Tag Archives: museum

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist MARK BENNETT by the Santa Barbara Art Museum

MARK BENNETT
Home of Mike & Carol Brady (The Brady Bunch), 2017
Collection of the Santa Barbara Museum of Art

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist MARK BENNETT by the Santa Barbara Museum of Art.

Mark Bennett‘s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.
 
Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).
 
Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). 
 
Mark Bennett is in the Public Collections of several prestigious institutions, including the Museum of Modern Art in New York, NY, and the Los Angeles County Museum of Art in Los Angeles, CA. His works are also part of the Corcoran Gallery of Art in Washington, D.C., and the Portland Art Museum in Portland, OR. Additionally, he is represented in The Contemporary Museum in Honolulu, Walker Art Center in Minneapolis, MN, and the New York Public Library in New York, NY. Other notable collections include the Orange County Museum of Art in Newport Beach, CA, the Children’s Museum in Indianapolis, IN, and the Richard F. Brush Art Gallery at St. Lawrence University in Canton, NY. His works can also be found at the University of Colorado in Boulder, CO, and the List Visual Arts Center at the Massachusetts Institute of Technology in Cambridge, MA. He is included in the collections of Microsoft Corporation in Redmond, WA, and the West Collection in Oaks, PA, as well as the Crocker Art Museum in Sacramento, CA and the Laguna Art Museum in Laguna Beach, CA. Further representations can be found at the Marjorie Barrick Museum of Art at the University of Nevada, Las Vegas, and the Nora Eccles Harrison Museum of Art at Utah State University. His artwork is also housed in the Museum of Fine Art in Houston, the Getty Research Institute in Los Angeles, CA, the Frederick R. Weisman Art Foundation in Los Angeles, CA, Seattle Art Museum, Herbert F. Johnson Museum at Cornell University, and the McNay Museum in San Antonio, TX.

#markmoorefineart #markmooregallery #markbennett #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist DAVID KLAMEN by the Santa Barbara Art Museum

DAVID KLAMEN
“Joy” 1998
Ink and Watercolor on Paper
8.5”x 11” (image size) Approx 15.5” x 18” (framed)
Collection of the Santa Barbara Museum of Art

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist DAVID KLAMEN by Santa Barbara Museum of Art.

David Klamen (American, b.1961) is a contemporary painter whose work grows in conjunction with his interest in philosophy and scholarship, centralized around the questions,”How do I know what I know?” and “How do I know myself?” Klamen paints figuratively and abstractly, sometimes combining the two by incorporating geometric lines or patterns atop his high finished landscapes. Says Paul Gray of Richard Gray Gallery, “His current paintings test epistemological strategies as diverse as OP Art (and its implication that knowledge may be a purely retinal experience), empiricism (the idea that the sole source of knowledge is direct quantifiable experience), introspection, and others. In this investigation, Klamen plays with the history of art, utilizing modern and pre-modern conventions as metaphors for our communal search for meaning.”
 
In contrast to the tradition of artists creating works informed by a consistent visual language, David Klamen’ watercolors (like the one here) embraces an aesthetic diversity that is directed instead by an exploration of an expanding idea. In recent years, the scale of his work has shifted from tiny to larger than life, the imagery from pictorial to digital abstraction, and the tone from the silent to the aggressive, yet in each there is a common commitment. All of these works use various visual images and processes to investigate the question of how we know our culture and ourselves. His current paintings and drawings test epistemological strategies as diverse as OP Art (and its implication that knowledge may be a purely retinal experience), empiricism (the idea that the sole source of knowledge is direct quantifiable experience), introspection, memory, and others. In this investigation, Klamen plays with the history of art, utilizing modern and pre-modern conventions as metaphors for our communal search for meaning.
 
