Tag Archives: exhibitions

Check Out GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST – A New Documentary About Artist Heidi Schwegler

Check out the trailer to a short documentary about the artist HEIDI SCHWEGLER at: https://bit.ly/4g4UO8Y

GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST is a documentary about the artist Heidi Schwegler. Faced with a crisis in her art practice, Schwegler leaves for unfamiliar settings, and begins to see her surroundings in new ways.

Heidi Schwegler explores a wide range of materials in the service of her subject matter. Drawn to the peripheral ruin, she deftly incorporates found objects with traditional craft and sculpture media. “When [an object] is no longer contextualized by function and ownership, the discarded thing’s anonymity and ambiguity render it pervious to the imagination,” she says, approaching such things as a source of investigation. “I consider its formal qualities as raw material – but a very particular raw material that is both new and an indicator of past use, past value and past purpose.”

Schwegler’s accolades include an Individual Artist Fellowship from the Oregon Arts Commission, Hallie Ford Fellowship and two MacDowell Colony Fellowships in the Visual Arts. She was artist-in-residence at MacDowell, Pilchuck, VCCA, Yaddo, Anderson Ranch Arts Center, and Bullseye Glass Company, among others. Notable exhibitions of her work include the 2018 Bellevue Art Museum Biennial, Portland2016: A Biennial of Contemporary Art, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center; her 10-year retrospective, Botched Execution, at The Art Gym at Marylhurst University, OR and the Sheldon Museum of Art in Lincoln, NE. Schwegler holds a BFA from the University of Kansas and MFA from the University of Oregon. She lives and works in Yucca Valley, CA where is the founding director of Yucca Valley Material Lab. where is the founding director of Yucca Valley Material Lab.

Her sculptural work is in the permanent collection of the Portland Art Museum, Laguna Art Museum, Schneider Museum of Art, Crocker Museum, The Frederick R. Weisman Art Foundation Collection, and the Hallie Ford Museum.

#markmoorefineart #markmooregallery #heidischwegler #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for their Permanent Collection

Okay Mountain
Water, Water, Everywhere So Let’s All Have a Drink, 2010
Single channel video, 28min
COLLECTION OF THE MUSEUM OF FINE ARTS HOUSTON

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for the Permanent Collection. 

Okay Mountain is a nine member artist collective based in Austin, Texas. Formed in 2006 as an artist-run alternative gallery space, the group has exhibited their drawing, video, sound, and performance projects throughout the United States and in Mexico City, and has been widely recognized for its “inventive construction, loving attention to detail and keen-eyed connoisseurship.” Okay Mountain repackages, reconstitutes, and rekindles our consumerist desires with a sardonic edge. Their installations and multi-media assemblage works mimic the stock vernacular of our communal materialism, yet tweak them just enough to reveal our superficial insecurities and convictions. While most artists are alumni of the University of Texas at Austin (TX), others are graduates of University of California Los Angeles (CA), Rhode Island School of Design (RI), and the University of Kansas (KS). Institutional exhibitions have included those at the Blaffer Art Museum at the University of Houston (TX), Austin Museum of Art (TX), McNay Art Museum (TX), Arthouse (TX), University of Tennessee, Chattanooga (TN), and the deCordova Sculpture Park and Museum (MA). Their work is included in the permanent collection of the Museum of Fine Art Houston (TX), Wadsworth Atheneum Museum of Art (CT), McNay Museum of Art (TX), Orange County Museum of Art (CA), Museum of Contemporary Art San Diego (CA), Santa Barabara Museum of Art (CA), and Vanderbilt University (TN). 

Water, Water, Everywhere So Let’s All Have a Drink takes the visual language of late-night television as its basic formal premise. The video, a quick succession of clips meant to invoke the activity of channel surfing, recreates the aesthetic and embodied experience of mindlessly scanning TV. First exhibited at the Austin Museum of Art, the work was projected onto a larger-than-life sculpture of a television set. Since then it has been screened at Prospect 1.5 in New Orleans, the Heuser Art Center, and the Dallas Biennale. Some of the tropes that Water, Water lampoons and celebrates, include, low-budget infomercials, how-to programs, home-shopping networks, sitcoms, and local news programming. The resulting visual assemblage attempts to make sense out of the overwhelming disconnection brought about by contemporary media’s image factory.

