IMAGE: Robert Standish Transcendental Terrain, 2023 36 x 24 inches Acrylic on canvas COLLECTION OF THE LAGUNA ART MUSEUM
Five Mark Moore Fine Art Artists Featured In The Current Art Exhibition at Laguna Art Museum
The Laguna Art Museum “LATEST AND GREATEST” is showcasing its newest acquisitions featuring the works of Mark Bennett, Jennifer Gunlock, Jimi Gleason, Heidi Schwegler, and Robert Standish. This exhibition includes almost 50 pieces that have been added to the museum’s permanent collection, highlighting influential California artists, the connection between art and nature, and a diverse range of California-based artists. The collection also aims to increase representation of women and contemporary themes with a focus on artwork created after 2000.
Visit the Laguna Art Museum before March 30, 2025 to view these “latest and greatest” additions. For more information, visithttps://lagunaartmuseum.org/exhibitions. Don’t miss this opportunity to experience the best of new California art! #markmoorefineart #lagunaartmuseum #markbennett #jennifergunlock #heidischwegler #jimigleason #robertstandish
Beth Lipman Gazing Ball with Lemon and Fly, 2014 c-print mounted to aluminum with gloss laminate 36 x 23 in COLLECTION OF THE CROCKER ART MUSEUM
Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist BETH LIPMAN, titled “Mind Map 7” from 2022 by The Crocker Art Museum.
Beth Lipman is an American artist whose sculptural practice explores aspects of material culture and deep time through still lives, site-specific installations, and photographs. Ephemeral and intricate, the work addresses mortality, materiality, and temporality. Lipman is also known for site responsive installations that activate the specific history of objects, individuals, and institutions.
Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY).
The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org
Amy Elkins Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree)
We are thrilled to share that two pieces from the AMY ELKINS photography series, A Place Where We Are in The Sun have just been acquired by Cantor Arts Center at Stanford University. One of these works, Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree) from 2021 is pictured above for your reference.
Amy Elkins (American, b. 1979) is a visual artist and educator based in Northern California. She received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University. She works primarily in photography and installation and has been exhibited and published both nationally and internationally, including at The High Museum of Art in Atlanta, GA; South Bend Museum of Art in South Bend IN; MSU Broad Museum in Lansing, MI; Kunsthalle Wien in Vienna; the Center for Creative Photography in Tucson, AZ; the Minneapolis Institute of Arts; North Carolina Museum of Art and more. Her photographs have been published in American Photo, Conveyor, Dear Dave, EyeMazing, Financial Times, Harpers, Huffington Post, Los Angeles Times, Newsweek, NY Arts, New York Times, New Yorker, PDN, Real Simple, Stella and Vice among many others. She was recently awarded a Fleishhacker Foundation Eureka Fellowship and Kala Media Arts Fellowship. Past awards include the Aperture Portfolio Prize, Peter S. Reed Foundation grant, Cadogan Award and more. Her work is in permanent collections at The High Museum of Art, Atlanta, GA; Newcomb Museum of Art, New Orleans, LA; North Carolina Museum of Art, Raleigh, NC; The Crocker Art Museum, Sacramento, CA; Light Work, Syracuse, NY; Aperture Foundation, New York, NY; Eleanor D. Wilson Museum, Roanoke, VA; RISD Museum, Providence, RI and more.
Most recently Elkins’ work pivots to include explorations of self as well as her family’s deeply rooted and complex history in Southern California as an 8th generation traceably born on Tongva/Gabrielino land in the greater Los Angeles area with the ancestral blood of both colonized and colonizer. Her approach is series-based, steeped in research and oscillates between formal, conceptual and documentary.
A Place Where We Are In The Sun uses family archives, historical documents and early Alta California maps to trace the land loss, assimilation and resilience of Indigenous, Mexican and multiracial ancestors in Southern California from the perspective of an 8th generation Angeleno. Taken by trekking into land between what is now known as Lompoc and the Greater Los Angeles area, these physically manipulated and rephotographed archives work to unearth historical conditions permeating the soil my ancestors lived on: the enclosure of land under European notions of private property and the resulting displacement of indigenous/BIPOC communities from such spaces.
