Few Remaining: Limited Edition Works on Paper by Feodor Voronov

Mark Moore Fine Art is pleased to announce our partnership with Davis Editions to release three new limited edition works on paper by artists FEODOR VORONOV scheduled to be released today that I currently can offer you in pre-publication as a special offer.

voronov_2018_mmfa007-border_davis-edtns

Feodor Voronov, 559 #1, 2018 / Archival pigment print / 12 × 12 ins

These works, published in association with Davis Editions, are wonderful examples of the artists best work. Davis Editions uses archival pigment inks and 100% cotton rag paper to create museum-quality prints that are fully archival. Each of these works is a limited edition of just twenty with two artists proofs. Once an edition is sold out, those prints are no longer available. Each print is hand-stamped and numbered on the back by Davis Editions and validated with a certificate of authenticity. The certificate includes pertinent information about the print including publication date, print number, and edition size, and is signed and dated by the publisher. 

voronov_2018_mmfa008-border_davis-edtns
Feodor Voronov, 559 #2, 2018 / Archival pigment print / 12 × 12 ins

For more information, images, and the details on all the works co-published by Mark Moore Fine Art and Davis Editions, please go to the following link: https://www.artsy.net/show/mark-moore-fine-art-mark-moore-fine-arts-slash-davis-editions-collaboration-works

For additional information on these works or these artists, please contact Mark Moore at: mark@markmooregallery.com

All work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.

voronov_2018_mmfa009-border_davis-edtns
Feodor Voronov, 559 #3, 2018 / Archival pigment print / 12 × 12 ins

Website: www.markmoorefineart.com
#markmoorefineart #feodorvoronov #daviseditions

Advertisements

Zemer Peled Unveils Major New Work in the Maldive Islands

Mark Moore Fine Art is pleased to share the images of a major work commissioned sculpture recently completed in the Maldives Islands by artist Zemer Peled.

IMG_0460

Zemer Peled, Untitled, Porcelein 66 x 36 x 36 inches

Zemer Peled’s labor-intensive process that bridges narrative and formalist elements. Peled utilizes a process of creation and destruction to make sculptures consisting of thousands of handcrafted porcelain shards resulting in works that can be read in relation to art historical tradition, outsider art, and natural phenomena.
The sculpture’s narrative impulses lean to encounters with the otherworldly—like complex topiaries marking a not-so-distant land–yet they remain distinctly tied to earth’s patterns. This conflation of the foreign and familiar creates a frenzied dislocation in the work. Inspired by migratory habits of birds, a sweep of feathers, and cycles of change, the works spiral outwardly in rhythmic patterns, interpreting not only the dynamism of nature, but also the startling strangeness of a life lived in transition.

IMG_0779

Detail Image: Zemer Peled, Untitled, Porcelein 66 x 36 x 36 inches

Peled’s work examines the beauty and brutality of the natural world. Her sculptural language is formed by her surrounding landscapes and nature, and engages with themes of memories, identity, and place. Her sculptures and installations consist of thousands of hand-crafted porcelain shards; a technique that yields a texture both delicate and severe. In some works, large scale-like ceramic pieces appear airy, delicate, and fluffy, as if one’s breath might break it. In others, Peled’s fragments are geometric barbs that mysteriously take on an alluring form – offering a sense of softness despite a sharp actuality. She has recently been featured in Hi-Fructose Magazine, Colossal, National Public Radio, MIND Magazine, O Magazine, and Ceramics Monthly (which featured her on the cover of the May 2015 issue).
Using white and colored porcelains, Peled transforms sharp slivers of porcelain into feathers, petals, leaves, and spines that describe objects of unknowable origins: seductive but untrustworthy. The forms are complexly ordered from the inside out, often bulging or spilling over with textures both delicate and severe. In some works, large scale-like ceramic pieces appear airy, delicate, and fluffy, as if one’s breath might break it. In others, Peled’s fragments are geometric barbs that mysteriously take on an alluring form – offering a sense of softness despite a sharp actuality. The forms are never static; the visual dance of sharp ceramic parts conveys a sense of constant movement. Like a murmuration of starlings, the sculptures appear to shift shapes as you move around them, an identity becoming and unbecoming in front of you.
The act of making for Peled is a feat of endurance, improvisation, and adaptation with the aim to embody a fleeting but fundamental feeling of mystery. The construction of her sculpture parallels negotiations any outsider makes in encountering a new world as they delicately construct a self that is both adaptable and resilient.
IMG_1016
Zemer Peled, Untitled, Porcelein 66 x 36 x 36 inches

