KARA MARIA “UNSPECIFIED INVOLVEMENTS” – An Exclusive ARTSY Online Exhibition
Kara Maria produces paintings and work on paper that reflect on political themes such as feminism, war, and the environment. She borrows from the broad vocabulary of contemporary painting; blending geometric shapes, vivid hues, and abstract marks, with representational elements. YOU CAN VIEW THIS ENTIRE EXHIBITION NOW BY CLICKING HERE: https://bit.ly/34EfBQU
Maria received her BA and MFA from the University of California, Berkeley. She has exhibited in solo and group exhibitions throughout the United States at venues including the San Francisco Museum of Modern Art; the Cantor Arts Center at Stanford University; the Contemporary Arts Museum in Houston, Texas; the San Jose Institute of Contemporary Art; and the Katonah Museum of Art in New York; among others.
Amy Myers (b. 1965, Austin, TX) is a New York-based artist whose large-scale abstract drawings and paintings simultaneously reference particle physics, biology, philosophy, the human mind, and the mechanics of the universe.
Myers has artworks in the permanent collections of the Solomon R.Guggenheim Museum (New York, NY); Pérez Art Museum Miami (Miami, FL); California State University Art Museum (Long Beach, CA); Fort Wayne Museum of Art (Fort Wayne, IN); Greenville County Museum of Art (Greenville, SC); Hudson Valley Center for Contemporary Art (Peekskill, NY); Laguna Art Museum (Laguna Beach, CA); Museum of Fine Arts (Houston, TX); Nerman Museum of Contemporary Art (Overland Park, KS); and the American Express Corporate Collection.
@MarkMooreGallery is pleased to announce an exhibition of new work by artist JOSHUA DILDINE – View this ARTSY ONLINE EXCLUSIVE SHOW at: https://bit.ly/3C6q04q
Merging found autobiographical photographs with viciously gestural painting, Joshua Dildine confronts the subject of conventional recollection and familial structure. A fixation shared by society at large, the contemplation of past events and relationships ultimately shapes our psychology moving forward – as a flicker of nostalgia, shame, or glee can be activated by a single sensory cue. With a purposeful cognizance, Dildine mines these memories for the underlying traits that forge our shared humanity: the humor found in the compromising, the endearment found in the aggravating, or the conflict found in the absent. His painterly swaths are as visceral as the family photos they conceal, his vivid palette alluding to the glaring absurdity of our incessant self-analysis and contemplation of the past.
In his most recent body of work, Dildine embellishes elements or patterns within the original image in order to create a farcical confrontation with the past – a perspective that is both critical and celebratory. Through this carefully disjointed lens, Dildine creates experiences that are at once present and bygone, and whimsically harnesses nature of our being.
“Dildine takes his autobiographical archives and turns up the flash until it takes over the image like an alien invasion. His neon AbEx paint strokes dominate everyday family moments, capturing the energy and fury with which we scrutinize the past.”
– Huffington Post
Dildine (b. 1984, CA), received his MFA from Claremont Graduate University (CA). He has been featured in group exhibitions in Oakland, Los Angeles, San Diego, and Murfreesboro, as well as the Frederick Weisman Museum of Fine Art (CA). His work is included in the public collection of the Sweeney Art Gallery, University of California Riverside (Riverside, CA), The Frederick Weisman Museum of Fine Art (CA), The Honolulu Art Museum, and The Museum of Art and History (Lancaster, CA). He was also the recipient of the 2010 Claremont Graduate University Award. The artist lives and works in Fresno, CA.
KARA MARIA “UNSPECIFIED INVOLVEMENTS” – An Exclusive ARTSY Online Exhibition
Kara Maria produces paintings and work on paper that reflect on political themes such as feminism, war, and the environment. She borrows from the broad vocabulary of contemporary painting; blending geometric shapes, vivid hues, and abstract marks, with representational elements. YOU CAN VIEW THIS ENTIRE EXHIBITION NOW BY CLICKING HERE: https://bit.ly/34EfBQU
Maria received her BA and MFA from the University of California, Berkeley. She has exhibited in solo and group exhibitions throughout the United States at venues including the San Francisco Museum of Modern Art; the Cantor Arts Center at Stanford University; the Contemporary Arts Museum in Houston, Texas; the San Jose Institute of Contemporary Art; and the Katonah Museum of Art in New York; among others.