In his recent body of landscape-based work, Klamen examines the veracity of his memories, creating images based upon the distant recollections of his surrounding childhood environment. Beginning each work with paper that is saturated with an even black layer of graphite. Klamen slowly reveals the imagery by erasing the highlights, uncovering and discovering the nuances of his memory from the depths of the graphite surface. These quiet, humid, existential spaces share a familiarity that emerges from the accumulated embodied experiences of his past. Each work celebrates and solidifies a fleeting facet of his prior experience.
 
In many of these works, Klamen incorporates geometric tubes or patterns that float atop his highly refined landscapes. These contrast the sensuous memory of his embodied experience in the landscape with a present and vivid abstract element, overlapping two seemingly incompatible planes of cognition. The results are meditative and quiet, engaging the audience with deep tonal values and extreme control.  They ask the viewer to look more than once into the complexity of each work and encourage a shared comparison of our memories with the present moment.
 
Klamen’s work has been exhibited in international-level solo and group exhibitions across the US, Europe and Asia. His works are in the permanent collections of numerous museums including: the Metropolitan Museum of Art, New York; the Los Angeles Museum of Contemporary Art, Los Angeles; the Museum of Contemporary Art, Chicago; the Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art, San Francisco; the Chazen Museum of Art in Madison, Wisconsin; The Berkeley Museum of Art in California; The Illinois State Museum, Springfield; the National Museum of Contemporary Art, Seoul, Korea; and the McNay Museum, San Antonio. Klamen earned his Bachelors of Fine Arts at the University of Illinois, Champaign/Urbana, and his Masters of Fine Arts in Painting at the School of the Art Institute in Chicago.
 
As one of the leading art museums on the West Coast, the Santa Barbara Museum of Art serves a diverse audience of approximately 70,000 people annually. The Museum offers a wide variety of educational and interpretive programs to this broad audience. Our 75-member Docent Council provides over 800 gallery tours and slide talks annually.

The Museum’s collection of the arts of Asia, Europe, and the Americas includes paintings, sculpture, prints, drawings, photographs, ceramics, glass, jades, bronzes, lacquer, and textiles. The broad areas in which SBMA holds a significant number of works of exceptional quality include international antiquities from China, India, Greece, Rome, Egypt, and the Near East and 19th-, 20th-, and 21st-century art from Asia, Europe, and the Americas. Particular strengths of the collection are 19th- and 20th-century American and European art, contemporary American painting, photography, and the arts of Asia, especially China.

#markmoorefineart #markmooregallery #davidklamen #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist JOSH AZZARELLA by The Crocker Art Museum

Josh Azzarella
Untitled #25 (Iwo Jima), 2006
Digital c-print
20×30 inches
Edition of 7
Collection of the Crocker Art Museum

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist JOSH AZZARELLA by The Crocker Art Museum.

Josh Azzarella (b. 1978, Ohio) creates videos and photographs that explore the power of context in the authorship of memory, oftentimes utilizing seminal moments in pop culture and news media to create accessible confrontations with historiography. By illuminating the individual encounter with communal experiences, Azzarella evaluates the perception of realness – which can ultimately be rooted in both the fantastic as much as the pragmatic.
 
Azzarella was the recipient of the 2006 Emerging Artist Award and related solo exhibition from The Aldrich Contemporary Art Museum (CT). He has previously shown at the California Museum of Photography (CA), University Art Museum, Long Beach (CA), Vancouver Art Gallery (Canada), Kavi Gupta Gallery (IL), Academie der Kunste (Berlin), Sean Kelly Gallery (NY), Catharine Clark Gallery (CA), Mississippi State University (MS), the Santa Barbara Museum of Art (CA) and DCKT Gallery (NY). His work is included in the permanent collection of the San Francisco Museum of Modern Art (CA), the Los Angeles County Museum of Art (CA), the Pennsylvania Academy of the Fine Arts (PA), the Museum of Fine Arts Houston (TX), the San Diego Museum of Modern Art (CA), the Margulies Collection (FL), Western Bridge (WA) and Morgan Chase (NY). He lives and works in Easton, PA.

