Mark Moore Fine Art Blog

Special Preview of Todd Hebert: This Way, That Way, Up, and Down  

An Exclusive Artsy Online Exhibition Opening November 16th

VIEW THIS WORK NOW AT: https://bit.ly/3h3z43w

Todd Hebert is known for his playful use of scale and focus in paintings and works on paper that depict objects within distilled outdoor settings. “This Way, That Way, Up, and Down” finds Hebert continuing his unique synthesis of still life and landscape traditions, as well as ushering in a new material direction for his work.

While Hebert has always employed a variety of materials in his works on paper, the illusionistic effects in his paintings have been achieved largely through the use of an airbrush. In recent years, he has turned to a more traditional method for developing the indistinctness and depth associated with his work: he applies brushy layers of paint over rough surfaces of hemp, jute, or linen canvas. The resulting interplay of color, shape, and texture characterizes the work in the show. 

Those acquainted with Hebert’s work will notice familiar imagery throughout the exhibition. But instead of finding his subjects displayed before identifiable scenery, viewers will discover them set within monochromatic fields that seem at once vast, and very close. 

The icebergs, snowmen, and plastic water bottles that populate the works are realistically rendered, yet they attain an abstract quality due to disparities in their scale and spatial position. In one work, an out-sized water bottle appears leaden, anchored to the bottom of a blue expanse. In another, a diminished iceberg hovers weightless atop a white plane. In compositions such as these, Hebert presents a world where figurative distinctions like heaviness and lightness; surface and depth; mundanity and monumentality; are suspended, primed for reconsideration. 

For additional information, please contact: info@markmoorefineart.com

#laart #laartist #losangelesart #losangelesartist #losangelesartists #abstractart #modernart #contemporaryart #dailyart #instaart #artcollectors #artcollector #artcritic #collector #modernartist #contemporaryartist #abstractartist #artcollective #arte #kunst #toddhebert #markmoorefineart 

Special Preview of Todd Hebert: This Way, That Way, Up, and Down  

An Exclusive Artsy Online Exhibition Opening November 16th

VIEW THIS WORK NOW AT: https://bit.ly/3h3z43w

Todd Hebert is known for his playful use of scale and focus in paintings and works on paper that depict objects within distilled outdoor settings. “This Way, That Way, Up, and Down” finds Hebert continuing his unique synthesis of still life and landscape traditions, as well as ushering in a new material direction for his work.

While Hebert has always employed a variety of materials in his works on paper, the illusionistic effects in his paintings have been achieved largely through the use of an airbrush. In recent years, he has turned to a more traditional method for developing the indistinctness and depth associated with his work: he applies brushy layers of paint over rough surfaces of hemp, jute, or linen canvas. The resulting interplay of color, shape, and texture characterizes the work in the show. 

Those acquainted with Hebert’s work will notice familiar imagery throughout the exhibition. But instead of finding his subjects displayed before identifiable scenery, viewers will discover them set within monochromatic fields that seem at once vast, and very close. 

The icebergs, snowmen, and plastic water bottles that populate the works are realistically rendered, yet they attain an abstract quality due to disparities in their scale and spatial position. In one work, an out-sized water bottle appears leaden, anchored to the bottom of a blue expanse. In another, a diminished iceberg hovers weightless atop a white plane. In compositions such as these, Hebert presents a world where figurative distinctions like heaviness and lightness; surface and depth; mundanity and monumentality; are suspended, primed for reconsideration. 

For additional information, please contact: info@markmoorefineart.com

#laart #laartist #losangelesart #losangelesartist #losangelesartists #abstractart #modernart #contemporaryart #dailyart #instaart #artcollectors #artcollector #artcritic #collector #modernartist #contemporaryartist #abstractartist #artcollective #arte #kunst #toddhebert #markmoorefineart 

PREVIEWED: Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of new work by artist BEN WEINER titled “Colors Of You” on view now through February 5, 2023.

VIEW THIS SHOW NOW AT: https://bit.ly/3sqflxq

Weiner’s large-scale paintings combine elements of process-abstraction and still life painting to create a material history of his own existence.