 WATCH THIS VIDEO HERE 

With its encyclopedic collection and an exciting schedule of international loan exhibitions and award-winning programs, the Museum of Fine Arts, Houston is one of the premier destinations in the United States for art lovers. Established in 1900, the Museum of Fine Arts, Houston’s collection numbers nearly 70,000 works and embraces the art of antiquity to the present.

The collecting department of modern and contemporary art has grown to more than 1,400 objects spanning six continents. Major figures in the evolution Modern and Contemporary art, with a particular emphasis on the progress of abstraction, are represented across the 20th century and into the 21st and include works by Pablo Picasso, Henri Matisse, and Piet Mondrian. The Surrealist era is introduced with works by Max Ernst, Alberto Giacometti, Roberto Matta, Joan Miró, and Yves Tanguy. Postwar European artists in the collection range from Pierre Alechinsky, Anthony Caro, Niki de Saint-Phalle, and Jean Tinguely to Rebecca Horn, Anselm Kiefer, Giuseppe Penone, and Gerhard Richter. Collecting in the new millennium has opened up new avenues of exploration, from the light-based works of James Turrell, Jennifer Steinkamp, and Bill Viola to artists who challenge accepted art-historical narratives, including Nan Goldin, Monir Shahroudy Farmanfarmaian, Do Ho Suh, and Fred Wilson.

#markmoorefineart #markmooregallery #okaymountainl #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Check Out GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST – A New Documentary About Artist Heidi Schwegler

Check out the trailer to a short documentary about the artist HEIDI SCHWEGLER at: https://bit.ly/4g4UO8Y

GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST is a documentary about the artist Heidi Schwegler. Faced with a crisis in her art practice, Schwegler leaves for unfamiliar settings, and begins to see her surroundings in new ways.

Heidi Schwegler explores a wide range of materials in the service of her subject matter. Drawn to the peripheral ruin, she deftly incorporates found objects with traditional craft and sculpture media. “When [an object] is no longer contextualized by function and ownership, the discarded thing’s anonymity and ambiguity render it pervious to the imagination,” she says, approaching such things as a source of investigation. “I consider its formal qualities as raw material – but a very particular raw material that is both new and an indicator of past use, past value and past purpose.”

Schwegler’s accolades include an Individual Artist Fellowship from the Oregon Arts Commission, Hallie Ford Fellowship and two MacDowell Colony Fellowships in the Visual Arts. She was artist-in-residence at MacDowell, Pilchuck, VCCA, Yaddo, Anderson Ranch Arts Center, and Bullseye Glass Company, among others. Notable exhibitions of her work include the 2018 Bellevue Art Museum Biennial, Portland2016: A Biennial of Contemporary Art, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center; her 10-year retrospective, Botched Execution, at The Art Gym at Marylhurst University, OR and the Sheldon Museum of Art in Lincoln, NE. Schwegler holds a BFA from the University of Kansas and MFA from the University of Oregon. She lives and works in Yucca Valley, CA where is the founding director of Yucca Valley Material Lab. where is the founding director of Yucca Valley Material Lab.

Her sculptural work is in the permanent collection of the Portland Art Museum, Laguna Art Museum, Schneider Museum of Art, Crocker Museum, The Frederick R. Weisman Art Foundation Collection, and the Hallie Ford Museum.

#markmoorefineart #markmooregallery #heidischwegler #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for their Permanent Collection

Okay Mountain
Water, Water, Everywhere So Let’s All Have a Drink, 2010
Single channel video, 28min
COLLECTION OF THE MUSEUM OF FINE ARTS HOUSTON

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for the Permanent Collection. 