The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org

#markmoorefineart #markmooregallery #joshazzarella #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for their Permanent Collection

Okay Mountain
Water, Water, Everywhere So Let’s All Have a Drink, 2010
Single channel video, 28min
COLLECTION OF THE MUSEUM OF FINE ARTS HOUSTON

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for the Permanent Collection. 

Okay Mountain is a nine member artist collective based in Austin, Texas. Formed in 2006 as an artist-run alternative gallery space, the group has exhibited their drawing, video, sound, and performance projects throughout the United States and in Mexico City, and has been widely recognized for its “inventive construction, loving attention to detail and keen-eyed connoisseurship.” Okay Mountain repackages, reconstitutes, and rekindles our consumerist desires with a sardonic edge. Their installations and multi-media assemblage works mimic the stock vernacular of our communal materialism, yet tweak them just enough to reveal our superficial insecurities and convictions. While most artists are alumni of the University of Texas at Austin (TX), others are graduates of University of California Los Angeles (CA), Rhode Island School of Design (RI), and the University of Kansas (KS). Institutional exhibitions have included those at the Blaffer Art Museum at the University of Houston (TX), Austin Museum of Art (TX), McNay Art Museum (TX), Arthouse (TX), University of Tennessee, Chattanooga (TN), and the deCordova Sculpture Park and Museum (MA). Their work is included in the permanent collection of the Museum of Fine Art Houston (TX), Wadsworth Atheneum Museum of Art (CT), McNay Museum of Art (TX), Orange County Museum of Art (CA), Museum of Contemporary Art San Diego (CA), Santa Barabara Museum of Art (CA), and Vanderbilt University (TN). 

Water, Water, Everywhere So Let’s All Have a Drink takes the visual language of late-night television as its basic formal premise. The video, a quick succession of clips meant to invoke the activity of channel surfing, recreates the aesthetic and embodied experience of mindlessly scanning TV. First exhibited at the Austin Museum of Art, the work was projected onto a larger-than-life sculpture of a television set. Since then it has been screened at Prospect 1.5 in New Orleans, the Heuser Art Center, and the Dallas Biennale. Some of the tropes that Water, Water lampoons and celebrates, include, low-budget infomercials, how-to programs, home-shopping networks, sitcoms, and local news programming. The resulting visual assemblage attempts to make sense out of the overwhelming disconnection brought about by contemporary media’s image factory.

 WATCH THIS VIDEO HERE 

With its encyclopedic collection and an exciting schedule of international loan exhibitions and award-winning programs, the Museum of Fine Arts, Houston is one of the premier destinations in the United States for art lovers. Established in 1900, the Museum of Fine Arts, Houston’s collection numbers nearly 70,000 works and embraces the art of antiquity to the present.

The collecting department of modern and contemporary art has grown to more than 1,400 objects spanning six continents. Major figures in the evolution Modern and Contemporary art, with a particular emphasis on the progress of abstraction, are represented across the 20th century and into the 21st and include works by Pablo Picasso, Henri Matisse, and Piet Mondrian. The Surrealist era is introduced with works by Max Ernst, Alberto Giacometti, Roberto Matta, Joan Miró, and Yves Tanguy. Postwar European artists in the collection range from Pierre Alechinsky, Anthony Caro, Niki de Saint-Phalle, and Jean Tinguely to Rebecca Horn, Anselm Kiefer, Giuseppe Penone, and Gerhard Richter. Collecting in the new millennium has opened up new avenues of exploration, from the light-based works of James Turrell, Jennifer Steinkamp, and Bill Viola to artists who challenge accepted art-historical narratives, including Nan Goldin, Monir Shahroudy Farmanfarmaian, Do Ho Suh, and Fred Wilson.