@MarkMooreGallery is pleased to announce an exhibition of new work by artist JOSHUA DILDINE – View this ARTSY ONLINE EXCLUSIVE SHOW at: https://bit.ly/3C6q04q
Merging found autobiographical photographs with viciously gestural painting, Joshua Dildine confronts the subject of conventional recollection and familial structure. A fixation shared by society at large, the contemplation of past events and relationships ultimately shapes our psychology moving forward – as a flicker of nostalgia, shame, or glee can be activated by a single sensory cue. With a purposeful cognizance, Dildine mines these memories for the underlying traits that forge our shared humanity: the humor found in the compromising, the endearment found in the aggravating, or the conflict found in the absent. His painterly swaths are as visceral as the family photos they conceal, his vivid palette alluding to the glaring absurdity of our incessant self-analysis and contemplation of the past.
In his most recent body of work, Dildine embellishes elements or patterns within the original image in order to create a farcical confrontation with the past – a perspective that is both critical and celebratory. Through this carefully disjointed lens, Dildine creates experiences that are at once present and bygone, and whimsically harnesses nature of our being.
“Dildine takes his autobiographical archives and turns up the flash until it takes over the image like an alien invasion. His neon AbEx paint strokes dominate everyday family moments, capturing the energy and fury with which we scrutinize the past.”
– Huffington Post
Dildine (b. 1984, CA), received his MFA from Claremont Graduate University (CA). He has been featured in group exhibitions in Oakland, Los Angeles, San Diego, and Murfreesboro, as well as the Frederick Weisman Museum of Fine Art (CA). His work is included in the public collection of the Sweeney Art Gallery, University of California Riverside (Riverside, CA), The Frederick Weisman Museum of Fine Art (CA), The Honolulu Art Museum, and The Museum of Art and History (Lancaster, CA). He was also the recipient of the 2010 Claremont Graduate University Award. The artist lives and works in Fresno, CA.
David Rathman, It’s Never Your Time To Go, 2021 Watercolor on paper (unframed) 26 × 39 in / 66 × 99.1 cm
Mark Moore Fine Art proudly presents WINNER TAKE ALL, a solo exhibition of recent watercolor paintings by gallery artist David Rathman. Heralded for his critical analysis of masculine iconography, the artist has gravitated towards maverick characters such as athletes, rock stars, race car drivers, and ranchers. After numerous years of exploring the concept of the American cowboy, Rathman’s subject matter is slated to evolve after this last look into the mysterious, testosterone-driven psyche of the American West.
In a monochromatic sepia-toned palette, Rathman’s work depicts ghostly silhouettes of ambiguous gunslingers in Stetsons riding their trusty steeds across a barren landscape. Reminiscent of old shoddy film stills, the loose qualities of his painting technique evoke a shadowy nostalgia culled from pooling whiskey on an aging oak tabletop. Lonely as they seem, these romanticized figures of the past seem at home within the environments that echo their existence; hazy and ephemeral through the eyes of the viewer. Oftentimes these human mirages fuse into their backgrounds, as if struggling for sovereignty from their dusty tension-filled environments. The effect is one of haunting wistfulness for the historical narratives associated with “manifest destiny,” or for the fictionalized storytelling of Hollywood cinema as remembered by a young child. Rendered in the contrasting depth and frailty of watercolor, Rathman’s cowboy vignettes grapple with notions of sexuality, faith, mortality and melancholy.
DAVID RATHMAN (b. 1958, Choteau, MT) received a BFA from the Minneapolis College of Art and Design in 1982. While primarily a painter, Rathman has produced limited edition books and prints, and has created several original films.
Recent solo exhibitions include “Somewhere Between,” Weinstein Gallery, Minneapolis, MN; “Up to You, Down to Me,” Morgan Lehman Gallery, New York, NY; “Stand By Your Accidents,” Orlando Museum of Art, Orlando, FL and Rochester Art Center, Rochester, MN; “Hope I’m Never That Wrong Again,” Mark Moore, Culver City, CA; and “Let’s See What Stirs,” Larissa Golden Gallery, New York, NY. Recent group exhibitions include “TXTD,” Salisbury University Art Gallery, Salisbury, MD; “Box(e),” Jerome Zodo Contemporary, Milan, Italy; “Ultrasonic V, It’s Only Natural,” Mark Moore Gallery, Los Angeles, CA; “Every Man’s Life is a Fairytale,” Larissa Goldston Gallery, New York, NY; and “The Old, Weird America,” Contemporary Arts Museum, Houston, TX. His work is in numerous public and private collections including The Walker Art Center, Minneapolis MN; Whitney Museum of American Art, New York, NY; New Museum of Contemporary Art, New York, NY; Los Angeles County Museum of Art; and The Getty Museum, Los Angeles, CA. David Rathman lives and works in Minneapolis.
