Tag Archives: history

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist MARK BENNETT by the Santa Barbara Art Museum

MARK BENNETT
Home of Mike & Carol Brady (The Brady Bunch), 2017
Collection of the Santa Barbara Museum of Art

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist MARK BENNETT by the Santa Barbara Museum of Art.

Mark Bennett‘s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.
 
Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).
 
Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). 
 
Mark Bennett is in the Public Collections of several prestigious institutions, including the Museum of Modern Art in New York, NY, and the Los Angeles County Museum of Art in Los Angeles, CA. His works are also part of the Corcoran Gallery of Art in Washington, D.C., and the Portland Art Museum in Portland, OR. Additionally, he is represented in The Contemporary Museum in Honolulu, Walker Art Center in Minneapolis, MN, and the New York Public Library in New York, NY. Other notable collections include the Orange County Museum of Art in Newport Beach, CA, the Children’s Museum in Indianapolis, IN, and the Richard F. Brush Art Gallery at St. Lawrence University in Canton, NY. His works can also be found at the University of Colorado in Boulder, CO, and the List Visual Arts Center at the Massachusetts Institute of Technology in Cambridge, MA. He is included in the collections of Microsoft Corporation in Redmond, WA, and the West Collection in Oaks, PA, as well as the Crocker Art Museum in Sacramento, CA and the Laguna Art Museum in Laguna Beach, CA. Further representations can be found at the Marjorie Barrick Museum of Art at the University of Nevada, Las Vegas, and the Nora Eccles Harrison Museum of Art at Utah State University. His artwork is also housed in the Museum of Fine Art in Houston, the Getty Research Institute in Los Angeles, CA, the Frederick R. Weisman Art Foundation in Los Angeles, CA, Seattle Art Museum, Herbert F. Johnson Museum at Cornell University, and the McNay Museum in San Antonio, TX.

#markmoorefineart #markmooregallery #markbennett #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist DAVID KLAMEN by the Santa Barbara Art Museum

DAVID KLAMEN
“Joy” 1998
Ink and Watercolor on Paper
8.5”x 11” (image size) Approx 15.5” x 18” (framed)
Collection of the Santa Barbara Museum of Art

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist DAVID KLAMEN by Santa Barbara Museum of Art.

David Klamen (American, b.1961) is a contemporary painter whose work grows in conjunction with his interest in philosophy and scholarship, centralized around the questions,”How do I know what I know?” and “How do I know myself?” Klamen paints figuratively and abstractly, sometimes combining the two by incorporating geometric lines or patterns atop his high finished landscapes. Says Paul Gray of Richard Gray Gallery, “His current paintings test epistemological strategies as diverse as OP Art (and its implication that knowledge may be a purely retinal experience), empiricism (the idea that the sole source of knowledge is direct quantifiable experience), introspection, and others. In this investigation, Klamen plays with the history of art, utilizing modern and pre-modern conventions as metaphors for our communal search for meaning.”
 
In contrast to the tradition of artists creating works informed by a consistent visual language, David Klamen’ watercolors (like the one here) embraces an aesthetic diversity that is directed instead by an exploration of an expanding idea. In recent years, the scale of his work has shifted from tiny to larger than life, the imagery from pictorial to digital abstraction, and the tone from the silent to the aggressive, yet in each there is a common commitment. All of these works use various visual images and processes to investigate the question of how we know our culture and ourselves. His current paintings and drawings test epistemological strategies as diverse as OP Art (and its implication that knowledge may be a purely retinal experience), empiricism (the idea that the sole source of knowledge is direct quantifiable experience), introspection, memory, and others. In this investigation, Klamen plays with the history of art, utilizing modern and pre-modern conventions as metaphors for our communal search for meaning.
 
In his recent body of landscape-based work, Klamen examines the veracity of his memories, creating images based upon the distant recollections of his surrounding childhood environment. Beginning each work with paper that is saturated with an even black layer of graphite. Klamen slowly reveals the imagery by erasing the highlights, uncovering and discovering the nuances of his memory from the depths of the graphite surface. These quiet, humid, existential spaces share a familiarity that emerges from the accumulated embodied experiences of his past. Each work celebrates and solidifies a fleeting facet of his prior experience.
 
