Category Archives: Mark Moore Gallery

John Bauer and Mehgan Smythe highlight “Process”

John Bauer and Mehgan Smythe (shown below) are among the ten MMFA artists will be featured in the exhibition titled PROCESS curated by Matthew Gardocki at the Barrick Museum at the University of Nevada Las Vegas which is open now and continues for two more weeks through May 13, 2017.

D71364_043

This exhibition will also include works by: Julie Oppermann; Christopher Duncan; John Bauer; Kara Joslyn; Kim Rugg; Ryan Wallace; Heidi Schwegler; Meghan Smythe; Christopher Russell, along with Lester Monzon.

You can download a complete PDF list of available works in PROCESS at UNLV by clicking here.

For more information on this work please contact: mark@markmooregallery.com

#markmoorefineart

#mehgansmythe

#johnbauer

Julie Heffernan Interviewed in “Between Two Pines”

I wanted to share this recent interview with painter and MMFA artist JULIE HEFFERNAN that was recently published by the McDowell Fellows online magazine Between Two Pines“. 

dd3936f2-053e-4722-af65-602ed12a1d42

Julie Heffernan is a painter whose imaginative landscapes, which she has referred to as self-portraits, evoke Baroque sensibilities and depict alternative habitats and calamitous events related to climate change. Born in Peoria, IL, she received her BFA in Painting and Printmaking from UC Santa Cruz and her MFA in Painting from Yale. She has shown in numerous galleries in New York and around the country and is the recipient of many grants and Fellowships including an NEA grant, a NYFA grant, and a Fulbright-Hayes grant to West Berlin. She was at the McDowell Fellows Colony in 2012 and is a member of the committee planning our upcoming May 1, 2017 National Benefit in NYC in which her work will be featured.  Visit her website here.

JH_photo

What is the last thing you saw/read/listened to that inspired you?

Oh what a good question! I’m listening to a Hidden Brain podcast about a guerilla gardener in South Central LA by the name of Ron Finley who realized the food choices for folks in his neighborhood were killing them as much as the shootings (Drive-ins as bad as the Drive-bys, he says), so he turned his front yard into an urban garden, and people could simply stop by and pick themselves an avocado or pomegranate anytime they wanted.  If they could they’d also bring something over to the garden to share with others.

Also just read a chilling piece in this week’s New Yorker by Jane Mayer about the moneyman behind Trump’s ascendancy – hedge fund billionaire Robert Mercer – and his libertarian, climate change-denying agenda to create essentially an oligarchy in America. Chilling stuff.

What is the best free advice you ever received?

I get free advice all the time from my beloved NPR, so, from the urban guerilla Ron Finley mentioned above, it would have to be to give it away as much as possible.  In reference to the source of the derogatory term “Indian giver” –stemming from indigenous people’s potlatch ceremonies and predicated on the idea of re-gifting– giving something precious away that the receiver then offers over to someone else in turn and so on, that is the original way of paying it forward.  Keep the gift in circulation and it creates a sense of the world being a bounteous place. Be Indian givers in the true sense of the term.

What is your guilty pleasure?

Dark chocolate, of course. Beyond that I’m at a point in my life where no pleasure makes me feel guilty.  Even gossip, stemming from the word “gospel” (or “godspell”) can be an unguilty pleasure when it’s in the service of trying to figure out how the world works, via our friends and family. I know that sounds boring but really – how could real pleasure ever truly be bad??   “You do not have to be good/You do not have to crawl on your knees for a hundred miles through the desert, repenting?/You only have to let the soft animal of your body love what it loves.” -Mary Oliver

If you could live in another time and/or place, when/where would you choose and why?

I used to think Elizabethan England because of going to too many Renaissance fairs when I was a teenager, and I’m inclined to say I would like to have been a conscious being during the Civil Rights era in the South, where you could see real heroism happening on the streets.  But I realize we are in a horrible, difficult time right now, so just like those folks who were willing to put their lives on the line for equality, as true American heroes, we have to step up right now and behave like heroes too.  SO, I choose now.

MacDowell turns 110 this year – what do you think the world will be like when you turn 110?

I’m guessing Florida and other coastal areas will be all but gone, along with much of India, the Philippines, Bangladesh, China, etc. and either it’s mass chaos everywhere or the world’s people will be on their way to doing something about the climate crisis. Experts will finally be focusing their energies on coming up with ingenious strategies for energy storage, but all of us will have had to rise to the occasion because the 2+ degree experiment will have taken place and we’ll all be living with the consequences of our in/actions.  (Exxon Mobil will be gone, am I right??) Either we’ll be massively more engaged, or toast.

Question from Arturo O’Farrill: Is there a way to find hope in this terrible age of lies, greed and the worst of humanity being the dominant culture?  

