Art Critic Dave Hickey looks into the work of Artist Tim Bavington on ARTSY

For your reference, there is an expeceptional essay on the work of Las Vegas artist  Tim Bavington by noted art critic and writer Dave Hickey titled “Gravity’s Rainbow” now posted on ARTSY at the link below:


For more information on Bavington and his work, please go to:

#markmoorefineart #timbavington

Jeffry Mitchell Work Acquired by The Smithsonian American Art Museum

The Smithsonian American Art Museum has acquired a major work by MMFA artist Jeffry Mitchell for it’s Renwick Gallery. The piece, “Gold Pickle Jar” (2007) was purchased through the Howard Kottler Endowment for Ceramic Art. We congratulate Jeffry on the milestone!


Jeffry Mitchell, “Gold Pickle Jar”, 2007, earthenware and glaze15 1/4 × 14 × 13 in. (38.7 × 35.6 × 33.0 cm)

Jeffry Mitchell was born in 1958, the fourth of nine children of working-class parents. After experiencing a largely itinerant childhood owing to his father’s career, Mitchell continued this nomadic lifestyle in his young adulthood. Although his family eventually established a somewhat permanent residency in Seattle, he decided to attend the University of Dallas in Irving, Texas, and spent a semester in Rome, an experience that had a profound effect on his work. After graduating with a BA in painting, Mitchell moved to Japan to teach English and landed an apprenticeship with a production potter in Seto (known as one of the “Six Old Kilns” in traditional Japanese pottery).


Detail: “Gold Pickle Jar” 2007

Impressed and changed by his experiences abroad, Mitchell returned to Seattle in 1984 and enrolled in a printmaking class at the Cornish College of the Arts. This spurred his decision to pursue an MFA in printmaking at the Tyler School of Art, Temple University in Philadelphia. During his studies he returned to Rome, setting up a studio in the basement classrooms at Villa Caproni. Notable solo exhibitions of Mitchell’s work include: Like a Valentine: The Art of Jeffry Mitchell, 2012-2013, Henry Art Gallery; Some Things and Their Shadows, 2009, Kittredge Gallery, University of Puget Sound, Tacoma, WA; Shiny Happy Pretty (with Tina Hoggatt), 2008, Missoula Art Museum; Hanabuki, 2001, Henry Art Gallery; My Spirit, 1992, New Museum of Contemporary Art, NY; and Documents Northwest: The Poncho Series, 1990, Seattle Art Museum.

Mitchell’s work can be found in numerous private and public collections including the Seattle Art Museum, Philadelphia Art Museum, Museum of Fine Arts, Boston, Philadelphia Art Museum, Fogg Art Museum (Harvard University), Honolulu Museum of Art, Tacoma Art Museum, the Portland Art Museum, and – now, The Smithsonian American Art Museum.

A short video, produced by the Renwick Gallery of The Smithsonian American Art Museum can be viewed below:


For more information:

#markmoorefineart #jeffrymitchell

YORAM WOLBERGER featured in Beautiful Decay “Toy Art: Artists Incorporate The Objects Of Our Youth” along side Koons, Fischer, and Cattelan

YORAM WOLBERGER is featured in a recent issue of  Beautiful Decay Magazine article Toy Art: Artists Incorporate The Objects Of Our Youth along with Jeff Koons, Urs Fischer, Hans Hemmert, Joe Black, Maurizio Cattelan, Jud Bergeron, and Hiroshi Fuji.

Check it out online at the following link.


Yoram Wolberger uses childhood toys and everyday domestic items to create his large scale sculptures, foregrounding the latent symbolism and cultural paradigms of these objects that so subtly inform Western culture. By enlarging this ephemera to life size, Wolberger emphasizes the distortions of their original manufacture disallowing any real illusion and conceptually forcing the viewer to reconsider their meanings. When enlarged beyond any possibility of dismissal, we see that toy soldiers create lines between “Us and Them”, plastic cowboys and Indians marginalize and stereotype the Other, even wedding cake bride and groom figurines dictate our expected gender roles.

All Wolberger sculpture pieces are available on a commissioned basis and all works are subject to prior sale. The price on this work is subject to change without notice. Shipping, site preparation, and all installation charges would be additional.