In many of these works, Klamen incorporates geometric tubes or patterns that float atop his highly refined landscapes. These contrast the sensuous memory of his embodied experience in the landscape with a present and vivid abstract element, overlapping two seemingly incompatible planes of cognition. The results are meditative and quiet, engaging the audience with deep tonal values and extreme control.  They ask the viewer to look more than once into the complexity of each work and encourage a shared comparison of our memories with the present moment.
 
Klamen’s work has been exhibited in international-level solo and group exhibitions across the US, Europe and Asia. His works are in the permanent collections of numerous museums including: the Metropolitan Museum of Art, New York; the Los Angeles Museum of Contemporary Art, Los Angeles; the Museum of Contemporary Art, Chicago; the Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art, San Francisco; the Chazen Museum of Art in Madison, Wisconsin; The Berkeley Museum of Art in California; The Illinois State Museum, Springfield; the National Museum of Contemporary Art, Seoul, Korea; and the McNay Museum, San Antonio. Klamen earned his Bachelors of Fine Arts at the University of Illinois, Champaign/Urbana, and his Masters of Fine Arts in Painting at the School of the Art Institute in Chicago.
 
As one of the leading art museums on the West Coast, the Santa Barbara Museum of Art serves a diverse audience of approximately 70,000 people annually. The Museum offers a wide variety of educational and interpretive programs to this broad audience. Our 75-member Docent Council provides over 800 gallery tours and slide talks annually.

The Museum’s collection of the arts of Asia, Europe, and the Americas includes paintings, sculpture, prints, drawings, photographs, ceramics, glass, jades, bronzes, lacquer, and textiles. The broad areas in which SBMA holds a significant number of works of exceptional quality include international antiquities from China, India, Greece, Rome, Egypt, and the Near East and 19th-, 20th-, and 21st-century art from Asia, Europe, and the Americas. Particular strengths of the collection are 19th- and 20th-century American and European art, contemporary American painting, photography, and the arts of Asia, especially China.

#markmoorefineart #markmooregallery #davidklamen #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist JOSH AZZARELLA by The Crocker Art Museum

Josh Azzarella
Untitled #25 (Iwo Jima), 2006
Digital c-print
20×30 inches
Edition of 7
Collection of the Crocker Art Museum

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist JOSH AZZARELLA by The Crocker Art Museum.

Josh Azzarella (b. 1978, Ohio) creates videos and photographs that explore the power of context in the authorship of memory, oftentimes utilizing seminal moments in pop culture and news media to create accessible confrontations with historiography. By illuminating the individual encounter with communal experiences, Azzarella evaluates the perception of realness – which can ultimately be rooted in both the fantastic as much as the pragmatic.
 
Azzarella was the recipient of the 2006 Emerging Artist Award and related solo exhibition from The Aldrich Contemporary Art Museum (CT). He has previously shown at the California Museum of Photography (CA), University Art Museum, Long Beach (CA), Vancouver Art Gallery (Canada), Kavi Gupta Gallery (IL), Academie der Kunste (Berlin), Sean Kelly Gallery (NY), Catharine Clark Gallery (CA), Mississippi State University (MS), the Santa Barbara Museum of Art (CA) and DCKT Gallery (NY). His work is included in the permanent collection of the San Francisco Museum of Modern Art (CA), the Los Angeles County Museum of Art (CA), the Pennsylvania Academy of the Fine Arts (PA), the Museum of Fine Arts Houston (TX), the San Diego Museum of Modern Art (CA), the Margulies Collection (FL), Western Bridge (WA) and Morgan Chase (NY). He lives and works in Easton, PA.

The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org

#markmoorefineart #markmooregallery #joshazzarella #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE by The Frederick R. Weisman Art Foundation

Rebekah Andrade
Mind Map 7, 2022
Oil, acrylic, paper, and pastel on canvas
28 x 24 in
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)

 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE, titled “Mind Map 7” from 2022 by The Frederick R. Weisman Art Foundation. 