Okay Mountain is a nine member artist collective based in Austin, Texas. Formed in 2006 as an artist-run alternative gallery space, the group has exhibited their drawing, video, sound, and performance projects throughout the United States and in Mexico City, and has been widely recognized for its “inventive construction, loving attention to detail and keen-eyed connoisseurship.” Okay Mountain repackages, reconstitutes, and rekindles our consumerist desires with a sardonic edge. Their installations and multi-media assemblage works mimic the stock vernacular of our communal materialism, yet tweak them just enough to reveal our superficial insecurities and convictions. While most artists are alumni of the University of Texas at Austin (TX), others are graduates of University of California Los Angeles (CA), Rhode Island School of Design (RI), and the University of Kansas (KS). Institutional exhibitions have included those at the Blaffer Art Museum at the University of Houston (TX), Austin Museum of Art (TX), McNay Art Museum (TX), Arthouse (TX), University of Tennessee, Chattanooga (TN), and the deCordova Sculpture Park and Museum (MA). Their work is included in the permanent collection of the Museum of Fine Art Houston (TX), Wadsworth Atheneum Museum of Art (CT), McNay Museum of Art (TX), Orange County Museum of Art (CA), Museum of Contemporary Art San Diego (CA), Santa Barabara Museum of Art (CA), and Vanderbilt University (TN). 

Water, Water, Everywhere So Let’s All Have a Drink takes the visual language of late-night television as its basic formal premise. The video, a quick succession of clips meant to invoke the activity of channel surfing, recreates the aesthetic and embodied experience of mindlessly scanning TV. First exhibited at the Austin Museum of Art, the work was projected onto a larger-than-life sculpture of a television set. Since then it has been screened at Prospect 1.5 in New Orleans, the Heuser Art Center, and the Dallas Biennale. Some of the tropes that Water, Water lampoons and celebrates, include, low-budget infomercials, how-to programs, home-shopping networks, sitcoms, and local news programming. The resulting visual assemblage attempts to make sense out of the overwhelming disconnection brought about by contemporary media’s image factory.

 WATCH THIS VIDEO HERE 

With its encyclopedic collection and an exciting schedule of international loan exhibitions and award-winning programs, the Museum of Fine Arts, Houston is one of the premier destinations in the United States for art lovers. Established in 1900, the Museum of Fine Arts, Houston’s collection numbers nearly 70,000 works and embraces the art of antiquity to the present.

The collecting department of modern and contemporary art has grown to more than 1,400 objects spanning six continents. Major figures in the evolution Modern and Contemporary art, with a particular emphasis on the progress of abstraction, are represented across the 20th century and into the 21st and include works by Pablo Picasso, Henri Matisse, and Piet Mondrian. The Surrealist era is introduced with works by Max Ernst, Alberto Giacometti, Roberto Matta, Joan Miró, and Yves Tanguy. Postwar European artists in the collection range from Pierre Alechinsky, Anthony Caro, Niki de Saint-Phalle, and Jean Tinguely to Rebecca Horn, Anselm Kiefer, Giuseppe Penone, and Gerhard Richter. Collecting in the new millennium has opened up new avenues of exploration, from the light-based works of James Turrell, Jennifer Steinkamp, and Bill Viola to artists who challenge accepted art-historical narratives, including Nan Goldin, Monir Shahroudy Farmanfarmaian, Do Ho Suh, and Fred Wilson.

#markmoorefineart #markmooregallery #okaymountainl #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation

Mark Bennett
Mary Tyler Moore of the Dick Van Dyke Show, 2005
Ink on color xerox
22 × 17 in / 55.9 × 43.2 cm
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)
 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation. 

Mark Bennett’s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.

Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).

Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). His work has been acquired for the permanent collections of the Museum of Modern Art (NY), Los Angeles County Museum of Art (CA), Orange County Museum of Art (CA), Laguna Art Museum (CA), Crocker Art Museum (CA), Marjorie Barrick Museum of Art, University of Nevada Las Vegas (NV), Museum of Fine Art Houston (TX), Corcoran Gallery of Art (DC), West Collection (PA), McNay Art Museum (TX), and the Portland Art Museum (OR), among others.

 The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation. The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

#markmoorefineart #markmooregallery #markbennett #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Check Out GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST – A New Documentary About Artist Heidi Schwegler

Check out the trailer to a short documentary about the artist HEIDI SCHWEGLER at: https://bit.ly/4g4UO8Y

GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST is a documentary about the artist Heidi Schwegler. Faced with a crisis in her art practice, Schwegler leaves for unfamiliar settings, and begins to see her surroundings in new ways.

Heidi Schwegler explores a wide range of materials in the service of her subject matter. Drawn to the peripheral ruin, she deftly incorporates found objects with traditional craft and sculpture media. “When [an object] is no longer contextualized by function and ownership, the discarded thing’s anonymity and ambiguity render it pervious to the imagination,” she says, approaching such things as a source of investigation. “I consider its formal qualities as raw material – but a very particular raw material that is both new and an indicator of past use, past value and past purpose.”

