Category Archives: Mark Moore Gallery

Mark Moore Fine Art is proud to present an Exclusive ARTSY Online Exhibition by artist JOSEPH ROSSANO. “Her One Voice” is an installation of recent work configured especially for Mark Moore Fine Art. Everything in the exhibit is made from repurposed or gifted materials. 

VIEW NOW AT: bit.ly/3AAk5oM

The HER ONE VOICE installation comprises elements from two series, “Divine Forms” and “At the Top of Her Lungs”. Below are excerpts from each series description:

At the Top of Her Lungs

At this penning, on September 11th, 2020, the West is ablaze. A mere 40 miles away, a temperate rainforest, home to life aged greater than 2,000 years, struggles for its last breath. Forests as filtration systems for life are essential to all beings on this planet. By recasting our failings to project beauty, viewers are placed in direct contact with the history of their kind and in a way that engages their own activism. By activating a community to save animals, perhaps, we can save each other.  At the Top of Her Lungs is an ongoing series of portraits. The creatures depicted in these works, present, and past, beseech us to heed mother nature’s plea —  wake.

Divine Forms

In this new exhibition, Divine Forms, mirrored vessels – the forms of which reference early Christian iconography – are placed centrally in the gallery, reflecting and engaging the paintings that encircle them. Each artwork invites exploration of the natural world. At the same time, the installation turns the mirror on us, the viewer, causing us to reflect upon the power we have on the planet and the role we play in the preservation – or destruction – of the natural world. She asks us: how will we wield our collective power?

In the many animal portraits, and also reflections seen of oneself in-gallery, are the faces of mother nature. “Her One Voice” asks us to see ourselves as the solution and to take action in the best interest of all species.

ABOUT THE ARTIST

Rossano’s work uses the spectacle of art to disarm an audience, opening that audience to truths about man and nature. On the surface, it appears as though he is manufacturing representational art; the hidden reality is quite different. Rossano has made butterflies from fighter aircrafts; used whitewash and tar to tell a story of human behavior refusing to disappear; and employed 800-year-old trees as a historic reference to modern humanity.

Through the use of contextually significant materials, the artist’s work relates an environmental truth hidden in plain sight. Engaging in intensively researched life science theory, Rossano curates a narrative of his own manufacture, which exposes the viewer to that hidden truth and the theory it supports. Through a mutual desire to protect the natural world, he enlists prominent life scientists to, together, lead viewers to poignant, of the moment theories, represented in three dimensions.

Until a recent shift in scale, the vast majority of what he made reflected personal toil, crafted, conceived and researched by his hand and mind alone. No longer pursuing intimate works, Rossano now continues in the same vein with large-scale installations in the homes of U.S. President’s, and more, exposing ever larger audiences to the conceptual matrix surrounding his work and our world. These new works are created in association with other artists, corporations, and individuals, all willing to donate their time and materials to the causes Rossano addresses and messages they deliver – a model of community collaborating for a cause.

The scientist, the environmentalist, and the conservationist constantly face the challenge of convincing an audience to care about their work, cause, etc. Although artists face the same challenges, more often than not, it is an ego driven exercise. Rossano have chosen to make makes things regardless of profit, that are about something bigger than ourselves, , about individuals and creatures—whether they be human or other—that need our help. 

Joseph Rossano, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, the South Australia Museum, Google, and more. Integrating cutting edge technology and science with his art, Rossano engages and challenges the viewer to reflect upon humankind’s impact on our planet and its varied ecosystems. Much of his youth was spent exploring the North Shore of New York’s Long Island and hiking in the Catskill Mountains. These were formative years that evolved a life focused on creating environmental awareness through art.

#artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist #contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #thesalmonschool #josephrossano

Many may know Sterling Allen from his work over the last decade as one of the foiunders of the OKAY MOUNTAIN Art Collective. I am pleased now to introduce you to the work of Sterling Allen created outside of that collaboration in an exclusive ARTSY online exhibition titled, “Damage Control” – which you can view here now: https://bit.ly/3Cq2rWs

Sterling Allen holds a BFA from the University of Texas at Austin and an MFA in Sculpture from the Milton Avery Graduate School of Arts at Bard College. He is a co-founder of Okay Mountain, a collective and former gallery based in Austin, Texas. He has exhibited, organized, and completed projects at venues throughout the United States and received several residencies including the Artpace International Artist-In-Residence Program in San Antonio, TX and a residency at the Bemis Center for Contemporary Arts in Omaha, NE.

The works in this show were created for an exhibition in Austin, Texas with Partial Shade and Co-Lab Projects titled “A Pit Fire”. The first weekend consisted of a pit fire, followed by an exhibition of the resulting fired ceramic objects. The contents of the fire dictate the surface color and texture of the objects. The methods for creating different surfaces reframe domestic materiality as a series of chemical actions/reactions, compounds, and sensitivities. Vapors from burning sawdust, copper, newsprint, compost etc. enter the open pores of the objects, resulting in a pattern shaped by context and environment— residual evidence of contact.  