The Cantor Arts Center plays a leading role in the cultural life of the Stanford campus and greater community, welcoming some 200,000 visitors a year to its 24 galleries. The Cantor Arts Center’s collection houses over 38,000 items, including African Art, American Art, Ancient Art, the Andy Warhol Photography Archive, Art of Asia and Oceania, Art of the Indigenous Americas, Auguste Rodin, Eadweard Muybridge, European Art, Modern and Contemporary Art, Photographs, Prints and Drawings, Richard Diebenkorn Sketchbooks, Sculptures on Campus, and collections and memorabilia of the Stanford Family. Penelope Umbrico is proud to be a part of their permanant collection.
Mark Moore Fine Art is excited to unveil its latest online exhibition, “Allison Schulnik: Rejects, Misfits and their Landscapes – A Career Survey“. This exclusive ARTSY event showcases a curated collection of significant pieces spanning the past two decades of Schulnik’s career.
Allison Schulnik draws on historical images, outsider art traditions and holiday snapshots to construct paintings in which diverse subjects like naval battles, skulls, dying flowers, volcanoes, waterfalls and herds of wild horses become the subject for fantasy and imagination.
Schulnik is the daughter of an architect from the Bronx and a plein air painter from British Columbia, both of whom studied at Pratt Institute in the 1960’s. After studying and performing many forms of dance, including a long period of modern dance with Isaac’s, McCaleb & Dancers, she left San Diego for California Institute of the Arts. Combining the movement of dance with painting, Allison chose to study Experimental Animation and received her BFA in 2000. Her paintings have been exhibited internationally at venues including Mark Moore Gallery, Los Angeles, Black Dragon Society, Los Angeles, Bellwether Gallery, New York, Groeflin Maag Galerie, Basel, The Armory Show, New York, Rokeby Gallery, London, the Dallas Museum of Art, the Santa Monica Museum of Art and the Museum of Contemporary Art, Chicago. She has completed two award-winning experimental animated 16mm films that played at many film festivals internationally. Schulnik was just selcted as one of the ONES TO WATCH by ART REVIEW, March 2008 (Issue 20) and was featured in the LA TIMES article that appeared December 2, 2007 on the “45 Painters Under 45 You Should Know” that included both Ali Smith and Allison Schulnik from the Mark Moore Gallery – both artists are featured on the cover of the CALENDAR Section – in which critic Christopher Knight selected both of the artists as part of the impressive and acclaimed core of young artists that “Help Make the L.A. Art Scene”. Allison Schulnik lives and works in Los Angeles.
Schulnik says, “The bulk of my paintings are about love, death and “end of the world” chaos. I see my canvases as a theater stage where a ballet or dance is performed — sometimes choreographed, sometimes free form and spontaneous. The compositions often depict epic scenes — high seas disasters, stampeding horses, fiery eruptions, fantastical dramas and wondrous landscapes, while still attempting to reflect simple, expressive moments amongst creatures, which directly relate to human-like conditions. More recently I have allowed my imagination to revel in its own world — where thickly-sculpted oils, historical fact and blatant fiction collide to form images of tragedy, farce, and raw beauty.”
Images and information on Allison Schulnik and her recent paintings can be previewed on our website at:
IMAGE: Jennifer Gunlock Bird’s Nest, 2016 Mixed media paper collage and drawing on 2 sheets rag paper, grommets 76 × 50 in / 193 × 127 cm COLLECTION OF THE LAGUNA ART MUSEUM
Five Mark Moore Fine Art Artists Featured In The Current Art Exhibition at Laguna Art Museum
The Laguna Art Museum “LATEST AND GREATEST” is showcasing its newest acquisitions featuring the works of Mark Bennett, Jennifer Gunlock, Jimi Gleason, Heidi Schwegler, and Robert Standish. This exhibition includes almost 50 pieces that have been added to the museum’s permanent collection, highlighting influential California artists, the connection between art and nature, and a diverse range of California-based artists. The collection also aims to increase representation of women and contemporary themes with a focus on artwork created after 2000.