Schwegler’s accolades include an Individual Artist Fellowship from the Oregon Arts Commission, Hallie Ford Fellowship and two MacDowell Colony Fellowships in the Visual Arts. She was artist-in-residence at MacDowell, Pilchuck, VCCA, Yaddo, Anderson Ranch Arts Center, and Bullseye Glass Company, among others. Notable exhibitions of her work include the 2018 Bellevue Art Museum Biennial, Portland2016: A Biennial of Contemporary Art, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center; her 10-year retrospective, Botched Execution, at The Art Gym at Marylhurst University, OR and the Sheldon Museum of Art in Lincoln, NE. Schwegler holds a BFA from the University of Kansas and MFA from the University of Oregon. She lives and works in Yucca Valley, CA where is the founding director of Yucca Valley Material Lab. where is the founding director of Yucca Valley Material Lab.

Her sculptural work is in the permanent collection of the Portland Art Museum, Laguna Art Museum, Schneider Museum of Art, Crocker Museum, The Frederick R. Weisman Art Foundation Collection, and the Hallie Ford Museum.

#markmoorefineart #markmooregallery #heidischwegler #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation

Mark Bennett
Mary Tyler Moore of the Dick Van Dyke Show, 2005
Ink on color xerox
22 × 17 in / 55.9 × 43.2 cm
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)
 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation. 

Mark Bennett’s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.

Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).

Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). His work has been acquired for the permanent collections of the Museum of Modern Art (NY), Los Angeles County Museum of Art (CA), Orange County Museum of Art (CA), Laguna Art Museum (CA), Crocker Art Museum (CA), Marjorie Barrick Museum of Art, University of Nevada Las Vegas (NV), Museum of Fine Art Houston (TX), Corcoran Gallery of Art (DC), West Collection (PA), McNay Art Museum (TX), and the Portland Art Museum (OR), among others.

 The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation. The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

#markmoorefineart #markmooregallery #markbennett #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Check Out GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST – A New Documentary About Artist Heidi Schwegler

Check out the trailer to a short documentary about the artist HEIDI SCHWEGLER at: https://bit.ly/4g4UO8Y

GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST is a documentary about the artist Heidi Schwegler. Faced with a crisis in her art practice, Schwegler leaves for unfamiliar settings, and begins to see her surroundings in new ways.

Heidi Schwegler explores a wide range of materials in the service of her subject matter. Drawn to the peripheral ruin, she deftly incorporates found objects with traditional craft and sculpture media. “When [an object] is no longer contextualized by function and ownership, the discarded thing’s anonymity and ambiguity render it pervious to the imagination,” she says, approaching such things as a source of investigation. “I consider its formal qualities as raw material – but a very particular raw material that is both new and an indicator of past use, past value and past purpose.”

Schwegler’s accolades include an Individual Artist Fellowship from the Oregon Arts Commission, Hallie Ford Fellowship and two MacDowell Colony Fellowships in the Visual Arts. She was artist-in-residence at MacDowell, Pilchuck, VCCA, Yaddo, Anderson Ranch Arts Center, and Bullseye Glass Company, among others. Notable exhibitions of her work include the 2018 Bellevue Art Museum Biennial, Portland2016: A Biennial of Contemporary Art, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center; her 10-year retrospective, Botched Execution, at The Art Gym at Marylhurst University, OR and the Sheldon Museum of Art in Lincoln, NE. Schwegler holds a BFA from the University of Kansas and MFA from the University of Oregon. She lives and works in Yucca Valley, CA where is the founding director of Yucca Valley Material Lab. where is the founding director of Yucca Valley Material Lab.

Her sculptural work is in the permanent collection of the Portland Art Museum, Laguna Art Museum, Schneider Museum of Art, Crocker Museum, The Frederick R. Weisman Art Foundation Collection, and the Hallie Ford Museum.

#markmoorefineart #markmooregallery #heidischwegler #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for their Permanent Collection

Okay Mountain
Water, Water, Everywhere So Let’s All Have a Drink, 2010
Single channel video, 28min
COLLECTION OF THE MUSEUM OF FINE ARTS HOUSTON

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major video work by artist collective OKAY MOUNTAIN by the Museum of Fine Arts, Houston for the Permanent Collection. 