Download a Free Online Catalog focused on the last exhibition of works by David Rathman by clicking here: https://bit.ly/3FKUV7e
@MarkMooreGallery is pleased to announce an exhibition of new work by artist JOSHUA DILDINE – View this ARTSY ONLINE EXCLUSIVE SHOW at: https://bit.ly/3C6q04q
Merging found autobiographical photographs with viciously gestural painting, Joshua Dildine confronts the subject of conventional recollection and familial structure. A fixation shared by society at large, the contemplation of past events and relationships ultimately shapes our psychology moving forward – as a flicker of nostalgia, shame, or glee can be activated by a single sensory cue. With a purposeful cognizance, Dildine mines these memories for the underlying traits that forge our shared humanity: the humor found in the compromising, the endearment found in the aggravating, or the conflict found in the absent. His painterly swaths are as visceral as the family photos they conceal, his vivid palette alluding to the glaring absurdity of our incessant self-analysis and contemplation of the past.
In his most recent body of work, Dildine embellishes elements or patterns within the original image in order to create a farcical confrontation with the past – a perspective that is both critical and celebratory. Through this carefully disjointed lens, Dildine creates experiences that are at once present and bygone, and whimsically harnesses nature of our being.
“Dildine takes his autobiographical archives and turns up the flash until it takes over the image like an alien invasion. His neon AbEx paint strokes dominate everyday family moments, capturing the energy and fury with which we scrutinize the past.”
– Huffington Post
Dildine (b. 1984, CA), received his MFA from Claremont Graduate University (CA). He has been featured in group exhibitions in Oakland, Los Angeles, San Diego, and Murfreesboro, as well as the Frederick Weisman Museum of Fine Art (CA). His work is included in the public collection of the Sweeney Art Gallery, University of California Riverside (Riverside, CA), The Frederick Weisman Museum of Fine Art (CA), The Honolulu Art Museum, and The Museum of Art and History (Lancaster, CA). He was also the recipient of the 2010 Claremont Graduate University Award. The artist lives and works in Fresno, CA.
David Rathman, Fells Like I’m Up To Something, 2021 Watercolor on paper (unframed) 26 × 39 in / 66 × 99.1 cm
Mark Moore Fine Art proudly presents WINNER TAKE ALL, a solo exhibition of recent watercolor paintings by gallery artist David Rathman. Heralded for his critical analysis of masculine iconography, the artist has gravitated towards maverick characters such as athletes, rock stars, race car drivers, and ranchers. After numerous years of exploring the concept of the American cowboy, Rathman’s subject matter is slated to evolve after this last look into the mysterious, testosterone-driven psyche of the American West.
In a monochromatic sepia-toned palette, Rathman’s work depicts ghostly silhouettes of ambiguous gunslingers in Stetsons riding their trusty steeds across a barren landscape. Reminiscent of old shoddy film stills, the loose qualities of his painting technique evoke a shadowy nostalgia culled from pooling whiskey on an aging oak tabletop. Lonely as they seem, these romanticized figures of the past seem at home within the environments that echo their existence; hazy and ephemeral through the eyes of the viewer. Oftentimes these human mirages fuse into their backgrounds, as if struggling for sovereignty from their dusty tension-filled environments. The effect is one of haunting wistfulness for the historical narratives associated with “manifest destiny,” or for the fictionalized storytelling of Hollywood cinema as remembered by a young child. Rendered in the contrasting depth and frailty of watercolor, Rathman’s cowboy vignettes grapple with notions of sexuality, faith, mortality and melancholy.
DAVID RATHMAN (b. 1958, Choteau, MT) received a BFA from the Minneapolis College of Art and Design in 1982. While primarily a painter, Rathman has produced limited edition books and prints, and has created several original films.