#markmoorefineart #markmooregallery #okaymountainl #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist BETH LIPMAN by The Crocker Art Museum

Beth Lipman
Gazing Ball with Lemon and Fly, 2014
c-print mounted to aluminum with gloss laminate
36 x 23 in
COLLECTION OF THE CROCKER ART MUSEUM

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist BETH LIPMAN, titled “Mind Map 7” from 2022 by The Crocker Art Museum.

Beth Lipman is an American artist whose sculptural practice explores aspects of material culture and deep time through still lives, site-specific installations, and photographs. Ephemeral and intricate, the work addresses mortality, materiality, and temporality. Lipman is also known for site responsive installations that activate the specific history of objects, individuals, and institutions.

Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY). 

The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org

#markmoorefineart #markmooregallery #bethlipman #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Two AMY ELKINS works acquired by Cantor Arts Center at Stanford University for their Permanent Collection

Amy Elkins
Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree)

We are thrilled to share that two pieces from the AMY ELKINS photography series, A Place Where We Are in The Sun have just been acquired by Cantor Arts Center at Stanford University. One of these works, Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree) from 2021 is pictured above for your reference. 

Amy Elkins (American, b. 1979) is a visual artist and educator based in Northern California. She received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University.  She works primarily in photography and installation and has been exhibited and published both nationally and internationally, including at The High Museum of Art in Atlanta, GA; South Bend Museum of Art in South Bend IN; MSU Broad Museum in Lansing, MI; Kunsthalle Wien in Vienna; the Center for Creative Photography in Tucson, AZ; the Minneapolis Institute of Arts; North Carolina Museum of Art and more.  Her photographs have been published in American Photo, Conveyor, Dear Dave, EyeMazing, Financial Times, Harpers, Huffington Post, Los Angeles Times, Newsweek, NY Arts, New York Times, New Yorker, PDN, Real Simple, Stella and Vice among many others.   She was recently awarded a Fleishhacker Foundation Eureka Fellowship and Kala Media Arts Fellowship.  Past awards include the Aperture Portfolio Prize, Peter S. Reed Foundation grant, Cadogan Award and more.  Her work is in permanent collections at The High Museum of Art, Atlanta, GA; Newcomb Museum of Art, New Orleans, LA; North Carolina Museum of Art, Raleigh, NC; The Crocker Art Museum, Sacramento, CA; Light Work, Syracuse, NY; Aperture Foundation, New York, NY; Eleanor D. Wilson Museum, Roanoke, VA; RISD Museum, Providence, RI and more. 

Most recently Elkins’ work pivots to include explorations of self as well as her family’s deeply rooted and complex history in Southern California as an 8th generation traceably born on Tongva/Gabrielino land in the greater Los Angeles area with the ancestral blood of both colonized and colonizer.  Her approach is series-based, steeped in research and oscillates between formal, conceptual and documentary. 

A Place Where We Are In The Sun uses family archives, historical documents and early Alta California maps to trace the land loss, assimilation and resilience of Indigenous, Mexican and multiracial ancestors in Southern California from the perspective of an 8th generation Angeleno. Taken by trekking into land between what is now known as Lompoc and the Greater Los Angeles area, these physically manipulated and rephotographed archives work to unearth historical conditions permeating the soil my ancestors lived on: the enclosure of land under European notions of private property and the resulting displacement of indigenous/BIPOC communities from such spaces. 

The Cantor Arts Center plays a leading role in the cultural life of the Stanford campus and greater community, welcoming some 200,000 visitors a year to its 24 galleries. The Cantor Arts Center’s collection houses over 38,000 items, including African Art, American Art, Ancient Art, the Andy Warhol Photography Archive, Art of Asia and Oceania, Art of the Indigenous Americas, Auguste Rodin, Eadweard Muybridge, European Art, Modern and Contemporary Art, Photographs, Prints and Drawings, Richard Diebenkorn Sketchbooks, Sculptures on Campus, and collections and memorabilia of the Stanford Family. Penelope Umbrico is proud to be a part of their permanant collection.

