Getty Research institute Adds Eric Orr Archive

The Eric Orr documentary archive and papers are now part of Getty Special Collections

ERIC ORR
Oceans of Time, 1987
Lead, Blood, and Oil on canvas
53 × 44 × 1 3/4 in ‘ 134.6 × 111.8 × 4.4 cm

https://www.artsy.net/artwork/eric-orr-1939-1998-oceans-of-time

The photographs, slides, and negatives of paintings, sculptures, and fountains by contemporary artist Eric Orr have recently been acquired by the Getty Research Institute (GRI). The archive also includes schematic drawings and plans for Orr’s public works, as well as ephemera, clippings, and administrative files that detail his life and practice.

Eric Orr (1939-1998) is a key figure of the Light and Space movement in Southern California. Born in 1939 in Covington, Kentucky, Orr graduated from the Kentucky Military Institute in 1958 and spent his early years traveling across the United States and Cuba. He briefly attended the University of Cincinnati in the early 1960s, where he produced his first sculpture, Colt .45, a work later known as Saturday Night Special. The work featured a mounted pistol facing a chair; viewers could sit and control the pistol via a foot pedal. Orr participated in civil rights protests in Mississippi in 1964 before relocating to Los Angeles in 1965, where he began to produce performances, sound art, and perceptual installations, using the elemental qualities of silence, sound, darkness, and light as material. Among these works was Zero Mass (1972-1973), an immersive 38-foot-long installation made of paper, where up to five people could enter a dark oval chamber and, after 10 to 12 minutes, experience altered vision from the lack of spatial perception. Developing alongside both Southern California conceptual art and the perceptual-based installations commonly associated with Light and Space art, Orr’s work spanned a variety of artistic practices that challenged the definition of artmaking while also incorporating a broad range of cultural references, including space icons found in ancient religions and cultures, Egyptian symbolism, and Buddhist spiritualism. From the 1970s onward, Orr created a diverse body of atmospheric monochrome paintings using airbrushing and oil paint, wall-mounted sculptures, and public artworks which incorporated a variety of elements including fire, water, gold, volcanic ash, meteorite dust, and his own blood.Orr participated in a number of international exhibitions during his life, including documenta VII (1982), the Sydney Biennale (1986), and the Venice Biennale (1986). His work can be found in many public and private collections, including the Los Angeles County Museum of Art; the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the San Francisco Museum of Modern Art; and the Centre Pompidou, Paris; Orr died in Venice, California, in 1998.

The archive will be open to researchers and is among numerous archives at the GRI related to the Light and Space movement and Southern California artists and curators, making it the ideal home for his legacy. 

Learn more about the Getty Research Institute Special Collections here:https://www.getty.edu/research/special_collections/

The archive is available for research here gty.art/orr_findingaid

#laart #laartist #losangelesart #losangelesartist #losangelesartists #abstractart #modernart #contemporaryart #dailyart #instaart #artcollectors #artcollector #artcritic #collector #modernartist #contemporaryartist #artcollective #arte #kunst #markmoorefineart #ericorr

FINAL DAY: Kurt Lightner “New Paintings” – An Exclusive ARTSY Online Exhibition

ON VIEW NOW: @markmooregallery is pleased to introduce the work of artist Kurt Lightner in an exclusive ARTSY online exhibition of New Paintings. You can view this work now at this link: https://bit.ly/3IpxK30

Lightner has been a recipient of the Pollock-Krasner Foundation Grant, and The Headlands Center for the Arts Project Studio Residency in San Fransisco.  Lightner’s works are included in many private and public collections both nationally and internationally.

#artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #kurtlightner

ENDING SUNDAY: Kurt Lightner “New Paintings” – An Exclusive ARTSY Online Exhibition

ON VIEW NOW: @markmooregallery is pleased to introduce the work of artist Kurt Lightner in an exclusive ARTSY online exhibition of New Paintings. You can view this work now at this link: https://bit.ly/3IpxK30

Lightner has been a recipient of the Pollock-Krasner Foundation Grant, and The Headlands Center for the Arts Project Studio Residency in San Fransisco.  Lightner’s works are included in many private and public collections both nationally and internationally.

#artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #kurtlightner

Kim Rugg: In Retrospect – An ARTSY Exclusive Online Exhibition Opening Today

@MarkMooreGallery presents an exclusive ARTSY Online Exhibition of twenty benchmark works by artist KIM RUGG on view June 2 – August 7, 2022. View KIM RUGG: IN RETROSPECT at: https://bit.ly/3LoLgFC
 
With surgical blades and a meticulous hand, Kim Rugg (b. 1963, Canada) dissects and reassembles newspapers, stamps, comic books, cereal boxes and postage stamps in order to render them conventionally illegible. The front page of the LA Times becomes neatly alphabetized jargon, debunking the illusion of its producers’ authority as much as the message itself. Through her re-appropriation of medium and meaning, she effectively highlights the innately slanted nature of the distribution of information as well as its messengers. Rugg has also created hand-drawn works alongside wallpaper installations, both of which toy with authenticity and falsehood through subtle trompe l’oeil. In her maps, Rugg re-envisions the topography of various states, countries, continents, and even the world without borders, featuring a staggeringly precise hand-drawn layout with only city names and regions as reference points. In own sense of abstracted cartography, Rugg redistributes traditional map colors (or eliminates them entirely) in order to nullify the social preeminence given to constructed territories, and highlight the idea that our attention is manipulated to focus on the powerful few instead of the physical many.
 
