Allison Schulnik & Kim Rugg at MCASD

The Museum of Contemporary Art San Diego’s newest iteration of the exhibition, “The Very Large Array: San Diego/Tijuana Artists in the MCA Collection” will feature two gallery artists – Allison Schulnik and Kim Rugg –  that are included in the institution’s collection.

Featuring more than 100 artists and representing five decades of collecting, this expansive group show of Museum acquisitions highlights many of the region’s most beloved and accomplished artists.

In this quarter’s rotation, the museum will feature the video “Forest” by Allison Schulnik and the expansive installation “Don’t Mention the War” by Kim Rugg. The exhibition (in many variations) will remain on view through June 1, 2014.

Rugg_DMTW_2006

Ali Smith in “Millennial Abstractions”

The Marin Community Foundation‘s “Millennial Abstractions” features MMG’s Ali Smith along with Kim Anno and David McDonald among others.

Since the start of the new millennium, many artists have responded to the horrors of 9/11, the Iraq War, and the life-changing impacts of climate change with a fragmented, dissociative, deconstructed focus in both painting and sculpture. The work featured in this exhibit, however, is more vibrant and evocative than abstractions we have seen in the past. The artists’ choice of color, form, shapes, and mark making are transformational and inspiring in the deepest sense.

The exhibition remains on view through May 31, 2013.

Ali Smith

MMG Painters Prevail in Bentley Gallery’s “Neochroma”

Bentley Gallery (Phoenix, AZ) is pleased to present a group exhibition of paintings, by six notable artists, whose use of color is the main event. Artists include MMG’s Tim Bavington, Ali Smith, Feodor Voronov, along with Daniel Brice, Oliver Arms, and Jill Moser. John A. Reyes, Director of Secondary Market at Bentley Gallery, curated the exhibition.

Opening on Saturday, March 9th, the exhibition will remain on view through the 29th. Make sure to visit if you find yourself in need of some color…

Bavington

Jason Salavon in “Control”

On view now until March 30, 2013,  Ronald Feldman Fine Arts in New York presents Control, a solo exhibition featuring new work by MMG’s Jason Salavon. For more information on the exhibition and to read the press release, please visit the gallery’s exhibition page.

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Mark Moore Gallery at Moving Image Art Fair

Mark Moore Gallery is thrilled to announce its participation in New York’s Moving Image Contemporary Video Art Fair – a fair exclusively dedicated to the presentation of single-channel videos, single-channel projections, video sculptures, and other larger video installations from international commercial galleries and non-profit institutions. Taking place during Armory Week (March 7-10, 2013) in the Waterfront Tunnel event space (between 27th and 28th Streets with an entrance on 11th Avenue in Chelsea), Moving Image is free and open to the public, including the opening reception on Thursday, March 7, 6–8 PM.

Mark Moore Gallery will present “Up Against” (2012), a single-channel video by new program artist, Cheryl Pope. This work illustrates an individual psychology at battle with the self/self and the self/other. Focusing on cognition, the figure attempts to break down the forms in order to open headspace. The struggle and duration speaks to the multiplicity that consumes the mental interior. The water inside the forms references other interior cavities of the body, such as a stomach upset with nervousness or irritation, or the mind shifting from quiet calm to disruptive agitation. Originally staged as a two-hour performance at Mandragoras Art Space in 2010, the subsequent video re-stages Pope’s visceral staging and engagement with feminist performance practices. Working in the mediums of sculpture, video, installation, assemblage, drawing, and performance, Cheryl Pope addresses issues of connectivity and identity that inform the way in which we live our lives today. The artist lives and works in New York, where she is the studio manager for artist Nick Cave.

For more information about the fair, please visit the Moving Image website, or email the gallery at info@markmooregallery.com.

Up Against

 

 

Allison Schulnik in “Paint Things”

Opening to the public on January 27th at the deCordova Sculpture Park and Museum is PAINT THINGS: beyond the stretcher, featuring works by Claire Ashley, Katie Bell, Sarah Braman, Sarah Cain, Alex Da Corte, Cheryl Donegan, Franklin Evans, Kate Gilmore, Alex Hubbard, James Hyde, Sean Kennedy, Wilson Lawrence, Steve Locke, Analia Saban, Jessica Stockholder, Mika Tajima, Summer Wheat, and MMG’s Allison Schulnik.

A survey of works that push the boundaries of the traditional painting practice, PAINT THINGS will have an opening reception from 7-9pm at the museum, and remain on view through April 21, 2013. For more information on the exhibition or participating artists, please visit the exhibition page.

White Clown Head

News from the Miami Fairs

As noted in yesterday’s Huffington Post, art collector SEAN “DIDDY” COMBS acquired two works by Mark Moore Gallery artist ANDREW SCHOULTZ at the Miami Art Fairs on opening day. Schoultz’s first Los Angeles show opens at the gallery January 12. 2013.

Miami Project Art Fair - Dec 4-9, 2012 - Midtown Miami / Wynwood District

Here are a few highlights–

First, a nod to something we mentioned yesterday: Sean “Diddy” Combs’ purchase of two Andrew Schoultz gold flag paintings at Marx & Zavatero Gallery.