#markmoorefineart #markmooregallery #amyelkins #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist AMY ELKINS by the Museum of Fine Arts, Houston for their Permanent Collection

Amy Elkins
Parting Words, 2009-2024
Carlos De Luna, Execution #33, Age 27. 1989
David Spence, Execution #111, Age 40. 1997
Gary Graham, Execution #222, Age 39. 2000
Claude Howard Jones, Execution #239, Age 60. 2000
Cameron Willingham, Execution #320, Age 36. 2004
Electrostatic Print on Acid-Free, Lignin-Free 100lb Paper
9.82 x 8.5 inches each (set of five) / Edition of 5 + 2AP
COLLECTION OF THE MUSEUM OF FINE ARTS HOUSTON

Mark Moore Fine Art and the artist are pleased to announce the acquisition of “Parting Words”, 2023 by artist AMY ELKINS by the Museum of Fine Arts, Houston for the Permanent Collection. 

Amy Elkins (American, b. 1979) is a visual artist and educator based in Northern California. She received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University.  She works primarily in photography and installation and has been exhibited and published both nationally and internationally, including at The High Museum of Art in Atlanta, GA; South Bend Museum of Art in South Bend IN; MSU Broad Museum in Lansing, MI; Kunsthalle Wien in Vienna; the Center for Creative Photography in Tucson, AZ; the Minneapolis Institute of Arts; North Carolina Museum of Art and more.  Her photographs have been published in American Photo, Conveyor, Dear Dave, EyeMazing, Financial Times, Harpers, Huffington Post, Los Angeles Times, Newsweek, NY Arts, New York Times, New Yorker, PDN, Real Simple, Stella and Vice among many others.  

Elkins was recently awarded a Fleishhacker Foundation Eureka Fellowship and Kala Media Arts Fellowship.  Past awards include the Aperture Portfolio Prize, Peter S. Reed Foundation grant, Cadogan Award and more.  Her work is in permanent collections at The High Museum of Art, Atlanta, GA; Newcomb Museum of Art, New Orleans, LA; North Carolina Museum of Art, Raleigh, NC; The Crocker Art Museum, Sacramento, CA; Light Work, Syracuse, NY; Aperture Foundation, New York, NY; Eleanor D. Wilson Museum, Roanoke, VA; RISD Museum, Providence, RI and more.

With its encyclopedic collection and an exciting schedule of international loan exhibitions and award-winning programs, the Museum of Fine Arts, Houston is one of the premier destinations in the United States for art lovers. Established in 1900, the Museum of Fine Arts, Houston’s collection numbers nearly 70,000 works and embraces the art of antiquity to the present.The collecting department of modern and contemporary art has grown to more than 1,400 objects spanning six continents. Major figures in the evolution Modern and Contemporary art, with a particular emphasis on the progress of abstraction, are represented across the 20th century and into the 21st and include works by Pablo Picasso, Henri Matisse, and Piet Mondrian. The Surrealist era is introduced with works by Max Ernst, Alberto Giacometti, Roberto Matta, Joan Miró, and Yves Tanguy. Postwar European artists in the collection range from Pierre Alechinsky, Anthony Caro, Niki de Saint-Phalle, and Jean Tinguely to Rebecca Horn, Anselm Kiefer, Giuseppe Penone, and Gerhard Richter. Collecting in the new millennium has opened up new avenues of exploration, from the light-based works of James Turrell, Jennifer Steinkamp, and Bill Viola to artists who challenge accepted art-historical narratives, including Nan Goldin, Monir Shahroudy Farmanfarmaian, Do Ho Suh, and Fred Wilson.

#markmoorefineart #markmooregallery #amyelkins #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for their Permanent Collection

Okay Mountain
Water, Water, Everywhere So Let’s All Have a Drink, 2010
Single channel video, 28min
COLLECTION OF THE MUSEUM OF FINE ARTS HOUSTON

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for the Permanent Collection. 