#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #kimrugg

Kim Rugg: In Retrospect – An ARTSY Exclusive Online Exhibition Opening June 2nd

@MarkMooreGallery presents an exclusive ARTSY Online Exhibition of twenty benchmark works by artist KIM RUGG on view June 2 – August 7, 2022. View KIM RUGG: IN RETROSPECT at: https://bit.ly/3LoLgFC
 
With surgical blades and a meticulous hand, Kim Rugg (b. 1963, Canada) dissects and reassembles newspapers, stamps, comic books, cereal boxes and postage stamps in order to render them conventionally illegible. The front page of the LA Times becomes neatly alphabetized jargon, debunking the illusion of its producers’ authority as much as the message itself. Through her re-appropriation of medium and meaning, she effectively highlights the innately slanted nature of the distribution of information as well as its messengers. Rugg has also created hand-drawn works alongside wallpaper installations, both of which toy with authenticity and falsehood through subtle trompe l’oeil. In her maps, Rugg re-envisions the topography of various states, countries, continents, and even the world without borders, featuring a staggeringly precise hand-drawn layout with only city names and regions as reference points. In own sense of abstracted cartography, Rugg redistributes traditional map colors (or eliminates them entirely) in order to nullify the social preeminence given to constructed territories, and highlight the idea that our attention is manipulated to focus on the powerful few instead of the physical many.
 
#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #kimrugg

Kim Rugg: In Retrospect – An ARTSY Exclusive Online Exhibition Opening June 2nd

@MarkMooreGallery presents an exclusive ARTSY Online Exhibition of twenty benchmark works by artist KIM RUGG on view June 2 – August 7, 2022. View KIM RUGG: IN RETROSPECT at: https://bit.ly/3LoLgFC
 
With surgical blades and a meticulous hand, Kim Rugg (b. 1963, Canada) dissects and reassembles newspapers, stamps, comic books, cereal boxes and postage stamps in order to render them conventionally illegible. The front page of the LA Times becomes neatly alphabetized jargon, debunking the illusion of its producers’ authority as much as the message itself. Through her re-appropriation of medium and meaning, she effectively highlights the innately slanted nature of the distribution of information as well as its messengers. Rugg has also created hand-drawn works alongside wallpaper installations, both of which toy with authenticity and falsehood through subtle trompe l’oeil. In her maps, Rugg re-envisions the topography of various states, countries, continents, and even the world without borders, featuring a staggeringly precise hand-drawn layout with only city names and regions as reference points. In own sense of abstracted cartography, Rugg redistributes traditional map colors (or eliminates them entirely) in order to nullify the social preeminence given to constructed territories, and highlight the idea that our attention is manipulated to focus on the powerful few instead of the physical many.
 
#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #kimrugg

Kim Rugg: In Retrospect – An ARTSY Exclusive Online Exhibition Opening June 2nd

@MarkMooreGallery presents an exclusive ARTSY Online Exhibition of twenty benchmark works by artist KIM RUGG on view June 2 – August 7, 2022. View KIM RUGG: IN RETROSPECT at: https://bit.ly/3LoLgFC
 
With surgical blades and a meticulous hand, Kim Rugg (b. 1963, Canada) dissects and reassembles newspapers, stamps, comic books, cereal boxes and postage stamps in order to render them conventionally illegible. The front page of the LA Times becomes neatly alphabetized jargon, debunking the illusion of its producers’ authority as much as the message itself. Through her re-appropriation of medium and meaning, she effectively highlights the innately slanted nature of the distribution of information as well as its messengers. Rugg has also created hand-drawn works alongside wallpaper installations, both of which toy with authenticity and falsehood through subtle trompe l’oeil. In her maps, Rugg re-envisions the topography of various states, countries, continents, and even the world without borders, featuring a staggeringly precise hand-drawn layout with only city names and regions as reference points. In own sense of abstracted cartography, Rugg redistributes traditional map colors (or eliminates them entirely) in order to nullify the social preeminence given to constructed territories, and highlight the idea that our attention is manipulated to focus on the powerful few instead of the physical many.
 