Recent solo exhibitions include “Somewhere Between,” Weinstein Gallery, Minneapolis, MN; “Up to You, Down to Me,” Morgan Lehman Gallery, New York, NY; “Stand By Your Accidents,” Orlando Museum of Art, Orlando, FL and Rochester Art Center, Rochester, MN; “Hope I’m Never That Wrong Again,” Mark Moore, Culver City, CA; and “Let’s See What Stirs,” Larissa Golden Gallery, New York, NY. Recent group exhibitions include “TXTD,” Salisbury University Art Gallery, Salisbury, MD; “Box(e),” Jerome Zodo Contemporary, Milan, Italy; “Ultrasonic V, It’s Only Natural,” Mark Moore Gallery, Los Angeles, CA; “Every Man’s Life is a Fairytale,” Larissa Goldston Gallery, New York, NY; and “The Old, Weird America,” Contemporary Arts Museum, Houston, TX. His work is in numerous public and private collections including The Walker Art Center, Minneapolis MN; Whitney Museum of American Art, New York, NY; New Museum of Contemporary Art, New York, NY; Los Angeles County Museum of Art; and The Getty Museum, Los Angeles, CA. David Rathman lives and works in Minneapolis.
Download a Free Online Catalog focused on the last exhibition of works by David Rathman by clicking here: https://bit.ly/3FKUV7e
Michael Batty is a painter and a printmaker that operates with a formal language arising from a microcosm of the particle world. The minimalist pieces speak with geometry and line, and explores the balance between order and chaos by introducing random elements to the tightly rendered surfaces.
The artists builds up a webbed network of intersecting lines by cutting into the surface of the painting with a knife; creating thin ridges and minute grooves. The incised lines catch and divert the paint, creating a random ground of pigment with a shifting depth of colour to create quantum imagery.
In these works, the artistic creation is an open-ended play of traces in which the work gives up to a new kind of beauty, one that is mobile and elusive. Each image with its cicatrix seems to deal with the physical world, but give no easy name to their places.
In a poststructuralist mode, using a non-traditional tool of a knife rather than a brush, Batty explores a tension, juxtaposing the hard edge of the knife with the soft flow of the paint, evoking a sense of infinity.
Also detectable in the work is a similar sensibility to the work of the Futurists, in their attempt to capture movement depicting it so as to convey a sense of dynamism of the contemporary world. These works allow the artist to remain open to the effects of chance, thereby facing his void – activating it with incisions that now mark him, as much as the work he produces. This discovery process is ongoing and non-linear. One edits only to find that the trace of what has been erased has reappeared, indeed, given rise to the eternal return.
Batty graduated from Emily Carr College of Art and Design in Vancouver in 1989 with a major in painting. He attended the renowned artist workshops in Emma Lake, Saskatchewan, and studied printmaking at The Art Institute at Capilano College in Vancouver. Batty’s paintings can be found in collections around the world, including the Waldorf Astoria in Beijing, China, W Guangzhou, China, Four Seasons, Dubai, UAE, and Bank of Montreal in Calgary and Toronto.
@MarkMooreGallery is pleased to announce an exhibition of new work by artist JOSHUA DILDINE – View this ARTSY ONLINE EXCLUSIVE SHOW at: https://bit.ly/3C6q04q
Merging found autobiographical photographs with viciously gestural painting, Joshua Dildine confronts the subject of conventional recollection and familial structure. A fixation shared by society at large, the contemplation of past events and relationships ultimately shapes our psychology moving forward – as a flicker of nostalgia, shame, or glee can be activated by a single sensory cue. With a purposeful cognizance, Dildine mines these memories for the underlying traits that forge our shared humanity: the humor found in the compromising, the endearment found in the aggravating, or the conflict found in the absent. His painterly swaths are as visceral as the family photos they conceal, his vivid palette alluding to the glaring absurdity of our incessant self-analysis and contemplation of the past.
In his most recent body of work, Dildine embellishes elements or patterns within the original image in order to create a farcical confrontation with the past – a perspective that is both critical and celebratory. Through this carefully disjointed lens, Dildine creates experiences that are at once present and bygone, and whimsically harnesses nature of our being.
“Dildine takes his autobiographical archives and turns up the flash until it takes over the image like an alien invasion. His neon AbEx paint strokes dominate everyday family moments, capturing the energy and fury with which we scrutinize the past.”
– Huffington Post
Dildine (b. 1984, CA), received his MFA from Claremont Graduate University (CA). He has been featured in group exhibitions in Oakland, Los Angeles, San Diego, and Murfreesboro, as well as the Frederick Weisman Museum of Fine Art (CA). His work is included in the public collection of the Sweeney Art Gallery, University of California Riverside (Riverside, CA), The Frederick Weisman Museum of Fine Art (CA), The Honolulu Art Museum, and The Museum of Art and History (Lancaster, CA). He was also the recipient of the 2010 Claremont Graduate University Award. The artist lives and works in Fresno, CA.
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