Yoram Wolberger (b. 1963, Tel Aviv, Israel) earned his MFA from the San Francisco Art Institute’s (CA) New Genres Department. He has had solo exhibitions in New York, Los Angeles and San Francisco, and has been featured in group exhibitions at the Brooklyn Museum of Art (NY), deCordova Sculpture Park (MA), the Aldrich Contemporary Museum (CT), Orange County Museum of Art (CA), Museum of Contemporary Art (IL) and the Israeli Museum of Modern Art (Israel) among others. His works have been acquired for the permanent collections of the Brooklyn Museum of Art (NY), Frederick R. Weisman Foundation (CA), the Orange County Museum of Art (CA), Sweeney Art Gallery, University of California Riverside (CA) and the McNay Art Museum (TX). The artist lives and works in San Francisco, CA.


Additional articles, reviews, and features on Wolberger and his work can be found on our gallery website at:

You can also download free PDF reprints of the following catalogs on his work at the links below:

Yoram Wolberger : E-Catalogue 1 – Cowboys and Indians

Yoram Wolberger : E-Catalogue 2 – Trophies


For more information on available works by Yoram Wolberger, please visit the MMFA site on ARTSY at:



A Look at the Work of Jeffry Mitchell on ARTSY Writer by art critic Jen Graves

You will find a superb essay on the work of MMFA artist Jeffry Mitchell currently featured in the ARTSY WRITER Section of the website. You can check out this wonderful look at the work of Jeffry Mitchell by art critic Jen Graves at the following link:


Jeffry Mitchell

Alphabet Pot, 2017

Mark Moore Fine Art

For the past 25 years, Jeffry Mitchell has approached his artistic exploration of the shared human experiences of love, death, sex, and spiritual trial and redemption with sincerity and intuitive intelligence. His art radiates with a charming appeal, marked by an exuberant abundance of forms, materials, and techniques. From his earliest experiments with resin and paper to his extended engagement with ceramics and his latest multi-part installations, Mitchell has consistently investigated the decorative and the theatrical and blurred distinctions between art, craft, and functionality.
Mitchell has developed a distinctive visual language full of symbolic characters like alphabet primers, flowers, elephants, bears, and other flora and fauna. What might first appear as child-like sweetness or nostalgic sentimentality quickly gives way to complex emotional content and deeper narratives that touch upon his identity as a creative artist and gay man as well as his working class Catholic background. Mitchell also responds to specific aspects of the history of art, craft, and visual culture. He fashions sophisticated twists on sources as diverse as Chinese funerary sculpture, folk art, Russian Constructivism, watercolor nature illustrations, and modernist assemblage.
#markmoorefineart #jeffrymitchell

Danial Nord’s “State of the Art” Video Installation Acquired by MOAH with Funds from Mark & Hilarie Moore

The Mark & Hilarie Moore Family Trust is pleased their support in the acquisition by the Museum of Art and History of the work titled “State of the Art” by artist Danial Nord. Check out the video installation titled “State of The Art” by DANIAL NORD on Vimeo:


Danial NordState of the Art, 2011 / recycled television parts, five video projectors, audio speakers, DVD player, Plexiglas mirrors, mixed materials. Sculpture dimensions: 17′ x 9′ x 6′

Permanent Collection of the Museum of Art and HistoryAcquisition Made Possible with Funds from The Mark & Hilarie Moore Family Trust

A giant dispossessed Mickey Mouse, made from the backs of discarded television sets, pulsates with broadcast media from a bygone era. The massive icon (5 meters from ear to toe) lays in the vulnerable position of a homeless man passed out on a sidewalk after a binge. Projectors and mirrors bounce radiant video through every pore of the piece, charging the surrounding space with shifting light and sound.

Excerpt from installation created for the City of Los Angeles Fellowships Exhibition (2011), reinstalled at the Crystal Bridges Museum of American Art (2014). The work was praised in this LA Times Review of the City of Los Angeles Fellowships Exhibition:

Danial Nord is an interdisciplinary artist who reinterprets the familiar language and trappings of mass communication. Nord’s provocative installations draw from his accomplishments as an award winning designer-animator in the entertainment industry, as an internationally based fashion designer, and as a scenic and prop artist for film, television and theater. His agile manipulation of color, light, form, moving image, and sound catches viewers in a cycle of seduction and confrontation.