Visit the Laguna Art Museum before March 30, 2025 to view these “latest and greatest” additions. For more information, visithttps://lagunaartmuseum.org/exhibitions. Don’t miss this opportunity to experience the best of new California art! #markmoorefineart #lagunaartmuseum #markbennett #jennifergunlock #heidischwegler #jimigleason #robertstandish
Get ready for a one-of-a-kind exhibition at Mark Moore Fine Art!
“Little Wonders: A Display of Small-Scale Artistry” celebrates the beauty and value of art in a smaller scale. On view now exclusively on ARTSY, this exhibition features a diverse group of artists who embrace the power and mystery of small-scale art.️
LITTLE WONDERS showcases a diverse group of artists who embrace the power and mystery of small-scale art. Among the featured artists are Sebastian Bremmer, Daniel Duford, Jennifer Gunlock, Todd Hebert, Beth Lipman, Jeffry Mitchell, Okay Mountain, Zemer Peled, Kim Rugg, Heidi Schwegler, Robert Therrien, Andy Warhol, and Yoram Wolberger.
In a time where the value of size is shifting, this exhibition challenges the notion that a work of art’s worth is defined by its size. Look beyond size and explore the intricate and meaningful details in each piece. Join us in appreciating the wonders of small-scale art!
Mark Moore Fine Art is excited to unveil its latest online exhibition, “Allison Schulnik: Rejects, Misfits and their Landscapes – A Career Survey“. This exclusive ARTSY event showcases a curated collection of significant pieces spanning the past two decades of Schulnik’s career.
Allison Schulnik draws on historical images, outsider art traditions and holiday snapshots to construct paintings in which diverse subjects like naval battles, skulls, dying flowers, volcanoes, waterfalls and herds of wild horses become the subject for fantasy and imagination.
Schulnik is the daughter of an architect from the Bronx and a plein air painter from British Columbia, both of whom studied at Pratt Institute in the 1960’s. After studying and performing many forms of dance, including a long period of modern dance with Isaac’s, McCaleb & Dancers, she left San Diego for California Institute of the Arts. Combining the movement of dance with painting, Allison chose to study Experimental Animation and received her BFA in 2000. Her paintings have been exhibited internationally at venues including Mark Moore Gallery, Los Angeles, Black Dragon Society, Los Angeles, Bellwether Gallery, New York, Groeflin Maag Galerie, Basel, The Armory Show, New York, Rokeby Gallery, London, the Dallas Museum of Art, the Santa Monica Museum of Art and the Museum of Contemporary Art, Chicago. She has completed two award-winning experimental animated 16mm films that played at many film festivals internationally. Schulnik was just selcted as one of the ONES TO WATCH by ART REVIEW, March 2008 (Issue 20) and was featured in the LA TIMES article that appeared December 2, 2007 on the “45 Painters Under 45 You Should Know” that included both Ali Smith and Allison Schulnik from the Mark Moore Gallery – both artists are featured on the cover of the CALENDAR Section – in which critic Christopher Knight selected both of the artists as part of the impressive and acclaimed core of young artists that “Help Make the L.A. Art Scene”. Allison Schulnik lives and works in Los Angeles.
Schulnik says, “The bulk of my paintings are about love, death and “end of the world” chaos. I see my canvases as a theater stage where a ballet or dance is performed — sometimes choreographed, sometimes free form and spontaneous. The compositions often depict epic scenes — high seas disasters, stampeding horses, fiery eruptions, fantastical dramas and wondrous landscapes, while still attempting to reflect simple, expressive moments amongst creatures, which directly relate to human-like conditions. More recently I have allowed my imagination to revel in its own world — where thickly-sculpted oils, historical fact and blatant fiction collide to form images of tragedy, farce, and raw beauty.”