Okay Mountain is a nine member artist collective based in Austin, Texas. Formed in 2006 as an artist-run alternative gallery space, the group has exhibited their drawing, video, sound, and performance projects throughout the United States and in Mexico City, and has been widely recognized for its “inventive construction, loving attention to detail and keen-eyed connoisseurship.” Okay Mountain repackages, reconstitutes, and rekindles our consumerist desires with a sardonic edge. Their installations and multi-media assemblage works mimic the stock vernacular of our communal materialism, yet tweak them just enough to reveal our superficial insecurities and convictions. While most artists are alumni of the University of Texas at Austin (TX), others are graduates of University of California Los Angeles (CA), Rhode Island School of Design (RI), and the University of Kansas (KS). Institutional exhibitions have included those at the Blaffer Art Museum at the University of Houston (TX), Austin Museum of Art (TX), McNay Art Museum (TX), Arthouse (TX), University of Tennessee, Chattanooga (TN), and the deCordova Sculpture Park and Museum (MA). Their work is included in the permanent collection of the Museum of Fine Art Houston (TX), Wadsworth Atheneum Museum of Art (CT), McNay Museum of Art (TX), Orange County Museum of Art (CA), Museum of Contemporary Art San Diego (CA), Santa Barabara Museum of Art (CA), and Vanderbilt University (TN). 

Water, Water, Everywhere So Let’s All Have a Drink takes the visual language of late-night television as its basic formal premise. The video, a quick succession of clips meant to invoke the activity of channel surfing, recreates the aesthetic and embodied experience of mindlessly scanning TV. First exhibited at the Austin Museum of Art, the work was projected onto a larger-than-life sculpture of a television set. Since then it has been screened at Prospect 1.5 in New Orleans, the Heuser Art Center, and the Dallas Biennale. Some of the tropes that Water, Water lampoons and celebrates, include, low-budget infomercials, how-to programs, home-shopping networks, sitcoms, and local news programming. The resulting visual assemblage attempts to make sense out of the overwhelming disconnection brought about by contemporary media’s image factory.

 WATCH THIS VIDEO HERE 

With its encyclopedic collection and an exciting schedule of international loan exhibitions and award-winning programs, the Museum of Fine Arts, Houston is one of the premier destinations in the United States for art lovers. Established in 1900, the Museum of Fine Arts, Houston’s collection numbers nearly 70,000 works and embraces the art of antiquity to the present.

The collecting department of modern and contemporary art has grown to more than 1,400 objects spanning six continents. Major figures in the evolution Modern and Contemporary art, with a particular emphasis on the progress of abstraction, are represented across the 20th century and into the 21st and include works by Pablo Picasso, Henri Matisse, and Piet Mondrian. The Surrealist era is introduced with works by Max Ernst, Alberto Giacometti, Roberto Matta, Joan Miró, and Yves Tanguy. Postwar European artists in the collection range from Pierre Alechinsky, Anthony Caro, Niki de Saint-Phalle, and Jean Tinguely to Rebecca Horn, Anselm Kiefer, Giuseppe Penone, and Gerhard Richter. Collecting in the new millennium has opened up new avenues of exploration, from the light-based works of James Turrell, Jennifer Steinkamp, and Bill Viola to artists who challenge accepted art-historical narratives, including Nan Goldin, Monir Shahroudy Farmanfarmaian, Do Ho Suh, and Fred Wilson.

#markmoorefineart #markmooregallery #okaymountainl #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist BETH LIPMAN by The Crocker Art Museum

Beth Lipman
Gazing Ball with Lemon and Fly, 2014
c-print mounted to aluminum with gloss laminate
36 x 23 in
COLLECTION OF THE CROCKER ART MUSEUM

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist BETH LIPMAN, titled “Mind Map 7” from 2022 by The Crocker Art Museum.