The works were then presented in Sterling Allen’s project “Our New Room” – a series of temporary site-specific installations in unsanctioned spaces that address some of the issues inherent in thinking about objects, site, sculpture, and photography. This body of work is presented as a full-color publication, alongside a feature essay by art historian Sarah Hamill, a sequence of poems by Christopher Rey Pérez, a short essay by Emily Lee, and an interview conducted by fellow artist Ian Pedigo. Book design in collaboration with French & Michigan and M. Wright. (http://www.frenchandmichigan.com/store/sterling-allen).

Allen has exhibited at numerous venues including the Contemporary Arts Museum Houston, Utah Museum of Contemporary Art, the Southeastern Center for Contemporary Art, and VOLTA NY. He has been twice nominated for an Art Matters Grant and was recently awarded a Rauschenberg Foundation Residency. His work is in the permanent collections of the Museum of Fine Arts, Houston and the Jack S. Blanton Museum of Art. Sterling lives and works in Austin, TX and is currently an Associate Professor at Texas State University.

#sterlingallen #markmoorefineart #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist #markmooregallery

Mark Moore Fine Art is proud to present an Exclusive ARTSY Online Exhibition by artist JOSEPH ROSSANO. “Her One Voice” is an installation of recent work configured especially for Mark Moore Fine Art. Everything in the exhibit is made from repurposed or gifted materials. 

VIEW NOW AT: bit.ly/3AAk5oM

The HER ONE VOICE installation comprises elements from two series, “Divine Forms” and “At the Top of Her Lungs”. Below are excerpts from each series description:

At the Top of Her Lungs

At this penning, on September 11th, 2020, the West is ablaze. A mere 40 miles away, a temperate rainforest, home to life aged greater than 2,000 years, struggles for its last breath. Forests as filtration systems for life are essential to all beings on this planet. By recasting our failings to project beauty, viewers are placed in direct contact with the history of their kind and in a way that engages their own activism. By activating a community to save animals, perhaps, we can save each other.  At the Top of Her Lungs is an ongoing series of portraits. The creatures depicted in these works, present, and past, beseech us to heed mother nature’s plea —  wake.

Divine Forms

In this new exhibition, Divine Forms, mirrored vessels – the forms of which reference early Christian iconography – are placed centrally in the gallery, reflecting and engaging the paintings that encircle them. Each artwork invites exploration of the natural world. At the same time, the installation turns the mirror on us, the viewer, causing us to reflect upon the power we have on the planet and the role we play in the preservation – or destruction – of the natural world. She asks us: how will we wield our collective power?

In the many animal portraits, and also reflections seen of oneself in-gallery, are the faces of mother nature. “Her One Voice” asks us to see ourselves as the solution and to take action in the best interest of all species.

ABOUT THE ARTIST

Rossano’s work uses the spectacle of art to disarm an audience, opening that audience to truths about man and nature. On the surface, it appears as though he is manufacturing representational art; the hidden reality is quite different. Rossano has made butterflies from fighter aircrafts; used whitewash and tar to tell a story of human behavior refusing to disappear; and employed 800-year-old trees as a historic reference to modern humanity.

Through the use of contextually significant materials, the artist’s work relates an environmental truth hidden in plain sight. Engaging in intensively researched life science theory, Rossano curates a narrative of his own manufacture, which exposes the viewer to that hidden truth and the theory it supports. Through a mutual desire to protect the natural world, he enlists prominent life scientists to, together, lead viewers to poignant, of the moment theories, represented in three dimensions.

Until a recent shift in scale, the vast majority of what he made reflected personal toil, crafted, conceived and researched by his hand and mind alone. No longer pursuing intimate works, Rossano now continues in the same vein with large-scale installations in the homes of U.S. President’s, and more, exposing ever larger audiences to the conceptual matrix surrounding his work and our world. These new works are created in association with other artists, corporations, and individuals, all willing to donate their time and materials to the causes Rossano addresses and messages they deliver – a model of community collaborating for a cause.

The scientist, the environmentalist, and the conservationist constantly face the challenge of convincing an audience to care about their work, cause, etc. Although artists face the same challenges, more often than not, it is an ego driven exercise. Rossano have chosen to make makes things regardless of profit, that are about something bigger than ourselves, , about individuals and creatures—whether they be human or other—that need our help. 

Joseph Rossano, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, the South Australia Museum, Google, and more. Integrating cutting edge technology and science with his art, Rossano engages and challenges the viewer to reflect upon humankind’s impact on our planet and its varied ecosystems. Much of his youth was spent exploring the North Shore of New York’s Long Island and hiking in the Catskill Mountains. These were formative years that evolved a life focused on creating environmental awareness through art.

#artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist #contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #thesalmonschool #josephrossano

Mark Moore Fine Art is proud to present an Exclusive ARTSY Online Exhibition by artist JOSEPH ROSSANO. “Her One Voice” is an installation of recent work configured especially for Mark Moore Fine Art. Everything in the exhibit is made from repurposed or gifted materials. 

VIEW NOW AT: bit.ly/3AAk5oM

The HER ONE VOICE installation comprises elements from two series, “Divine Forms” and “At the Top of Her Lungs”. Below are excerpts from each series description:

At the Top of Her Lungs

At this penning, on September 11th, 2020, the West is ablaze. A mere 40 miles away, a temperate rainforest, home to life aged greater than 2,000 years, struggles for its last breath. Forests as filtration systems for life are essential to all beings on this planet. By recasting our failings to project beauty, viewers are placed in direct contact with the history of their kind and in a way that engages their own activism. By activating a community to save animals, perhaps, we can save each other.  At the Top of Her Lungs is an ongoing series of portraits. The creatures depicted in these works, present, and past, beseech us to heed mother nature’s plea —  wake.

Divine Forms

In this new exhibition, Divine Forms, mirrored vessels – the forms of which reference early Christian iconography – are placed centrally in the gallery, reflecting and engaging the paintings that encircle them. Each artwork invites exploration of the natural world. At the same time, the installation turns the mirror on us, the viewer, causing us to reflect upon the power we have on the planet and the role we play in the preservation – or destruction – of the natural world. She asks us: how will we wield our collective power?

In the many animal portraits, and also reflections seen of oneself in-gallery, are the faces of mother nature. “Her One Voice” asks us to see ourselves as the solution and to take action in the best interest of all species.

ABOUT THE ARTIST

Rossano’s work uses the spectacle of art to disarm an audience, opening that audience to truths about man and nature. On the surface, it appears as though he is manufacturing representational art; the hidden reality is quite different. Rossano has made butterflies from fighter aircrafts; used whitewash and tar to tell a story of human behavior refusing to disappear; and employed 800-year-old trees as a historic reference to modern humanity.

Through the use of contextually significant materials, the artist’s work relates an environmental truth hidden in plain sight. Engaging in intensively researched life science theory, Rossano curates a narrative of his own manufacture, which exposes the viewer to that hidden truth and the theory it supports. Through a mutual desire to protect the natural world, he enlists prominent life scientists to, together, lead viewers to poignant, of the moment theories, represented in three dimensions.

Until a recent shift in scale, the vast majority of what he made reflected personal toil, crafted, conceived and researched by his hand and mind alone. No longer pursuing intimate works, Rossano now continues in the same vein with large-scale installations in the homes of U.S. President’s, and more, exposing ever larger audiences to the conceptual matrix surrounding his work and our world. These new works are created in association with other artists, corporations, and individuals, all willing to donate their time and materials to the causes Rossano addresses and messages they deliver – a model of community collaborating for a cause.

The scientist, the environmentalist, and the conservationist constantly face the challenge of convincing an audience to care about their work, cause, etc. Although artists face the same challenges, more often than not, it is an ego driven exercise. Rossano have chosen to make makes things regardless of profit, that are about something bigger than ourselves, , about individuals and creatures—whether they be human or other—that need our help. 

Joseph Rossano, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, the South Australia Museum, Google, and more. Integrating cutting edge technology and science with his art, Rossano engages and challenges the viewer to reflect upon humankind’s impact on our planet and its varied ecosystems. Much of his youth was spent exploring the North Shore of New York’s Long Island and hiking in the Catskill Mountains. These were formative years that evolved a life focused on creating environmental awareness through art.

#artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist #contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #thesalmonschool #josephrossano

Mark Moore Fine Art is proud to present an Exclusive ARTSY Online Exhibition by artist JOSEPH ROSSANO. “Her One Voice” is an installation of recent work configured especially for Mark Moore Fine Art. Everything in the exhibit is made from repurposed or gifted materials. 

VIEW NOW AT: bit.ly/3AAk5oM

The HER ONE VOICE installation comprises elements from two series, “Divine Forms” and “At the Top of Her Lungs”. Below are excerpts from each series description:

At the Top of Her Lungs

At this penning, on September 11th, 2020, the West is ablaze. A mere 40 miles away, a temperate rainforest, home to life aged greater than 2,000 years, struggles for its last breath. Forests as filtration systems for life are essential to all beings on this planet. By recasting our failings to project beauty, viewers are placed in direct contact with the history of their kind and in a way that engages their own activism. By activating a community to save animals, perhaps, we can save each other.  At the Top of Her Lungs is an ongoing series of portraits. The creatures depicted in these works, present, and past, beseech us to heed mother nature’s plea —  wake.