Andrew Schoultz
Gold Dripping Flag (exposed)
acrylic & 23-karat gold leaf on stretched and dyed American flag over panel, 2012

Allison Schulnik in “About Face” at ACME.

Daniel Weinberg Gallery and ACME. will include a work by MMG artist, Allison Schulnik, in  About Face, a group exhibition of small works on paper and paintings by over thirty-five artists curated by Daniel Weinberg. Approximately fifty pieces will be shown throughout ACME.’s three gallery spaces.

The exhibition showcases eccentric, small-scale portraiture that distort classic presentations of the human face and/or figure. As a group show with roots in Surrealism and German Expressionism, the exhibition reflects the influences of individual artists such as Lucas Samaras’ Polaroids and Alice Neel’s portraits. The effects of the current Digital Age are also expressed in several works.

Artists include Richard Artschwager, Lutz Braun, Cris Brodahl, Kristin Calabrese, Brian Calvin, Anh Duong, Andre Ethier, Asad Faulwell, Llyn Foulkes, Steve Gianakos, Alexander Gorlizki, Scott Grodesky, Mary Addison Hackett, EJ Hauser, Kati Heck, Jonathan Herder, Becky Kolsrud, Robert Lostutter, Ashley Macomber, Josh Mannis, Eddie Martinez, David McGee, Damien Meade, John Mills, Malcolm Morley, Ryan Mrozowski, Loren Munk, Jim Nutt, Robyn O’Neil, Ed Paschke, Joshua Petker, Jerry Phillips, Stephanie Pryor, Helen Rae, Tom Sanford, Amy Sarkisian, Allison Schulnik, James Siena, Neal Tait, Michael Tetherow, Sandra Vasquez de la Horra, John Wesley, Karl Wirsum, and Tad Lauritzen Wright.

About Face will be presented at ACME., 6150 Wilshire Blvd., Los Angeles, CA  90048. 17

The exhibition will remain on view November 17th through December 22, 2012.
Opening reception: Saturday, December 1, 6 – 8 pm

LACMA Acquires Kim Rugg and Andrew Schoultz Works

Mark Moore Gallery is thrilled to announce that the Los Angeles County Museum of Art recently confirmed its acquisition of both Over the Edge, 2009 by British artist Kim Rugg, and  Up in the Air, 2006-2011 by American artist Andrew Schoultz. Both artists are represented by the gallery, and have been globally exhibited in contemporary art institutions.

With surgical blades and a steady hand, Kim Rugg (b. 1963, Canada) dissects and reassembles newspapers, stamps, comic books, cereal boxes and postage stamps in order to render them conventionally illegible. The front page of the LA Times becomes neatly alphabetized jargon, debunking the illusion of its producers’ authority as much as the message itself. Through her re-appropriation of medium and meaning, she effectively highlights the innately slanted nature of the distribution of information as well as its messengers. Rugg has also created hand-drawn works alongside wallpaper installations, both of which toy with authenticity and falsehood through subtle trompe l’oeil.

Sourcing inspiration from 15th Century German map making and Indian miniature paintings, Andrew Schoultz’s (b. 1975, WI) frenetic imagery depicts an ephemeral history bound to repeat itself. In his mixed-media works, notions of war, spirituality and sociopolitical imperialism are reoccurring themes, which shrewdly parallel an equally repetitive contemporary pursuit of accumulation and power. Intricate line work, painting, metal leaf and collage twist and undulate under Schoultz’s meticulous hand, ranging from intimately sized wall works to staggering murals and installations. While his illustrated world seems one of chaos and frenzy, Schoultz also implies a sense of alluring fantasy and whimsy – a crossroads vaguely familiar to the modern world.

Andrew Schoultz’s upcoming solo show, “Fall Out” will open January 12, 2013, while Kim Rugg’s “New Work” will be on view starting October 12, 2013. We sincerely congratulate both artists on this milestone, and thank LACMA for their incredible ongoing support of the gallery program.

 

Chad Person and Yoram Wolberger in “We Could Be Heroes”

Gallery artists Chad Person and Yoram Wolberger will soon be featured in an upcoming group exhibition at Brigham Young University Museum of Art. Other artists featured included in the exhibition will include Takashi Murakami, Ron English, Michael Scoggins, Takeshi Murata, Cory Arcangel, and Maruzio Cattelan.

We Could Be Heroes: The Mythology of Monsters and Heroes in Contemporary Art will run December 7, 2012 through April 6, 2013. Delving into our fascination with super heroes and monsters in contemporary pop culture, We Could Be Heroes will examine the relationship between today’s super heroes and the ancient quests of mythological and religious heroes against villainous monsters in recorded history and folklore. An overabundance of super hero movies has been produced around the world of late, from Hollywood to Chinese cinema to Bollywood, and is becoming a poignant part of our shared cultural subconscious. Through contemporary artworks, the exhibition will explore the complexity of the myth of the hero, the hero’s relationship to the monster, how a monster or hero is often defined by perception, and why, for many, comic-book mythologies are becoming the new morality of the 21st century.

For more information on this exhibition, and museum hours, please visit the BYU Museum website.

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