Nord’s large-scale installations were recently featured in “State of the Art: Discovering American Art Now” at the Crystal Bridges Museum of American Art, and in the 2013 California-Pacific Triennial at the Orange County Museum of Art. He has exhibited in the US and abroad at World Expo 2010, Shanghai, China, Stadsmuseum Ghent, Belgium, in New York at Freight + Volume and ISE Cultural Foundation, in Philadelphia at ICA, and in the Los Angeles area at California Museum of Photography, Fringe Exhibitions, HAUS, Pacific Design Center, and the City of L.A. Municipal Art Gallery. His exhibitions have been covered by the LA Times, LA Weekly, ARTFORUM, Artweek, Afterimage, and NPR. He has been honored with numerous awards including two Artistic Innovation Grants from the Center for Cultural Innovation, and a City of Los Angeles Individual Artist Fellowship.

Nord earned his BFA from Tyler School of Art in Philadelphia and Rome, Italy. He continued with postgraduate studies in communication technologies and media at School of Visual Arts and the NYU Center for Digital Multimedia in New York. He lives and works in Los Angeles.

The Mark & Hilarie Moore Family Trust have supported the acquisition of works by acclaimed emerging artists from around the world since 1984. Recently, the Museum of Art and History named one of their exhibition rooms in their honor in appreciation for their support over the years.

Since 1984, Mark Moore and his wife Hilarie have been leading champions of emerging and mid-career contemporary artists in Southern California. Until 2016, they were the founders and principals of Mark Moore Gallery – an acclaimed Los Angeles space that was family owned and operated for nearly 33 years. Recognizing the rapid changes of the gallery industry and the modern needs of his clients, Moore decided to pivot the focus of his business from the traditional gallery model to a private agency that would allow for increased project flexibility and individualized consulting. Mark Moore Fine Art is a progression from Moore’s gallery history, with a similarly ambitious roster of represented artists and activity in the secondary market. With Moore’s broad experience, MMFA provides tailored collection management, consulting, project management, public artwork commissions, exhibition design, and curatorial services with the attentiveness of a small-scale firm. For a detailed history of our past exhibitions and projects, please click here.

#markmoorefineart #danialnord

“The Archaeology of False Idols – Mundane as Medium in Wolberger’s Cowboys & Indians” by Mark Mian

Check out the exceptional essay by critic and writer Mark Mian posted on ARTSY on the work of Yoram Wolberger titled The Archaeology of False Idols – Mundane as Medium in Wolberger’s Cowboys & Indians”.

Wolberger_Indian_CHIEF_1_2005 copy

“Wolberger’s body of work encompasses a variety of everyday objects; toys, models, appliances, furniture. His method is the painstaking manipulation of these iconic artifacts. Grossly enlarging, dissecting or reconstructing them, he overthrows their utilitarian context to expose associations normally concealed by their continuity with the environment. His pieces are at times ironic and personal, even tender, while at others they are highly critical.

Transformed beyond their expected appearance, construction or functioning, Wolberger’s arrestingly mutated objects stimulate renewed contemplation of their ideological origins and significance. Typically, his sculptural interventions employ three principal approaches for evicting viewers from their comfort zone of habituated perception.” – Mark Mian

Your can view this exhibition now on our ARTSY website by clicking here.

More information on Wolberger and his work can be found on our ARTSY artist page at:

#markmoorefineart #yoramwolberger

The Barrick Museum Acquires Five Works by MMFA Artist Kim Rugg

Mark Moore Fine Art is honored to announce that the Barrick Museum at the University of Nevada in Las Vegas has recently confirmed its acquisition of a set of five “Stamp Series” works by British artist Kim Rugg. We congratulate Kim on this milestone!


Image: Kim Rugg “Stamp Series” Works on View at the Barrick Museum UNLV


Detail Image: Kim Rugg “Stamp Series” Work on View at the Barrick Museum UNLV

You can view all the work we currently have available by Kim Rugg on our ARTSY webpage at the follwing link:

#markmoorefineart #kimrugg