By photographing paint and luxurious ephemera at close range, then using the resulting image as his subject, Ben Weiner creates works that pose a confusion of object, subject and medium. Weiner’s paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. Thus, his paintings self-critically describe the duality of their own identity as both transcendent creation and commercial item. Likewise, all of the themes and references in the paintings reinforce their status as consumer/art objects. Roland Bathes’ application of Freud’s concept of “the uncanny” to landscape photography is the pertinent reference.

Art Critic David Shapiro writes of the work: “Meditating on the rapturous designs of the ephemera of our time, Ben Weiner transforms prosaic objects such as aluminum foil, paint, and hair gel into ambiguous, often erotic landscapes of the mind. Weiner’s images are enlarged to the point of near unrecognizability, making the paintings hover on the brink of extreme representation and abstract sublimity. The altered scale combined with dramatic lighting and subtle photographic distortions produces an uncanny effect characteristic of the digital age.”

“Weiner’s large paintings are technically flawless and strikingly realistic, living up to still life’s reputation for naturalistic realism set by Parrhasios in ancient Greece. His involvement in the genre of still life is, however, not based merely in its ability as an effective vehicle for delivering realism but also for the power of objects to communicate metaphorically. In Weiner’s visions, styrofoam can be the ruins of commodity culture, while gold covered mannequins conjure fantasy narratives of transcendence through the decadence of love. The abstract method of communication inherent in still life painting reflects Weiner’s strongly felt belief in the power of implication.”

“While Weiner’s paintings are contemporary, particularly in his interest in the experience of visual disorientation, his techniques reflect an interest in preserving the most effective and archival artistic methods of the Old Masters. He uses Dutch paint and clove oil over Belgian linen to ensure images of great permanence. But, just as Weiner updates the ancient art of still life with photographic distortion, he also adds to his nearly scientifically-mixed palettes a number of prismatic synthetic hues.”

Ben Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

#benweiner #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #markmooregalllery

PREVIEWED: Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of new work by artist BEN WEINER titled “Colors Of You” opening November 2nd.

VIEW THIS SHOW NOW AT: https://bit.ly/3sqflxq

Weiner’s large-scale paintings combine elements of process-abstraction and still life painting to create a material history of his own existence.

By photographing paint and luxurious ephemera at close range, then using the resulting image as his subject, Ben Weiner creates works that pose a confusion of object, subject and medium. Weiner’s paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. Thus, his paintings self-critically describe the duality of their own identity as both transcendent creation and commercial item. Likewise, all of the themes and references in the paintings reinforce their status as consumer/art objects. Roland Bathes’ application of Freud’s concept of “the uncanny” to landscape photography is the pertinent reference.

Art Critic David Shapiro writes of the work: “Meditating on the rapturous designs of the ephemera of our time, Ben Weiner transforms prosaic objects such as aluminum foil, paint, and hair gel into ambiguous, often erotic landscapes of the mind. Weiner’s images are enlarged to the point of near unrecognizability, making the paintings hover on the brink of extreme representation and abstract sublimity. The altered scale combined with dramatic lighting and subtle photographic distortions produces an uncanny effect characteristic of the digital age.”

“Weiner’s large paintings are technically flawless and strikingly realistic, living up to still life’s reputation for naturalistic realism set by Parrhasios in ancient Greece. His involvement in the genre of still life is, however, not based merely in its ability as an effective vehicle for delivering realism but also for the power of objects to communicate metaphorically. In Weiner’s visions, styrofoam can be the ruins of commodity culture, while gold covered mannequins conjure fantasy narratives of transcendence through the decadence of love. The abstract method of communication inherent in still life painting reflects Weiner’s strongly felt belief in the power of implication.”

“While Weiner’s paintings are contemporary, particularly in his interest in the experience of visual disorientation, his techniques reflect an interest in preserving the most effective and archival artistic methods of the Old Masters. He uses Dutch paint and clove oil over Belgian linen to ensure images of great permanence. But, just as Weiner updates the ancient art of still life with photographic distortion, he also adds to his nearly scientifically-mixed palettes a number of prismatic synthetic hues.”

Ben Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

#benweiner #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #markmooregalllery

PREVIEWED: Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of new work by artist BEN WEINER titled “Colors Of You” opening November 2nd.

