This ARTSY showcase presents a curated collection of significant pieces spanning two decades of Rugg’s distinguished career. Rugg’s meticulous process involves meticulously deconstructing and reconstructing objects – from newspapers and comic books to wallpaper and furniture – challenging our perceptions of the familiar. 🤯
Mark Bennett, Phyllis Lindstrom Minneapolis, MN, 2005 / Ink and colored pencil on vellum / 11 5/8 x 26 1/8 in. / COLLECTION OF THE LOS ANGELES COUNTY MUSEUM OF ART
Mark Moore Fine Art and the artist are pleased to announce the acquisitions of six drawings by artist MARK BENNETT from his Fantasy TV Sitcom Series were just recently acquired by the Los Angeles County Museum of Art.
Since its inception in 1965, the Los Angeles County Museum of Art (LACMA) has been devoted to collecting works of art that span both history and geography, in addition to representing Los Angeles’s uniquely diverse population. Today LACMA is the largest art museum in the western United States, with a collection that includes over 120,000 objects dating from antiquity to the present, encompassing the geographic world and nearly the entire history of art. Among the museum’s strengths are its holdings of Asian art, Latin American art, ranging from pre-Columbian masterpieces to works by leading modern and contemporary artists; and Islamic art, of which LACMA hosts one of the most significant collections in the world. A museum of international stature as well as a vital part of Southern California, LACMA shares its vast collections through exhibitions, public programs, and research facilities that attract over a million visitors annually, in addition to serving millions through digital initiatives, such as online collections, scholarly catalogues, and interactive engagement online. Situated in Hancock Park on over 20 acres in the heart of Los Angeles, LACMA is located between the ocean and downtown.
For the past 30 years, Los Angeles-based artist Mark Bennett has made art firmly rooted in the collective American experience of television. His drawings and lithographs are “blueprints” of famous television houses from such classic sitcoms as The Dick Van Dyke Show, The Brady Bunch, and Perry Mason. Drawing these fictional dwellings from memory, Bennett documents the minutiae of the characters’ lives by constructing their environments with a painstaking level of detail. His floor plans narrate the American Dream, charting not only the architecture, but also the subtext of our culturally accepted models for living.
Unlike American Pop artists of the 1960s such as Andy Warhol and Roy Lichtenstein, who appropriated images from mass media as subjects for their work, Bennett has reconstructed spaces that were intended only to flicker on the screen. In labeling his seemingly straightforward blueprints with colorful details about the interiors, architecture, and inhabitants, he reflects on the idealized and stereotyped notions of American life as perpetuated by mass culture. He also makes us realize how often that these ideas are, in turn, mirrored in our own domestic architecture.
Mark Bennett has been included in over 3 dozen major museum and gallery group exhibitions, including a major show at the Corcoran Gallery Of Art, Washington, D.C. (titled “Mark Bennett: TV Sets and The Suburban Dream”; which travelled To Cleveland Center For Contemporary Art, Cleveland, Ohio; and the Aldrich Museum Of Contemporary Art, Ridgefield, Connecticut. Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). His work has been acquired for the permanent collections at the Museum of Modern Art (NY), Los Angeles County Museum of Art (CA); Corcoran Gallery of Art (Washington D.C.); The Honolulu Museum of Art (Hawaii); Orange County Museum of Art (Newport Beach, CA); The West Collection (Oaks, PA); and the Portland Art Museum (OR), among others.
In keeping with this theme, Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of Mark Bennett: The Original Drawings as part of our new ARTSY LEGACY SERIES of exhibitions. These are the artists and shows over the last 15 years on ARTSY that have been the most acclaimed and the most viewed by their patrons and art critics.
You can view this exclusive ARTSY online exhibition of the original drawings at the following link: bit.ly/3nIjyOt
This ARTSY showcase presents a curated collection of significant pieces spanning two decades of Rugg’s distinguished career. Rugg’s meticulous process involves meticulously deconstructing and reconstructing objects – from newspapers and comic books to wallpaper and furniture – challenging our perceptions of the familiar. 🤯
🌟✨ Mark Moore Fine Art proudly presents **“A Never Finished Light”** featuring the captivating works of Texas-based artist **Ken Craft**. This exhibit draws inspiration from a chapter in Richard Dawkins’ *The Greatest Show on Earth* and reflects influences from legendary artists such as Courbet, Richter, Herriman, and Guston.
🎨Ken Craft (b. 1967, New Mexico) is a Dallas-based painter who primarily works with oil and watercolor. His art marries representation with conceptual themes, exploring personal and natural history, evolution, and the universal struggles of life. Craft often infuses his pieces with comic book characters and narrative elements, inviting viewers into a rich storytelling experience.