Zemer Peled (b. 1983) was born and raised in a Kibbutz in the northern part of Israel. After completing her BFA from the Bezalel Academy of Art and Design (Jerusalem), she earned her MA at the Royal College of Art (UK). In recent years, her work has been exhibited internationally, including such venues as Sotheby’s and Saatchi Gallery (London), Eretz Israel Museum (Tel Aviv), the Henry Moore Gallery at the Royal College of Art (London), and the Orangerie du Senate (Paris), among others. The artist currently lives and works at the Archie Bray Foundation Residency (Helena, MT). Additional information on this incredible artist can be found on our website.

#zemerpeled #markmoorefineart

New Work by Artist JIMI GLEASON at Mark Moore Fine Art

fullsizerender5b15d

View the exclusive ARTSY online exhibition of new work by LA artist JIMI GLEASON on view now at the following link:

https://www.artsy.net/show/mark-moore-fine-art-jimi-gleason

Jimi Gleason’s reflected and light transmitted paintings emphasize seductive surfaces, nontraditional materials and the luminescent use of silver deposit to catalyze intimate reflection on the mechanics of perception.

“In Gleason’s deliciously unnatural abstractions, the devil is not in the details only because diabolical beauty spills so profusely from every nook and cranny.  His densely textured surfaces are a cornucopia of unimaginable delights.”

– Art Critic DAVID PAGEL (Los Angeles Times)

surfaceandlight188

Jimi Gleason has spent his career exploring the reflective possibilities of a painterly surface. “By using an iridescent surface coat, I have managed to create visual spaces that respond to both the play of light and the location of the viewer,” he says. Mixing nontraditional materials such as silver deposit with acrylic paints, Gleason’s surfaces are highly reactive to light and shifts in the viewer’s position.

To achieve his luminous surfaces, Gleason utilizes industrial materials – silver nitrate to be exact – in a process he’s been investigating and applying for over a decade. Performing an act of sheer alchemy, Gleason treats acrylic-coated canvases with a chemical mixture, which he then sprays with silver nitrate solution, transforming the surfaces into sterling sheets of metal.

His silver deposit surfaces act as enigmatic mirrors that are activated by the viewer and the environment they are situated in. Light, color and form are injected into the paintings via the external world – through this movement, Gleason hopes to induce a meditative experience for his viewers.

Jimi Gleason was born and raised in Southern California. He graduated with a BA in Fine Art from UC Berkeley in 1985, later moving to New York. Upon his return to California, Jimi worked as a studio assistant for renowned abstract painter, Ed Moses.

 

Gleason is now the subject of considerable curatorial and critical applause. His work is exhibited in significant public institutions, including the Armand Hammer Museum, the Long Beach Museum of Art, the Seattle Art Museum, the Tucson Museum of Art and the Frederick R. Weisman Art Foundation. The artist’s paintings are actively collected by a growing number of major public and private collections around the world. 

For more information on this show or this artist, please visit our website at http://www.markmoorefineart.com or contact us at: info@markmoorefineart.com

#markmoorefineart #jimigleason

Limited Edition Works on Paper by Artist JOSHUA DILDINE Featured in HARPER’S Magazine

Mark Moore Fine Art is pleased to announce our partnership with Davis Editions to release three new limited edition works on paper by artist JOSHUA DILDINE. I have just a few of these works remaining at this time.

These works were recently highlighted in the March 2019 edition of HARPER’S Magazine (page 21).