VIEW THIS SHOW NOW AT: https://bit.ly/3sqflxq

Weiner’s large-scale paintings combine elements of process-abstraction and still life painting to create a material history of his own existence.

By photographing paint and luxurious ephemera at close range, then using the resulting image as his subject, Ben Weiner creates works that pose a confusion of object, subject and medium. Weiner’s paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. Thus, his paintings self-critically describe the duality of their own identity as both transcendent creation and commercial item. Likewise, all of the themes and references in the paintings reinforce their status as consumer/art objects. Roland Bathes’ application of Freud’s concept of “the uncanny” to landscape photography is the pertinent reference.

Art Critic David Shapiro writes of the work: “Meditating on the rapturous designs of the ephemera of our time, Ben Weiner transforms prosaic objects such as aluminum foil, paint, and hair gel into ambiguous, often erotic landscapes of the mind. Weiner’s images are enlarged to the point of near unrecognizability, making the paintings hover on the brink of extreme representation and abstract sublimity. The altered scale combined with dramatic lighting and subtle photographic distortions produces an uncanny effect characteristic of the digital age.”

“Weiner’s large paintings are technically flawless and strikingly realistic, living up to still life’s reputation for naturalistic realism set by Parrhasios in ancient Greece. His involvement in the genre of still life is, however, not based merely in its ability as an effective vehicle for delivering realism but also for the power of objects to communicate metaphorically. In Weiner’s visions, styrofoam can be the ruins of commodity culture, while gold covered mannequins conjure fantasy narratives of transcendence through the decadence of love. The abstract method of communication inherent in still life painting reflects Weiner’s strongly felt belief in the power of implication.”

“While Weiner’s paintings are contemporary, particularly in his interest in the experience of visual disorientation, his techniques reflect an interest in preserving the most effective and archival artistic methods of the Old Masters. He uses Dutch paint and clove oil over Belgian linen to ensure images of great permanence. But, just as Weiner updates the ancient art of still life with photographic distortion, he also adds to his nearly scientifically-mixed palettes a number of prismatic synthetic hues.”

Ben Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

#benweiner #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #markmooregalllery

PREVIEWED: Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of new work by artist BEN WEINER titled “Colors Of You” opening November 2nd.

VIEW THIS SHOW NOW AT: https://bit.ly/3sqflxq

Weiner’s large-scale paintings combine elements of process-abstraction and still life painting to create a material history of his own existence.

By photographing paint and luxurious ephemera at close range, then using the resulting image as his subject, Ben Weiner creates works that pose a confusion of object, subject and medium. Weiner’s paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. Thus, his paintings self-critically describe the duality of their own identity as both transcendent creation and commercial item. Likewise, all of the themes and references in the paintings reinforce their status as consumer/art objects. Roland Bathes’ application of Freud’s concept of “the uncanny” to landscape photography is the pertinent reference.

Art Critic David Shapiro writes of the work: “Meditating on the rapturous designs of the ephemera of our time, Ben Weiner transforms prosaic objects such as aluminum foil, paint, and hair gel into ambiguous, often erotic landscapes of the mind. Weiner’s images are enlarged to the point of near unrecognizability, making the paintings hover on the brink of extreme representation and abstract sublimity. The altered scale combined with dramatic lighting and subtle photographic distortions produces an uncanny effect characteristic of the digital age.”

“Weiner’s large paintings are technically flawless and strikingly realistic, living up to still life’s reputation for naturalistic realism set by Parrhasios in ancient Greece. His involvement in the genre of still life is, however, not based merely in its ability as an effective vehicle for delivering realism but also for the power of objects to communicate metaphorically. In Weiner’s visions, styrofoam can be the ruins of commodity culture, while gold covered mannequins conjure fantasy narratives of transcendence through the decadence of love. The abstract method of communication inherent in still life painting reflects Weiner’s strongly felt belief in the power of implication.”

“While Weiner’s paintings are contemporary, particularly in his interest in the experience of visual disorientation, his techniques reflect an interest in preserving the most effective and archival artistic methods of the Old Masters. He uses Dutch paint and clove oil over Belgian linen to ensure images of great permanence. But, just as Weiner updates the ancient art of still life with photographic distortion, he also adds to his nearly scientifically-mixed palettes a number of prismatic synthetic hues.”