I wrote this yesterday: “I’ve been reading about ‘presentism’ – the notion that what is happening now will continue to be the case; but it won’t be like this for too long and we know that.  What we’re seeing goes against everything we have built that constitutes American values, and people care about those values. Most people can see through this ridiculous person leading our country in name alone, and his cronies in Congress as well.  And if they can’t right now, they’ll figure it out later, in the same way that Germans figured out Hitler was a maniac.  We will figure it out.  No one likes to be lied to.  We are confronting particular people in the Republican party now with a different psychological inclination, one more akin to sociopathy than conservatism, and when enough people see this is a different breed of politician altogether, the kind that will bend any value to achieve their ends, they will vote them out.”

But after reading Jane Mayer’s article, I’m not so sure anymore. Mayer traces how billionaire Robert Mercer invested heavily in Breitbart News and other alt right interests essentially to reduce the US government to a “pinhead.”  He’s a big investor in Cambridge Analytica, “a firm that mines online data to reach and influence potential voters. The company has said that it uses secret psychological methods to pinpoint which messages are the most persuasive to individual online viewers.”  Egad.

What question would you like to ask the next Fellow? (Please provide your own answer, too!)

I would like someone to give me the definitive answer to how to speak to someone with confirmation bias. 

There has to be a way.  We know from many studies that facts don’t change a person’s mind, and there was also the study that told us you can change a person’s opinion by putting them in sympathetic contact with someone who personifies the qualities they disagree with, but that study turned out to be bogus.  So I would love some help with this problem.

Kenichi Yokono: A Twenty Year Survey closes next Monday

On View Now: Kenichi Yokono Exclusive Online ARTSY Exhibition

a4d02e0054dc553fc8f1b5899d7a481a

Image: Kenichi Yokono, Happy Squat, 2014 / carved wood and enamel / 72 x 72 inches
Collection of the Honolulu Museum of Art

Mark Moore Fine Art is proud to present an online exclusive “20 Year Survey” Exhibition on ARTSY by “Cool Japan” artist KENICHI YOKONO. 

This show features 48 benchmark works from two decades of the artist’s career.

This exhibition closes on April 17th, so check it out now at the following Link: https://www.artsy.net/show/mark-moore-fine-art-kenichi-yokono-a-twenty-year-survey

#markmoorefineart

#kenichiyokono

Opening April 18th: Julie Oppermann “Waking Lines”

Mark Moore Fine Art proudly presents “Waking Lines” – an exclusive online exhibition on ARTSY by Julie Oppermann. This show will debut on April 18th. Look for details coming soon!

b088bc397090e68525d995dd68959299

Predominantly intrigued by the idea of sensory interference, Oppermann creates meticulously painted patterns that reference cognitive perception through synthetic experience. As if capturing warped television signals or pixilated computer screens, Oppermann’s work evokes conceptual associations derived from intricate moiré patterns, thus revealing profound observations about our intellectual acuity.

#markmoorefineart

#julieoppermann

ARTSY’s Featured Show – KENICHI YOKONO: A Twenty Year Survey at Mark Moore Fine Art

The Mark Moore Fine Art Exclusive Online ARTSY Exhibition, KENICHI YOKONO: A Twenty Year Survey is currently being highlighted on Artsy’s Featured Shows page at: https://www.artsy.net/shows

MMFA is proud to present an online exclusive “20 Year Survey” Exhibition on ARTSY by “Cool Japan” artist KENICHI YOKONO. This show features 48 benchmark works from two decades of the artist’s career. This exhibition closes on April 17th, so check it out now at the following Link:

https://www.artsy.net/show/mark-moore-fine-art-kenichi-yokono-a-twenty-year-survey

#markmoorefineart

#kenichiyokono

5

KENICHI YOKONO: A Twenty Year Survey is currently being highlighted on Artsy’s Featured Shows

The Mark Moore Fine Art Exclusive Online ARTSY Exhibition, KENICHI YOKONO: A Twenty Year Survey is currently being highlighted on Artsy’s Featured Shows page at: https://www.artsy.net/shows

1

MMFA is proud to present an online exclusive “20 Year Survey” Exhibition on ARTSY by “Cool Japan” artist KENICHI YOKONO. This show features 48 benchmark works from two decades of the artist’s career. This exhibition closes on April 17th, so check it out now at the following Link:

https://www.artsy.net/show/mark-moore-fine-art-kenichi-yokono-a-twenty-year-survey

#markmoorefineart

#kenichiyokono

3

Chris Duncan featured in “Process” at UNLV Barrick Museum

I am pleased to announce that Christopher Duncan is among the ten MMFA artists will be featured in the exhibition titled PROCESS curated by Matthew Gardocki at the Barrick Museum at the University of Nevada Las Vegas which is open now and continues through May 13, 2017.