💬 Ken shares, “These works are loosely inspired by a snippet from Dawkins’ book, illustrating the evolution of species through generations—such as female rabbits. Each generation bears resemblance to its predecessors, yet if you trace back far enough, the lineage diverges dramatically.”
✨ “Within my paintings, you’ll find echoes of rabbits amidst clouds, rock formations, and the night sky. They serve as reminders of our interconnectedness over deep time. Each fleeting image prompts us to contemplate our place in the natural world. As we navigate these challenging times, I find solace in exploring natural history and reinforcing our bond with all living beings.”
🌿 Ken Craft’s impressive portfolio includes numerous exhibitions across the country and accolades such as the Top Choice prize at Artspace 111 and a residency at MASS MoCA. He was also featured in New American Painting’s #138, highlighting the Western United States.
📅 **Check out this thought-provoking exhibition that intertwines art, science, and the beauty of existence.**
Allison Schulnik Duck #2, 2014 Gouache on paper 9 × 12 in / 22.9 × 30.5 cm COLLECTION OF THE MARJORIE BARRICK MUSEUM OF ART AT THE UNIVERSITY OF NEVADA, LAS VEGAS
Mark Moore Fine Art and the artist are pleased to announce the acquisition of an important work on paper by artist ALLISON SCHULNIK titled, “Duck #2” from 2014 by the Marjorie Barrick Museum of Art at the University of Nevada, Las Vegas for the Permanent Collection.
Allison Schulnik uses painting, ceramics, and hand-made, traditional animation to choreograph her subjects in compositions that embody a spirit of the macabre, a Shakespearean comedy/tragedy of love, death, and farce. Her works were compared to “the comic-grotesque visionary James Ensor” by The New York Times.
Schulnik has been making animated films since she was 17. Her films have been included in internationally renowned festivals and museums including the Hammer Museum, Los Angeles, LACMA, Annecy International Animated Film Festival and Animafest Zagreb. She received “Best Experimental Animation” at the Ottawa International Animation Festival and Special Jury Prize at SXSW FIlm.
Solo exhibitions include the Wadsworth Atheneum Museum of Art, Hartford, CT; Laguna Art Museum, Laguna Beach, CA; Oklahoma City Museum of Art, OK; Nerman Museum of Contemporary Art, Overland Park, KS; Mark Moore Gallery, Los Angeles; ZieherSmith, New York, NY; and Galeria Javier Lopez & Fer Frances, Madrid. Schulnik’s work is in the public collections of the Los Angeles County Museum of Art; Museum of Contemporary Art San Diego; Santa Barbara Art Museum; Museé de Beaux Arts (Montreal); Laguna Art Museum; The Crocker Art Museum; Wadsworth Atheneum Museum of Art; and The Albright-Knox Gallery – to name but a few. She lives and works in Sky Valley, CA.
Marjorie Barrick Museum of Art is located on the campus of one of the most racially diverse universities in the United States, we strive to create a nourishing environment for those who continue to be neglected by contemporary art museums, including BIPOC and LGBTQIA+ groups. As the only art museum in the city of Las Vegas, we commit ourselves to leveling barriers that limit access to the arts, especially for first-time visitors. To facilitate access for low-income guests we provide free entry to all our exhibitions, workshops, lectures, and community activities. Our collection of artworks offers an opportunity for researchers and scholars to develop a more extensive knowledge of contemporary art in Southern Nevada. The Barrick Museum is part of the College of Fine Arts at the University of Nevada Las Vegas (UNLV).
Exciting news from Mark Moore Fine Art! Our exclusive online exhibition “FOCUS: PHOTOGRAPHY TODAY” is now live on ARTSY! 📸✨
This carefully curated showcase features the stunning work of renowned photographers: Josh Azzarella, Amy Elkins, Beth Lipman, Joseph Rossano, Christopher Russell, Jason Salavon, Lisa Stefanelli, and Penelope Umbrico.
Don’t miss this incredible collection celebrating the artistry of both emerging and established talents. Explore the power of contemporary photography as these artists delve into themes of memory, identity, masculinity, mortality, material culture, and more.
IMAGE: Robert Standish Transcendental Terrain, 2023 36 x 24 inches Acrylic on canvas COLLECTION OF THE LAGUNA ART MUSEUM
Five Mark Moore Fine Art Artists Featured In The Current Art Exhibition at Laguna Art Museum
The Laguna Art Museum “LATEST AND GREATEST” is showcasing its newest acquisitions featuring the works of Mark Bennett, Jennifer Gunlock, Jimi Gleason, Heidi Schwegler, and Robert Standish. This exhibition includes almost 50 pieces that have been added to the museum’s permanent collection, highlighting influential California artists, the connection between art and nature, and a diverse range of California-based artists. The collection also aims to increase representation of women and contemporary themes with a focus on artwork created after 2000.