Rebekah Andrade (Canadian, b. 1980) is an abstract painter based in Charlotte, North Carolina. She holds a BFA in Visual Arts from Emily Carr University of Art + Design in Vancouver, Canada, and a Graphic Design Certificate from Parsons School of Design in New York City,Rebekah Andrade’s work explores the language of painting by way of expressionism, geometric abstraction, hard-edge painting, and pattern. Her process draws from past work, personal references, familiar forms, objects, textures, and symbols. This structured methodology is transmitted through selected colors of layered paint, collage, and mixed media techniques, always leaving traces of the process visible. Her intention with the work is to investigate and work through questions surrounding the history of representation, limits of perception, aesthetics, status, and reproduction of images, thus providing her insight and clarity into our contemporary visual culture and communicational trends.

In 2019, Andrade embarked on a transformative residency at Otis College of Art in Los Angeles, further expanding her creative horizons. Her innovative work has garnered attention across international borders, with exhibitions spanning Canada, the United States, and Chile. Her work has been published in Edeltraut, The Gathered Gallery, New American Painting #144.

The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation.

The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. 

Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

#markmoorefineart #markmooregallery #rebekahandrade #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE by The Frederick R. Weisman Art Foundation

Rebekah Andrade
Mind Map 7, 2022
Oil, acrylic, paper, and pastel on canvas
28 x 24 in
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)

 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE, titled “Mind Map 7” from 2022 by The Frederick R. Weisman Art Foundation. 

Rebekah Andrade (Canadian, b. 1980) is an abstract painter based in Charlotte, North Carolina. She holds a BFA in Visual Arts from Emily Carr University of Art + Design in Vancouver, Canada, and a Graphic Design Certificate from Parsons School of Design in New York City,Rebekah Andrade’s work explores the language of painting by way of expressionism, geometric abstraction, hard-edge painting, and pattern. Her process draws from past work, personal references, familiar forms, objects, textures, and symbols. This structured methodology is transmitted through selected colors of layered paint, collage, and mixed media techniques, always leaving traces of the process visible. Her intention with the work is to investigate and work through questions surrounding the history of representation, limits of perception, aesthetics, status, and reproduction of images, thus providing her insight and clarity into our contemporary visual culture and communicational trends.

In 2019, Andrade embarked on a transformative residency at Otis College of Art in Los Angeles, further expanding her creative horizons. Her innovative work has garnered attention across international borders, with exhibitions spanning Canada, the United States, and Chile. Her work has been published in Edeltraut, The Gathered Gallery, New American Painting #144.

The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation.

The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. 

Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

#markmoorefineart #markmooregallery #rebekahandrade #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE by The Frederick R. Weisman Art Foundation

Rebekah Andrade
Mind Map 7, 2022
Oil, acrylic, paper, and pastel on canvas
28 x 24 in
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)

 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE, titled “Mind Map 7” from 2022 by The Frederick R. Weisman Art Foundation. 

Rebekah Andrade (Canadian, b. 1980) is an abstract painter based in Charlotte, North Carolina. She holds a BFA in Visual Arts from Emily Carr University of Art + Design in Vancouver, Canada, and a Graphic Design Certificate from Parsons School of Design in New York City,Rebekah Andrade’s work explores the language of painting by way of expressionism, geometric abstraction, hard-edge painting, and pattern. Her process draws from past work, personal references, familiar forms, objects, textures, and symbols. This structured methodology is transmitted through selected colors of layered paint, collage, and mixed media techniques, always leaving traces of the process visible. Her intention with the work is to investigate and work through questions surrounding the history of representation, limits of perception, aesthetics, status, and reproduction of images, thus providing her insight and clarity into our contemporary visual culture and communicational trends.

In 2019, Andrade embarked on a transformative residency at Otis College of Art in Los Angeles, further expanding her creative horizons. Her innovative work has garnered attention across international borders, with exhibitions spanning Canada, the United States, and Chile. Her work has been published in Edeltraut, The Gathered Gallery, New American Painting #144.

The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation.

The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. 

Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

#markmoorefineart #markmooregallery #rebekahandrade #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings”

Jason Salavon
History Painting (Origins/Emergence/Sapiens/Modernity), 2025
Archival print
73.5 x 42 inches
Ed. 5 + 2 APs

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings.”

In this innovative collection, Salavon merges historical storytelling, computational techniques, and a critical reimagining of encyclopedic knowledge through generative art. The “History Paintings” project encompasses an expansive narrative of 800 entries, depicting the cosmos’ history—balancing rigorous historical accounts with personal and idiosyncratic reflections. 