MMFA005-border
Joshua Dildine, Round and Round, 2018 / 30 x 24 inches (paper size) / Archival pigment print; Edition of 20 + 2AP

These works, published in association with Davis Editions, are wonderful examples of the artists best work. Davis Editions uses archival pigment inks and 100% cotton rag paper to create museum-quality prints that are fully archival. Each of these works is a limited edition of just twenty with two artists proofs. Once an edition is sold out, those prints are no longer available. Each print is hand-stamped and numbered on the back by Davis Editions and validated with a certificate of authenticity. The certificate includes pertinent information about the print including publication date, print number, and edition size, and is signed and dated by the publisher. 

For more information, images, and the details on all six of these works, please go to the following link:

https://www.artsy.net/show/mark-moore-fine-art-mark-moore-fine-arts-limited-editions-joshua-dildine-and-ben-charles-weiner

MMFA004-border
Joshua Dildine, Goofy Duck, 2018 / 30 x 24 inches (paper size) / Archival pigment print; Edition of 20 + 2AP

Merging found autobiographical photographs with viciously gestural painting, JOSHUA DILDINE confronts the subject of conventional recollection and familial structure. A fixation shared by society at large, the contemplation of past events and relationships ultimately shapes our psychology moving forward – as a flicker of nostalgia, shame, or glee can be activated by a single sensory cue. With a purposeful cognizance, Dildine mines these memories for the underlying traits that forge our shared humanity: the humor found in the compromising, the endearment found in the aggravating, or the conflict found in the absent. His painterly swaths are as visceral as the family photos they conceal, his vivid palette alluding to the glaring absurdity of our incessant self-analysis and contemplation of the past. In his most recent body of work, Dildine embellishes elements or patterns within the original image in order to create a farcical confrontation with the past – a perspective that is both critical and celebratory. Through this carefully disjointed lens, Dildine creates experiences that are at once present and bygone, and whimsically harnesses nature of our being.

MMFA006-border
Joshua Dildine, Suited Palm, 2018 / 30 x 24 inches (paper size) / Archival pigment print / Edition Size: 20 + 2 AP

Dildine (b. 1984, CA), received his MFA from Claremont Graduate University (CA). He has been featured in group exhibitions in Oakland, Los Angeles, San Diego, and Murfreesboro, as well as the Frederick Weisman Museum of Fine Art (CA). His work is included in the public collection of the Sweeney Art Gallery, University of California Riverside (Riverside, CA), The Frederick Weisman Museum of Fine Art (CA), The Honolulu Art Museum, and The Museum of Art and History (Lancaster, CA). He was also the recipient of the 2010 Claremont Graduate University Award. The artist lives and works in Fresno, CA.

You can download a free online catalog on this artist on with a more in depth overview of their work on our website at:

http://www.markmoorefineart.com/attachment/en/581c5e0c84184e51358b4568/Press/5b48f146b9c038fa565de2c3

For additional information on these works or these artists, please contact Mark Moore at: mark@markmooregallery.com

All work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.

#markmoorefineart #daviseditions #joshuadildine

JOSEPH ROSSANO’s Exclusive ARTSY Online Exhibition Opening Today!

Rossano_2019-02-09_Drawings_HIS-photos_DSC9541

Image: New Work by artist Joseph Rossano

Mark Moore Fine Art is very pleased to announce the first online exhibition of drawings of JOSEPH ROSSANO in an exclusive ARTSY featured show on view now titled “Pleistocene Dreams and Northwest Natives“. I would urge you to take a look at this beautiful and compelling exhibition which opens TODAY!

This exhibition is also currently ARTY’s Featured SHOW OF THE WEEK!

You can preview the show now at the following link:

https://www.artsy.net/show/mark-moore-fine-art-joseph-rossano-pleistocene-dreams-and-northwest-natives

Rossano_2019-02-09_Drawings_HIS-photos_DSC9532

Joseph Rossano’s recent exhibitions convey a deep admiration for nature, science and history. While the interdisciplinary systems of the natural world are highlighted through his works, Rossano’s show serves as a sampling of different organisms and their connections to one another.

JOSEPH ROSSANO, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, the South Australia Museum, and Google.

Rossano_2019-02-09_Drawings_HIS-photos_DSC9538

Rossano is the co-founder of Conservation FWD, and is the artist creating not only the organization’s inaugural show (Conservation from Here) but also defining the vision for future collaborations between the art and science communities.

