: intimacy and brutality, beauty and ugliness, or the lewd and tender. In her attempt to achieve an “elegant vulgarity,” she encapsulates moments that define our mortality in unanticipated ways; oftentimes toeing the delicate line between erotic and macabre tendencies that give way to life, and ultimately death. Glass, ceramic, and concrete are woven together in an elaborate, orgy-like web of body parts and organic artifacts, as if suddenly cast with Pompeii-like circumstances. Like excavated antiquities or fossils, Smythe’s ceramic compositions allude to the cyclical nature of civilization – a dramedy in which all of the players are subject to conquest and demise.

Smythe (b. 1984, Kingston, ON) received her MFA from the Alfred University School of Art and Design (NY). Her work has been shown at the Arizona State University Art Museum (AZ) and the Gardiner Museum, Toronto (ON). She was the Visiting Artist in Residence at California State University, Long Beach (CA) from 2012-2014.

For more information or additional press materials, please visit: www.markmoorefineart.com

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