VIEW THIS SHOW NOW AT: https://bit.ly/4lWkTdG

Each entry is paired with descriptive text and unique generated imagery, showcased in a beautifully crafted hardcover Field Guide alongside four monumental archival prints: *Origins, Emergence, Sapiens,* and *Modernity.* These works collaboratively narrate significant epochs of cosmic evolution, natural history, and human civilization. Accompanying the prints are 800 dynamic video animations, generated from the same prompts, enhancing the overall experience with rich visual textures.

Salavon’s large print compositions seamlessly blend hundreds of generative elements, creating fluid visual tapestries that blur the lines between individual images, embodying both historical continuity and innovative experimentation. 

At the core of this project is Salavon’s custom-built generative AI system, SPIM (Salavon’s Pathology Inducing Machine), which explores “off-manifold” visual terrains—areas of ambiguity and unpredictability—to generate striking and unexpected imagery.

By intertwining advanced AI methods, cultural research, and aesthetic inquiry, “History Paintings” engenders interdisciplinary dialogue between art, technology, and narratives of knowledge, inviting us to reflect on how contemporary technologies influence our understanding of history, memory, and visual culture.

Born in 1970 in Indianapolis and an MFA graduate from the Art Institute of Chicago, Jason Salavon has exhibited extensively across the globe, from prestigious institutions like the Metropolitan Museum of Art to the Smithsonian Institution. His works are part of significant public collections, and he was recognized as one of the “50 Under 50: The Next Most Collectible Artists” by Art + Auction Magazine in 2013. Currently, he resides and works in Chicago, IL.

Join us in exploring this thought-provoking exhibition! #JasonSalavon #MarkMooreFineArt #HistoryPaintings #GenerativeArt #ArtExhibition #ContemporaryArt 

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings”

Jason Salavon
History Painting (Origins/Emergence/Sapiens/Modernity), 2025
Archival print
73.5 x 42 inches
Ed. 5 + 2 APs

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings.”

In this innovative collection, Salavon merges historical storytelling, computational techniques, and a critical reimagining of encyclopedic knowledge through generative art. The “History Paintings” project encompasses an expansive narrative of 800 entries, depicting the cosmos’ history—balancing rigorous historical accounts with personal and idiosyncratic reflections. 

VIEW THIS SHOW NOW AT: https://bit.ly/4lWkTdG

Each entry is paired with descriptive text and unique generated imagery, showcased in a beautifully crafted hardcover Field Guide alongside four monumental archival prints: *Origins, Emergence, Sapiens,* and *Modernity.* These works collaboratively narrate significant epochs of cosmic evolution, natural history, and human civilization. Accompanying the prints are 800 dynamic video animations, generated from the same prompts, enhancing the overall experience with rich visual textures.

Salavon’s large print compositions seamlessly blend hundreds of generative elements, creating fluid visual tapestries that blur the lines between individual images, embodying both historical continuity and innovative experimentation. 

At the core of this project is Salavon’s custom-built generative AI system, SPIM (Salavon’s Pathology Inducing Machine), which explores “off-manifold” visual terrains—areas of ambiguity and unpredictability—to generate striking and unexpected imagery.

By intertwining advanced AI methods, cultural research, and aesthetic inquiry, “History Paintings” engenders interdisciplinary dialogue between art, technology, and narratives of knowledge, inviting us to reflect on how contemporary technologies influence our understanding of history, memory, and visual culture.

Born in 1970 in Indianapolis and an MFA graduate from the Art Institute of Chicago, Jason Salavon has exhibited extensively across the globe, from prestigious institutions like the Metropolitan Museum of Art to the Smithsonian Institution. His works are part of significant public collections, and he was recognized as one of the “50 Under 50: The Next Most Collectible Artists” by Art + Auction Magazine in 2013. Currently, he resides and works in Chicago, IL.

Join us in exploring this thought-provoking exhibition! #JasonSalavon #MarkMooreFineArt #HistoryPaintings #GenerativeArt #ArtExhibition #ContemporaryArt 

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings”

Jason Salavon
History Painting (Origins/Emergence/Sapiens/Modernity), 2025
Archival print
73.5 x 42 inches
Ed. 5 + 2 APs

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings.”

In this innovative collection, Salavon merges historical storytelling, computational techniques, and a critical reimagining of encyclopedic knowledge through generative art. The “History Paintings” project encompasses an expansive narrative of 800 entries, depicting the cosmos’ history—balancing rigorous historical accounts with personal and idiosyncratic reflections. 