Beth Lipman is an American artist whose sculptural practice explores aspects of material culture and deep time through still lives, site-specific installations, and photographs. Ephemeral and intricate, the work addresses mortality, materiality, and temporality. Lipman is also known for site responsive installations that activate the specific history of objects, individuals, and institutions.

Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY). 

The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org

#markmoorefineart #markmooregallery #bethlipman #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist AMY ELKINS by the Museum of Fine Arts, Houston for their Permanent Collection

Amy Elkins
Parting Words, 2009-2024
Carlos De Luna, Execution #33, Age 27. 1989
David Spence, Execution #111, Age 40. 1997
Gary Graham, Execution #222, Age 39. 2000
Claude Howard Jones, Execution #239, Age 60. 2000
Cameron Willingham, Execution #320, Age 36. 2004
Electrostatic Print on Acid-Free, Lignin-Free 100lb Paper
9.82 x 8.5 inches each (set of five) / Edition of 5 + 2AP
COLLECTION OF THE MUSEUM OF FINE ARTS HOUSTON

Mark Moore Fine Art and the artist are pleased to announce the acquisition of “Parting Words”, 2023 by artist AMY ELKINS by the Museum of Fine Arts, Houston for the Permanent Collection. 

Amy Elkins (American, b. 1979) is a visual artist and educator based in Northern California. She received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University.  She works primarily in photography and installation and has been exhibited and published both nationally and internationally, including at The High Museum of Art in Atlanta, GA; South Bend Museum of Art in South Bend IN; MSU Broad Museum in Lansing, MI; Kunsthalle Wien in Vienna; the Center for Creative Photography in Tucson, AZ; the Minneapolis Institute of Arts; North Carolina Museum of Art and more.  Her photographs have been published in American Photo, Conveyor, Dear Dave, EyeMazing, Financial Times, Harpers, Huffington Post, Los Angeles Times, Newsweek, NY Arts, New York Times, New Yorker, PDN, Real Simple, Stella and Vice among many others.  

Elkins was recently awarded a Fleishhacker Foundation Eureka Fellowship and Kala Media Arts Fellowship.  Past awards include the Aperture Portfolio Prize, Peter S. Reed Foundation grant, Cadogan Award and more.  Her work is in permanent collections at The High Museum of Art, Atlanta, GA; Newcomb Museum of Art, New Orleans, LA; North Carolina Museum of Art, Raleigh, NC; The Crocker Art Museum, Sacramento, CA; Light Work, Syracuse, NY; Aperture Foundation, New York, NY; Eleanor D. Wilson Museum, Roanoke, VA; RISD Museum, Providence, RI and more.

With its encyclopedic collection and an exciting schedule of international loan exhibitions and award-winning programs, the Museum of Fine Arts, Houston is one of the premier destinations in the United States for art lovers. Established in 1900, the Museum of Fine Arts, Houston’s collection numbers nearly 70,000 works and embraces the art of antiquity to the present.The collecting department of modern and contemporary art has grown to more than 1,400 objects spanning six continents. Major figures in the evolution Modern and Contemporary art, with a particular emphasis on the progress of abstraction, are represented across the 20th century and into the 21st and include works by Pablo Picasso, Henri Matisse, and Piet Mondrian. The Surrealist era is introduced with works by Max Ernst, Alberto Giacometti, Roberto Matta, Joan Miró, and Yves Tanguy. Postwar European artists in the collection range from Pierre Alechinsky, Anthony Caro, Niki de Saint-Phalle, and Jean Tinguely to Rebecca Horn, Anselm Kiefer, Giuseppe Penone, and Gerhard Richter. Collecting in the new millennium has opened up new avenues of exploration, from the light-based works of James Turrell, Jennifer Steinkamp, and Bill Viola to artists who challenge accepted art-historical narratives, including Nan Goldin, Monir Shahroudy Farmanfarmaian, Do Ho Suh, and Fred Wilson.

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