Visit the Laguna Art Museum before March 30, 2025 to view these “latest and greatest” additions. For more information, visithttps://lagunaartmuseum.org/exhibitions. Don’t miss this opportunity to experience the best of new California art! #markmoorefineart #lagunaartmuseum #markbennett #jennifergunlock #heidischwegler #jimigleason #robertstandish
Exciting news from Mark Moore Fine Art! Our exclusive online exhibition “FOCUS: PHOTOGRAPHY TODAY” is now live on ARTSY! 📸✨
This carefully curated showcase features the stunning work of renowned photographers: Josh Azzarella, Amy Elkins, Beth Lipman, Joseph Rossano, Christopher Russell, Jason Salavon, Lisa Stefanelli, and Penelope Umbrico.
Don’t miss this incredible collection celebrating the artistry of both emerging and established talents. Explore the power of contemporary photography as these artists delve into themes of memory, identity, masculinity, mortality, material culture, and more.
Beth Lipman Gazing Ball with Lemon and Fly, 2014 c-print mounted to aluminum with gloss laminate 36 x 23 in COLLECTION OF THE CROCKER ART MUSEUM
Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist BETH LIPMAN, titled “Mind Map 7” from 2022 by The Crocker Art Museum.
Beth Lipman is an American artist whose sculptural practice explores aspects of material culture and deep time through still lives, site-specific installations, and photographs. Ephemeral and intricate, the work addresses mortality, materiality, and temporality. Lipman is also known for site responsive installations that activate the specific history of objects, individuals, and institutions.
Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY).
The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org
Amy Elkins Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree)
We are thrilled to share that two pieces from the AMY ELKINS photography series, A Place Where We Are in The Sun have just been acquired by Cantor Arts Center at Stanford University. One of these works, Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree) from 2021 is pictured above for your reference.
Amy Elkins (American, b. 1979) is a visual artist and educator based in Northern California. She received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University. She works primarily in photography and installation and has been exhibited and published both nationally and internationally, including at The High Museum of Art in Atlanta, GA; South Bend Museum of Art in South Bend IN; MSU Broad Museum in Lansing, MI; Kunsthalle Wien in Vienna; the Center for Creative Photography in Tucson, AZ; the Minneapolis Institute of Arts; North Carolina Museum of Art and more. Her photographs have been published in American Photo, Conveyor, Dear Dave, EyeMazing, Financial Times, Harpers, Huffington Post, Los Angeles Times, Newsweek, NY Arts, New York Times, New Yorker, PDN, Real Simple, Stella and Vice among many others. She was recently awarded a Fleishhacker Foundation Eureka Fellowship and Kala Media Arts Fellowship. Past awards include the Aperture Portfolio Prize, Peter S. Reed Foundation grant, Cadogan Award and more. Her work is in permanent collections at The High Museum of Art, Atlanta, GA; Newcomb Museum of Art, New Orleans, LA; North Carolina Museum of Art, Raleigh, NC; The Crocker Art Museum, Sacramento, CA; Light Work, Syracuse, NY; Aperture Foundation, New York, NY; Eleanor D. Wilson Museum, Roanoke, VA; RISD Museum, Providence, RI and more.
Most recently Elkins’ work pivots to include explorations of self as well as her family’s deeply rooted and complex history in Southern California as an 8th generation traceably born on Tongva/Gabrielino land in the greater Los Angeles area with the ancestral blood of both colonized and colonizer. Her approach is series-based, steeped in research and oscillates between formal, conceptual and documentary.
A Place Where We Are In The Sun uses family archives, historical documents and early Alta California maps to trace the land loss, assimilation and resilience of Indigenous, Mexican and multiracial ancestors in Southern California from the perspective of an 8th generation Angeleno. Taken by trekking into land between what is now known as Lompoc and the Greater Los Angeles area, these physically manipulated and rephotographed archives work to unearth historical conditions permeating the soil my ancestors lived on: the enclosure of land under European notions of private property and the resulting displacement of indigenous/BIPOC communities from such spaces.
The Cantor Arts Center plays a leading role in the cultural life of the Stanford campus and greater community, welcoming some 200,000 visitors a year to its 24 galleries. The Cantor Arts Center’s collection houses over 38,000 items, including African Art, American Art, Ancient Art, the Andy Warhol Photography Archive, Art of Asia and Oceania, Art of the Indigenous Americas, Auguste Rodin, Eadweard Muybridge, European Art, Modern and Contemporary Art, Photographs, Prints and Drawings, Richard Diebenkorn Sketchbooks, Sculptures on Campus, and collections and memorabilia of the Stanford Family. Penelope Umbrico is proud to be a part of their permanant collection.
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