VIEW THIS SHOW NOW AT: https://bit.ly/4lWkTdG

Each entry is paired with descriptive text and unique generated imagery, showcased in a beautifully crafted hardcover Field Guide alongside four monumental archival prints: *Origins, Emergence, Sapiens,* and *Modernity.* These works collaboratively narrate significant epochs of cosmic evolution, natural history, and human civilization. Accompanying the prints are 800 dynamic video animations, generated from the same prompts, enhancing the overall experience with rich visual textures.

Salavon’s large print compositions seamlessly blend hundreds of generative elements, creating fluid visual tapestries that blur the lines between individual images, embodying both historical continuity and innovative experimentation. 

At the core of this project is Salavon’s custom-built generative AI system, SPIM (Salavon’s Pathology Inducing Machine), which explores “off-manifold” visual terrains—areas of ambiguity and unpredictability—to generate striking and unexpected imagery.

By intertwining advanced AI methods, cultural research, and aesthetic inquiry, “History Paintings” engenders interdisciplinary dialogue between art, technology, and narratives of knowledge, inviting us to reflect on how contemporary technologies influence our understanding of history, memory, and visual culture.

Born in 1970 in Indianapolis and an MFA graduate from the Art Institute of Chicago, Jason Salavon has exhibited extensively across the globe, from prestigious institutions like the Metropolitan Museum of Art to the Smithsonian Institution. His works are part of significant public collections, and he was recognized as one of the “50 Under 50: The Next Most Collectible Artists” by Art + Auction Magazine in 2013. Currently, he resides and works in Chicago, IL.

Join us in exploring this thought-provoking exhibition! #JasonSalavon #MarkMooreFineArt #HistoryPaintings #GenerativeArt #ArtExhibition #ContemporaryArt 

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings”

Jason Salavon
History Painting (Origins/Emergence/Sapiens/Modernity), 2025
Archival print
73.5 x 42 inches
Ed. 5 + 2 APs

Mark Moore Fine Art is excited to present an exclusive ARTSY online exhibition of Jason Salavon’s remarkable series, “History Paintings.”

In this innovative collection, Salavon merges historical storytelling, computational techniques, and a critical reimagining of encyclopedic knowledge through generative art. The “History Paintings” project encompasses an expansive narrative of 800 entries, depicting the cosmos’ history—balancing rigorous historical accounts with personal and idiosyncratic reflections. 

VIEW THIS SHOW NOW AT: https://bit.ly/4lWkTdG

Each entry is paired with descriptive text and unique generated imagery, showcased in a beautifully crafted hardcover Field Guide alongside four monumental archival prints: *Origins, Emergence, Sapiens,* and *Modernity.* These works collaboratively narrate significant epochs of cosmic evolution, natural history, and human civilization. Accompanying the prints are 800 dynamic video animations, generated from the same prompts, enhancing the overall experience with rich visual textures.

Salavon’s large print compositions seamlessly blend hundreds of generative elements, creating fluid visual tapestries that blur the lines between individual images, embodying both historical continuity and innovative experimentation. 

At the core of this project is Salavon’s custom-built generative AI system, SPIM (Salavon’s Pathology Inducing Machine), which explores “off-manifold” visual terrains—areas of ambiguity and unpredictability—to generate striking and unexpected imagery.

By intertwining advanced AI methods, cultural research, and aesthetic inquiry, “History Paintings” engenders interdisciplinary dialogue between art, technology, and narratives of knowledge, inviting us to reflect on how contemporary technologies influence our understanding of history, memory, and visual culture.

Born in 1970 in Indianapolis and an MFA graduate from the Art Institute of Chicago, Jason Salavon has exhibited extensively across the globe, from prestigious institutions like the Metropolitan Museum of Art to the Smithsonian Institution. His works are part of significant public collections, and he was recognized as one of the “50 Under 50: The Next Most Collectible Artists” by Art + Auction Magazine in 2013. Currently, he resides and works in Chicago, IL.

Join us in exploring this thought-provoking exhibition! #JasonSalavon #MarkMooreFineArt #HistoryPaintings #GenerativeArt #ArtExhibition #ContemporaryArt