Ben Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

#benweiner #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #markmooregalllery

PREVIEWED: Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of new work by artist BEN WEINER titled “Colors Of You” opening November 2nd.

VIEW THIS SHOW NOW AT: https://bit.ly/3sqflxq

Weiner’s large-scale paintings combine elements of process-abstraction and still life painting to create a material history of his own existence.

By photographing paint and luxurious ephemera at close range, then using the resulting image as his subject, Ben Weiner creates works that pose a confusion of object, subject and medium. Weiner’s paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. Thus, his paintings self-critically describe the duality of their own identity as both transcendent creation and commercial item. Likewise, all of the themes and references in the paintings reinforce their status as consumer/art objects. Roland Bathes’ application of Freud’s concept of “the uncanny” to landscape photography is the pertinent reference.

Art Critic David Shapiro writes of the work: “Meditating on the rapturous designs of the ephemera of our time, Ben Weiner transforms prosaic objects such as aluminum foil, paint, and hair gel into ambiguous, often erotic landscapes of the mind. Weiner’s images are enlarged to the point of near unrecognizability, making the paintings hover on the brink of extreme representation and abstract sublimity. The altered scale combined with dramatic lighting and subtle photographic distortions produces an uncanny effect characteristic of the digital age.”

“Weiner’s large paintings are technically flawless and strikingly realistic, living up to still life’s reputation for naturalistic realism set by Parrhasios in ancient Greece. His involvement in the genre of still life is, however, not based merely in its ability as an effective vehicle for delivering realism but also for the power of objects to communicate metaphorically. In Weiner’s visions, styrofoam can be the ruins of commodity culture, while gold covered mannequins conjure fantasy narratives of transcendence through the decadence of love. The abstract method of communication inherent in still life painting reflects Weiner’s strongly felt belief in the power of implication.”

“While Weiner’s paintings are contemporary, particularly in his interest in the experience of visual disorientation, his techniques reflect an interest in preserving the most effective and archival artistic methods of the Old Masters. He uses Dutch paint and clove oil over Belgian linen to ensure images of great permanence. But, just as Weiner updates the ancient art of still life with photographic distortion, he also adds to his nearly scientifically-mixed palettes a number of prismatic synthetic hues.”

Ben Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

#benweiner #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #markmooregalllery

PREVIEWED: Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of new work by artist BEN WEINER titled “Colors Of You” opening November 2nd.

VIEW THIS SHOW NOW AT: https://bit.ly/3sqflxq

Weiner’s large-scale paintings combine elements of process-abstraction and still life painting to create a material history of his own existence.

By photographing paint and luxurious ephemera at close range, then using the resulting image as his subject, Ben Weiner creates works that pose a confusion of object, subject and medium. Weiner’s paintings harness the idolatrous fetishistic desire of consumer culture, the fashion industry, and the art world. Thus, his paintings self-critically describe the duality of their own identity as both transcendent creation and commercial item. Likewise, all of the themes and references in the paintings reinforce their status as consumer/art objects. Roland Bathes’ application of Freud’s concept of “the uncanny” to landscape photography is the pertinent reference.

Art Critic David Shapiro writes of the work: “Meditating on the rapturous designs of the ephemera of our time, Ben Weiner transforms prosaic objects such as aluminum foil, paint, and hair gel into ambiguous, often erotic landscapes of the mind. Weiner’s images are enlarged to the point of near unrecognizability, making the paintings hover on the brink of extreme representation and abstract sublimity. The altered scale combined with dramatic lighting and subtle photographic distortions produces an uncanny effect characteristic of the digital age.”

“Weiner’s large paintings are technically flawless and strikingly realistic, living up to still life’s reputation for naturalistic realism set by Parrhasios in ancient Greece. His involvement in the genre of still life is, however, not based merely in its ability as an effective vehicle for delivering realism but also for the power of objects to communicate metaphorically. In Weiner’s visions, styrofoam can be the ruins of commodity culture, while gold covered mannequins conjure fantasy narratives of transcendence through the decadence of love. The abstract method of communication inherent in still life painting reflects Weiner’s strongly felt belief in the power of implication.”