D71364_001

This exhibition will also include works by: Julie Oppermann; Christopher Duncan; John Bauer; Kara Joslyn; Kim Rugg; Ryan Wallace; Heidi Schwegler; Meghan Smythe; Christopher Russell, along with Lester Monzon.

You can download a complete PDF list of available works in PROCESS at UNLV by clicking here.

For more information on this work please contact: mark@markmooregallery.com

#markmoorefineart

#chrisduncan

Zemer & Amit Peled in “Suspension/Journey with my Jewishness” at th North Dakota Museum of Art Opening April 2nd

North Dakota Image

Suspension/Journey with my Jewishness | North Dakota Museum of Art | April 2 Opening

Suspension/Journey with my Jewishness is an exhibition and concert collaboration project between siblings Amit Peled, cellist and Zemer Peled, artist. Zemer’s site-specific environment titled Suspension, 2017 will be installed at the North Dakota Museum of Art and presented alongside brother Amit’s cello program to provide a physical composition in dialogue with Amit’s musical compositions. Just as the individual notes in music rely on one another to create a whole, Zemer’s physical composition is comprised of individual porcelain lines held together only by gravity to create a three-dimensional drawing in space.

Amit and Zemer Peled were born and grew up with their family in a small kibbutz in the northern part of Israel. The siblings collaborated previously for the 2014 exhibition Pablo and Me at the Cotuit Center for the Arts in Cape Cod, Massachusetts.

Reception: Sunday April 2, following Amit Peled’s 2pm concert

North Dakota Museum of Art

261 Centennial Drive Stop 7305

Grand Forks, ND 58202

#markmoorefineart

#zemerpeled

Julie Oppermann Interview on ARTSY

Art Critic Sarah Hall got to sit down with artist Julie Oppermann, these questions come from an interview that took place in May, 2013 in Berlin. Check it out on the ARTSY Featured ARTICLES Page by clicking here.

maxresdefault

For more information on this and other artists we have work with please go to our website: www.markmoorefineart.com

You can find additional available works by this artist and prices on our ARTSY website: www.artsy.net/mark-moore-gallery

#markmoorefineart

#julieoppermann

Kenichi Yokono: A Twenty Year Survey on ARTSY

Kenichi Yokono uses woodblock methodologies to address the stark contrast between traditional and contemporary Japanese culture, as well as the confluence between Western and Eastern pop cultures. Influences from manga, anime, horror movies, and other stereotypical aspects of Japanese pop culture merge to present iconic images of buoyant kawaii (or “cuteness”) in contrast with “the horror of everyday life,” according to the artist. Also referencing his longtime interest in American skate and surf culture, Yokono’s carvings often depict a “punk rock” sensibility that speaks to a desire to break outside of customary Japanese sensibilities.

For twenty years, Mark Moore Fine Art has shown this highly-acclaimed talent and does so again now with an Exclusive ARTSY on-line exhibition, titled Kenichi Yokono: A Twenty Year Survey. This exhibition closes April 16th.

larger

Image: Kenichi Yokono,  / Carved wood and enamel / 59 ins diameter

Although functioning woodblocks, Yokono’s works are without the conventional prints that have historically served as the final art object – rather, the woodblock itself is the art object; a subtle pushback against orthodox Japanese art-making that bridges past and present cultural realities. Similarly, Yokono demonstrates an interest in the Western art historical canon, oftentimes including elements of Dutch vanitas or still life painting in order to draw a parallel between popularized and underrepresented notions of mortality. As has been explored in more predominantly historicized art movements, Yokono embellishes upon the Japanese fascination (and celebration) of the delicate line between life and death, beauty and vulgarity, or normalcy and the bizarre. His meticulous craft maintains the primacy of the handmade object – through which the artist retains a tangible presence. These multiple oppositions in Yokono’s work result in pieces that are rife with social critique and irony.

Born in 1972 (Kanazawa, Japan), Yokono was trained at the Kanazawa College of Art (Japan). He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY). He has participated in residencies at the McColl Center for Visual Art (NC) and the International Studio and Curatorial Program (NY), and was the recipient of the 2005 Asian Cultural Council Fellowship award, as well as the Tom Eccles Prize (NY). His work in included in the collections of the West Collection (PA), Honolulu Museum of Art, The Pigozzi Collection (NY/SWZ), and Progressive Collection (OH) among others. In addition to Mark Moore Gallery, Yokono is also represented by Micheko Galerie, a German gallery with a focus on 21st Century Art from Japan, and Unseal Contemporary (Japan). The artist lives and works in Kanazawa, Japan.

For more information on this and other artists we have work with please go to our website: www.markmoorefineart.com

You can find additional available works by this artist and prices on our ARTSY website: www.artsy.net/mark-moore-gallery

#markmoorefineart

#kenichiyokono