Images and information on Allison Schulnik and her recent paintings can be previewed on our website at:
IMAGE: Mark Bennett, The Pritchett Family Plans (Modern Family), 2017 Archival pigment print on Hot Press Cotton Rag 29 × 40 in / 73.7 × 101.6 cm / Edition of 10 + 2AP COLLECTION OF THE LAGUNA ART MUSEUM
Five Mark Moore Fine Art Artists Featured In The Current Art Exhibition at Laguna Art Museum
The Laguna Art Museum “LATEST AND GREATEST” is showcasing its newest acquisitions featuring the works of Mark Bennett, Jennifer Gunlock, Jimi Gleason, Heidi Schwegler, and Robert Standish. This exhibition includes almost 50 pieces that have been added to the museum’s permanent collection, highlighting influential California artists, the connection between art and nature, and a diverse range of California-based artists. The collection also aims to increase representation of women and contemporary themes with a focus on artwork created after 2000.
Visit the Laguna Art Museum before March 30, 2025 to view these “latest and greatest” additions. For more information, visithttps://lagunaartmuseum.org/exhibitions. Don’t miss this opportunity to experience the best of new California art! #markmoorefineart #lagunaartmuseum #markbennett #jennifergunlock #heidischwegler #jimigleason #robertstandish
Get ready for a one-of-a-kind exhibition at Mark Moore Fine Art!
“Little Wonders: A Display of Small-Scale Artistry” celebrates the beauty and value of art in a smaller scale. On view now exclusively on ARTSY, this exhibition features a diverse group of artists who embrace the power and mystery of small-scale art.️
LITTLE WONDERS showcases a diverse group of artists who embrace the power and mystery of small-scale art. Among the featured artists are Sebastian Bremmer, Daniel Duford, Jennifer Gunlock, Todd Hebert, Beth Lipman, Jeffry Mitchell, Okay Mountain, Zemer Peled, Kim Rugg, Heidi Schwegler, Robert Therrien, Andy Warhol, and Yoram Wolberger.
In a time where the value of size is shifting, this exhibition challenges the notion that a work of art’s worth is defined by its size. Look beyond size and explore the intricate and meaningful details in each piece. Join us in appreciating the wonders of small-scale art!
Check out the trailer to a short documentary about the artist HEIDI SCHWEGLER at: https://bit.ly/4g4UO8Y
GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST is a documentary about the artist Heidi Schwegler. Faced with a crisis in her art practice, Schwegler leaves for unfamiliar settings, and begins to see her surroundings in new ways.
Heidi Schwegler explores a wide range of materials in the service of her subject matter. Drawn to the peripheral ruin, she deftly incorporates found objects with traditional craft and sculpture media. “When [an object] is no longer contextualized by function and ownership, the discarded thing’s anonymity and ambiguity render it pervious to the imagination,” she says, approaching such things as a source of investigation. “I consider its formal qualities as raw material – but a very particular raw material that is both new and an indicator of past use, past value and past purpose.”
Schwegler’s accolades include an Individual Artist Fellowship from the Oregon Arts Commission, Hallie Ford Fellowship and two MacDowell Colony Fellowships in the Visual Arts. She was artist-in-residence at MacDowell, Pilchuck, VCCA, Yaddo, Anderson Ranch Arts Center, and Bullseye Glass Company, among others. Notable exhibitions of her work include the 2018 Bellevue Art Museum Biennial, Portland2016: A Biennial of Contemporary Art, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center; her 10-year retrospective, Botched Execution, at The Art Gym at Marylhurst University, OR and the Sheldon Museum of Art in Lincoln, NE. Schwegler holds a BFA from the University of Kansas and MFA from the University of Oregon. She lives and works in Yucca Valley, CA where is the founding director of Yucca Valley Material Lab. where is the founding director of Yucca Valley Material Lab.
Her sculptural work is in the permanent collection of the Portland Art Museum, Laguna Art Museum, Schneider Museum of Art, Crocker Museum, The Frederick R. Weisman Art Foundation Collection, and the Hallie Ford Museum.
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