Okay Mountain is a nine member artist collective based in Austin, Texas. Formed in 2006 as an artist-run alternative gallery space, the group has exhibited their drawing, video, sound, and performance projects throughout the United States and in Mexico City, and has been widely recognized for its “inventive construction, loving attention to detail and keen-eyed connoisseurship.” Okay Mountain repackages, reconstitutes, and rekindles our consumerist desires with a sardonic edge. Their installations and multi-media assemblage works mimic the stock vernacular of our communal materialism, yet tweak them just enough to reveal our superficial insecurities and convictions. While most artists are alumni of the University of Texas at Austin (TX), others are graduates of University of California Los Angeles (CA), Rhode Island School of Design (RI), and the University of Kansas (KS). Institutional exhibitions have included those at the Blaffer Art Museum at the University of Houston (TX), Austin Museum of Art (TX), McNay Art Museum (TX), Arthouse (TX), University of Tennessee, Chattanooga (TN), and the deCordova Sculpture Park and Museum (MA). Their work is included in the permanent collection of the Museum of Fine Art Houston (TX), Wadsworth Atheneum Museum of Art (CT), McNay Museum of Art (TX), Orange County Museum of Art (CA), Museum of Contemporary Art San Diego (CA), Santa Barabara Museum of Art (CA), and Vanderbilt University (TN). 

Water, Water, Everywhere So Let’s All Have a Drink takes the visual language of late-night television as its basic formal premise. The video, a quick succession of clips meant to invoke the activity of channel surfing, recreates the aesthetic and embodied experience of mindlessly scanning TV. First exhibited at the Austin Museum of Art, the work was projected onto a larger-than-life sculpture of a television set. Since then it has been screened at Prospect 1.5 in New Orleans, the Heuser Art Center, and the Dallas Biennale. Some of the tropes that Water, Water lampoons and celebrates, include, low-budget infomercials, how-to programs, home-shopping networks, sitcoms, and local news programming. The resulting visual assemblage attempts to make sense out of the overwhelming disconnection brought about by contemporary media’s image factory.

 WATCH THIS VIDEO HERE 

With its encyclopedic collection and an exciting schedule of international loan exhibitions and award-winning programs, the Museum of Fine Arts, Houston is one of the premier destinations in the United States for art lovers. Established in 1900, the Museum of Fine Arts, Houston’s collection numbers nearly 70,000 works and embraces the art of antiquity to the present.

The collecting department of modern and contemporary art has grown to more than 1,400 objects spanning six continents. Major figures in the evolution Modern and Contemporary art, with a particular emphasis on the progress of abstraction, are represented across the 20th century and into the 21st and include works by Pablo Picasso, Henri Matisse, and Piet Mondrian. The Surrealist era is introduced with works by Max Ernst, Alberto Giacometti, Roberto Matta, Joan Miró, and Yves Tanguy. Postwar European artists in the collection range from Pierre Alechinsky, Anthony Caro, Niki de Saint-Phalle, and Jean Tinguely to Rebecca Horn, Anselm Kiefer, Giuseppe Penone, and Gerhard Richter. Collecting in the new millennium has opened up new avenues of exploration, from the light-based works of James Turrell, Jennifer Steinkamp, and Bill Viola to artists who challenge accepted art-historical narratives, including Nan Goldin, Monir Shahroudy Farmanfarmaian, Do Ho Suh, and Fred Wilson.

#markmoorefineart #markmooregallery #okaymountainl #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation

Mark Bennett
Mary Tyler Moore of the Dick Van Dyke Show, 2005
Ink on color xerox
22 × 17 in / 55.9 × 43.2 cm
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)
 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation. 

Mark Bennett’s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.

Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).

Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). His work has been acquired for the permanent collections of the Museum of Modern Art (NY), Los Angeles County Museum of Art (CA), Orange County Museum of Art (CA), Laguna Art Museum (CA), Crocker Art Museum (CA), Marjorie Barrick Museum of Art, University of Nevada Las Vegas (NV), Museum of Fine Art Houston (TX), Corcoran Gallery of Art (DC), West Collection (PA), McNay Art Museum (TX), and the Portland Art Museum (OR), among others.

 The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation. The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

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