“While Weiner’s paintings are contemporary, particularly in his interest in the experience of visual disorientation, his techniques reflect an interest in preserving the most effective and archival artistic methods of the Old Masters. He uses Dutch paint and clove oil over Belgian linen to ensure images of great permanence. But, just as Weiner updates the ancient art of still life with photographic distortion, he also adds to his nearly scientifically-mixed palettes a number of prismatic synthetic hues.”

Ben Weiner (b. 1980, Burlington, VT) received his BA from Wesleyan University (CT). He also studied under Mexican muralist José Lazcarro at Universidad de las Americas (Mexico) and has worked closely with artists Jeff Koons, Kim Sooja and Amy Yoes as an assistant. He has exhibited his work widely across the United States and in Mexico with solo shows in Los Angeles, New York and Puebla, and group exhibitions in Chicago, New York, Miami, New Haven, Ridgefield, Los Angeles and Riverside. His paintings can be found in the Sammlung/Collection (Germany), the Progressive Collection (OH), and the Frederick R. Weisman Foundation Collection (CA). The artist lives and works in New York City.

#benweiner #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #markmooregalllery

Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition by artist AMY MYERS titled “Ultraviolet Underground”.

VIEW THIS SHOW AT: https://bit.ly/3EMd4Ec

Amy Myers is best known for her large-scale charcoal and pastel drawings, which depict complicated worlds reminiscent of scientific patterns. Her father was a physicist, a fact often noted as an influence on the aesthetics and structure of her work.

Myers’ compositions, always balanced but never exactly symmetrical, seamlessly integrate layers of matter radiating from a central, often labial core. Some elements are comprised of soft, biomorphic forms, at times fleshy and pulsating, at other times wispy and iridescent. Other structures appear as webs of severe, geometric forms slicing through the multi-layered composition, reminiscent of cyborgian hybrids, industrial machinery, and the bio-mechanical art of H. R. Giger. Many elements of Myers’ works are reminiscent of human organs, particularly the vulva, a symbol of creation that relates to the cyclical recreation and renewal inherent to the mechanics of the universe. Myers’ art has clear ties to Feminist art, with notable visual similarities to Georgia O’Keeffe’s paintings of flowers, buildings, and landscapes, and Judy Chicago’s series of vulvic plates for “The Dinner Party.”

ABOUT THE ARTIST:

Amy Myers (b. 1965, Austin, TX) is a New York-based artist whose large-scale abstract drawings and paintings simultaneously reference particle physics, biology, philosophy, the human mind, and the mechanics of the universe.

Myers has received numerous grants and fellowships, including The Pollock-Krasner Foundation Grant; Elizabeth Foundation for the Arts; Ellen S. Kaminsky Family Foundation Studio Residency and Award at MANA Contemporary; and The Marie Walsh Sharpe Art Foundation Studio Grant. Past residencies include Yaddo Artist Residency (Saratoga Springs, NY); Dora Maar House (Menerbes, France); and The American Academy in Rome.

Previous solo exhibitions include Mike Weiss Gallery (New York, NY); Mary Boone Gallery (New York, NY); Suzanne Vielmetter Los Angeles Projects (Los Angeles, CA); Danese Gallery (New York, NY); Rhona Hoffman Gallery (Chicago, IL); and Dunn and Brown Contemporary (Dallas, TX).

Past museum exhibitions include The Sweeney Art Museum at California State University (Riverside, CA); Pomona College, Montgomery Art Center (Claremont, CA); and University Art Museum, California State University (Long Beach, CA).

Myers has artworks in the permanent collections of the Solomon R.Guggenheim Museum (New York, NY); Pérez Art Museum Miami (Miami, FL); California State University Art Museum (Long Beach, CA); Fort Wayne Museum of Art (Fort Wayne, IN); Greenville County Museum of Art (Greenville, SC); Hudson Valley Center for Contemporary Art (Peekskill, NY); Laguna Art Museum (Laguna Beach, CA); Museum of Fine Arts (Houston, TX); Nerman Museum of Contemporary Art (Overland Park, KS); and the American Express Corporate Collection.

#AMYMYERS #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #markmooregalllery