#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #kimrugg

Kim Rugg: In Retrospect – An ARTSY Exclusive Online Exhibition Opening June 2nd

@MarkMooreGallery presents an exclusive ARTSY Online Exhibition of twenty benchmark works by artist KIM RUGG on view June 2 – August 7, 2022. View KIM RUGG: IN RETROSPECT at: https://bit.ly/3LoLgFC
 
With surgical blades and a meticulous hand, Kim Rugg (b. 1963, Canada) dissects and reassembles newspapers, stamps, comic books, cereal boxes and postage stamps in order to render them conventionally illegible. The front page of the LA Times becomes neatly alphabetized jargon, debunking the illusion of its producers’ authority as much as the message itself. Through her re-appropriation of medium and meaning, she effectively highlights the innately slanted nature of the distribution of information as well as its messengers. Rugg has also created hand-drawn works alongside wallpaper installations, both of which toy with authenticity and falsehood through subtle trompe l’oeil. In her maps, Rugg re-envisions the topography of various states, countries, continents, and even the world without borders, featuring a staggeringly precise hand-drawn layout with only city names and regions as reference points. In own sense of abstracted cartography, Rugg redistributes traditional map colors (or eliminates them entirely) in order to nullify the social preeminence given to constructed territories, and highlight the idea that our attention is manipulated to focus on the powerful few instead of the physical many.
 
#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #kimrugg

Bob Roberts (1946-2022)

The tattoo and fine art community lost a pioneer today. Bob Roberts‘ art, tattoos and music had the raw power of a strong individual, who never wavered from his own perspective.

In the art community, Bob Roberts was known for his intense watercolors on paper – creating dense, fanatically detailed compositions that draw from traditional American tattoo flash, Tibetan thangkas paintings, and outlaw motorcycle imagery. His most recent works are inspired by artists like John Altoon, Phillip Guston, H.C. Westerman, and comic legends Rick Griffin and R. Crumb, as well as surf culture, and classical Chinese and Japanese painting. 

His enigmatic icons combined humorous meditations on violence, sexuality, and beauty, and were rendered with a sophisticated mastery of materials. Roberts challenged himself with a system of irreversible marks, as opposed to the corrections and over-painting of Western traditions, but with the simultaneous precision of his tattoo-artist hand. His work was the foundation of the much-acclaimed traveling museum exhibition “Eye Tattooed America” in 1993, and has been featured in numerous shows focused on mark-making and American Pop Culture.

Roberts’ experiences as a musician, biker, and iconoclast flavored his personal work. As a saxophonist, he was part of the milieu of Frank Zappa, in addition to playing with Ruben and the Jets, Hot Tuna, the New York Dolls, and the Offs. He first started professionally tattooing in 1973, while concurrently making his artwork, and is the founder of the famed Spotlight Tattoo in Los Angeles. His paintings have largely enjoyed an underground reputation as a living legend among the international body art community.

Mark Moore Gallery was honored to exhibit the work of Bob Roberts in ART CULVER CITY LOS ANGELES in 2015.

#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #bobroberts

On View Now: ROBERT STANDISH: Now and Zen – An Exclusive ARTSY Online Exhibition

ROBERT STANDISH: Now and Zen – An Exclusive ARTSY Online Exhibition

VIEW THIS SHOW NOW AT: https://bit.ly/3vc8Kc6

For twenty years, Los Angeles painter Robert Standish had been abstracting reality by altering his own powerful and moving photorealistic paintings of daily life. Seven years ago, Standish shifted away from constructing lifelike replicas of the world, and into an investigation of the unconscious unknown through abstraction. His move into an Abstract Expressionist “wet-on-wet” technique developed in tandem with his interests in cosmology and topography, in addition to psychological theory – namely, Dr. Carl Jung’s notion and analysis of the human psyche.

In his newest work, Standish revisits the essential element of his early style of photorealistic painting, namely, a photo reference, but through his more recent lens of abstraction. Fed up with biased news reporting, Standish sources his imagery from top U.S. and world news stories; often selecting photos from the Internet and various social media platforms associated with polarizing content. By unifying his disparate techniques, he gradually manipulates the palette and texture of the original image to change the representation of its featured subject – and subsequently, the viewer’s interpretation of it. Transcendence being a consistent theme of his practice, Standish’s newest work is true to his rejection of the finite, and his proclivity for the universal.

Detail Image

Robert Standish is an American painter living and working in Los Angeles whose organic process reveals the emotive effects of color, shape, and texture. Inspired by the color-field painters and Abstract Expressionism, Standish’s free-flowing use of paint is his way of exploring abstraction and transcendence. His works can be found in the permanent collections of the Los Angeles County Museum of Art, JP MORGAN CHASE, The Weisman Foundation, Louis K. Meisel, Larry and Marilyn Fields, Patricia Arquette, Norwest Venture Partners and BRYANT/ STIBEL, along with numerous other acclaimed collections. Standish’s paintings have been exhibited internationally in galleries and museums, including two recent group shows at the Carnegie Art Museum.

#artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laart #laartist #losangelesart #losangelesartist #losangelesartists #abstractart #modernart #contemporaryart #dailyart #instaart #artcollectors #artcollector #artcritic #collector #modernartist #contemporaryartist #abstractartist #artcollective #arte #kunst #robertstandish #markmoorefineart #markmooregallery