Additional information on this artist can be found on our website at:

http://www.markmoorefineart.com/artists/joseph-rossano

For images of available works, or additional pricing inquiries, please email: info@markmoorefineart.com

#markmoorefineart #joerossano #josephrosaano #conservationfromhere

Featured ARTSY Show of the Week: Joseph Rossano “Pleistocene Dreams and Northwest Natives”

Rossano_2019-02-09_Drawings_HIS-photos_DSC9564

Image: New Work by artist Joseph Rossano

Mark Moore Fine Art is very pleased to announce the first online exhibition of drawings by artist JOSEPH ROSSANO in an exclusive ARTSY featured show in preview now titled “Pleistocene Dreams and Northwest Natives“. I would urge you to take a look at this beautiful and compelling exhibition which opens to the public on March 27th.

This exhibition is currently ARTY’s Featured SHOW OF THE WEEK!

You can preview the show now at the following link:

https://www.artsy.net/show/mark-moore-fine-art-joseph-rossano-pleistocene-dreams-and-northwest-natives

Rossano_2019-02-09_Drawings_HIS-photos_DSC9559

Joseph Rossano’s recent exhibitions convey a deep admiration for nature, science and history. While the interdisciplinary systems of the natural world are highlighted through his works, Rossano’s show serves as a sampling of different organisms and their connections to one another.

JOSEPH ROSSANO, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, the South Australia Museum, and Google.

Rossano is the co-founder of Conservation FWD, and is the artist creating not only the organization’s inaugural show (Conservation from Here) but also defining the vision for future collaborations between the art and science communities.

Additional information on this artist can be found on our website at:

http://www.markmoorefineart.com/artists/joseph-rossano

For images of available works, or additional pricing inquiries, please email: info@markmoorefineart.com

#markmoorefineart #joerossano #josephrosaano #conservationfromhere

Few Remaining: Limited Edition Works on Paper by Painter BEN CHARLES WEINER

Mark Moore Fine Art is pleased to announce our partnership with Davis Editions to release three new limited edition works on paper by artists BEN CHARLES WEINER scheduled to be released today that I currently can offer you in pre-publication as a special offer.

BW001-border

Ben Charles Weiner
Gel Monochrome Variation 1, 2016
18 × 18 in; 45.7 × 45.7 cm (paper size)
Archival pigment print 
Edition of 20 + 2AP

These works, published in association with Davis Editions, are wonderful examples of the artists best work. Davis Editions uses archival pigment inks and 100% cotton rag paper to create museum-quality prints that are fully archival. Each of these works is a limited edition of just twenty with two artists proofs. Once an edition is sold out, those prints are no longer available. Each print is hand-stamped and numbered on the back by Davis Editions and validated with a certificate of authenticity. The certificate includes pertinent information about the print including publication date, print number, and edition size, and is signed and dated by the publisher. 

For more information, images, and the details on all six of these works, please go to the following link:

https://www.artsy.net/show/mark-moore-fine-art-mark-moore-fine-arts-limited-editions-joshua-dildine-and-ben-charles-weiner

 

BW003-border
Ben Charles Weiner
Gel Monochrome Variation 3, 2016
18 × 18 in; 45.7 × 45.7 cm (paper size)
Archival pigment print
Edition of 20 + 2AP

By photographing paint and luxurious ephemera at close range, then using the resulting image as his subject, BEN CHARLES WEINER creates works that pose a confusion of object, subject and medium. Weiner’s paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. Thus, his paintings self-critically describe the duality of their own identity as both transcendent creation and commercial item. Likewise, all of the themes and references in the paintings reinforce their status as consumer/art objects. Roland Bathes’ application of Freud’s concept of “the uncanny” to landscape photography is the pertinent reference.

Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

BW002-border
Ben Charles Weiner
Gel Monochrome Variation 2, 2016
18 × 18 in; 45.7 × 45.7 cm (paper size)
Archival pigment print 
Edition of 20 + 2AP

You can download a free online catalog on this artist on with a more in depth overview of their work on our website at: 

For additional information on these works or these artists, please contact Mark Moore at:

mark@markmooregallery.com

All work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.

#markmoorefineart #benweiner #bencharlesweiner #daviseditions