Divine Forms

In this new exhibition, Divine Forms, mirrored vessels – the forms of which reference early Christian iconography – are placed centrally in the gallery, reflecting and engaging the paintings that encircle them. Each artwork invites exploration of the natural world. At the same time, the installation turns the mirror on us, the viewer, causing us to reflect upon the power we have on the planet and the role we play in the preservation – or destruction – of the natural world. She asks us: how will we wield our collective power?

In the many animal portraits, and also reflections seen of oneself in-gallery, are the faces of mother nature. “Her One Voice” asks us to see ourselves as the solution and to take action in the best interest of all species.

ABOUT THE ARTIST

Rossano’s work uses the spectacle of art to disarm an audience, opening that audience to truths about man and nature. On the surface, it appears as though he is manufacturing representational art; the hidden reality is quite different. Rossano has made butterflies from fighter aircrafts; used whitewash and tar to tell a story of human behavior refusing to disappear; and employed 800-year-old trees as a historic reference to modern humanity.

Through the use of contextually significant materials, the artist’s work relates an environmental truth hidden in plain sight. Engaging in intensively researched life science theory, Rossano curates a narrative of his own manufacture, which exposes the viewer to that hidden truth and the theory it supports. Through a mutual desire to protect the natural world, he enlists prominent life scientists to, together, lead viewers to poignant, of the moment theories, represented in three dimensions.

Until a recent shift in scale, the vast majority of what he made reflected personal toil, crafted, conceived and researched by his hand and mind alone. No longer pursuing intimate works, Rossano now continues in the same vein with large-scale installations in the homes of U.S. President’s, and more, exposing ever larger audiences to the conceptual matrix surrounding his work and our world. These new works are created in association with other artists, corporations, and individuals, all willing to donate their time and materials to the causes Rossano addresses and messages they deliver – a model of community collaborating for a cause.

The scientist, the environmentalist, and the conservationist constantly face the challenge of convincing an audience to care about their work, cause, etc. Although artists face the same challenges, more often than not, it is an ego driven exercise. Rossano have chosen to make makes things regardless of profit, that are about something bigger than ourselves, , about individuals and creatures—whether they be human or other—that need our help. 

Joseph Rossano, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, the South Australia Museum, Google, and more. Integrating cutting edge technology and science with his art, Rossano engages and challenges the viewer to reflect upon humankind’s impact on our planet and its varied ecosystems. Much of his youth was spent exploring the North Shore of New York’s Long Island and hiking in the Catskill Mountains. These were formative years that evolved a life focused on creating environmental awareness through art.

#artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist #contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #thesalmonschool #josephrossano

NEW WORK BY YORAM WOLBERGER

Image: YORAM WOLBERGER, Thank You (Poppy), 2023, Fiberglass Composite and Ink, 60 x 63 x 5 inches / Edition: 5/5 plus 2 Aps

FOR MORE INFO: bit.ly/3glhxEf

Mark Moore Gallery is pleased to announce the release of a new major wall sculpture work by gallery artist YORAM WOLBERGER. The first of this series is now available for presale at this time.

Of this work, Wolberger writes:

“A commonly used, mass-produced shopping bag, stamped with the iconic graphic of a red Poppy and “Thank You”, escaped an overloaded trash bin near a Mall’s food court. It has been lifted high up into the air, following us on our way back home, floating over the city’s buildings, highways, and bridges. We watch it struggling to transform its beaten and wrinkled form, as if it is trying to elevate its existence, from a utilitarian by-product of consumerism to a featherlike, translucent spectacle with a new destiny.”

“My art strives to manipulate and challenge perceptions of the familiar through a variety of sculptural interventions. I often choose to work with everyday, culturally familiar iconic objects to which we attach deep-seated and often unconscious meanings.  Transformed beyond their original context, these objects suggest new associations and provoke fresh insights into their larger societal relevance and influence.”

Wolberger’s (b. 1963, Tel Aviv, Israel)  works have been acquired for the permanent collections of the Brooklyn Museum of Art (NY), Frederick R. Weisman Foundation (CA), the Orange County Museum of Art (CA), Sweeney Art Gallery, University of California Riverside (CA) and the McNay Art Museum (TX). The artist lives and works in San Francisco, CA.

#markmoorefineart #yoramwolberger #artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist #contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmooregallery

Mark Moore Fine Art is proud to present an Exclusive ARTSY Online Exhibition by artist JOSEPH ROSSANO. “Her One Voice” is an installation of recent work configured especially for Mark Moore Fine Art. Everything in the exhibit is made from repurposed or gifted materials. 

VIEW NOW AT: bit.ly/3AAk5oM

The HER ONE VOICE installation comprises elements from two series, “Divine Forms” and “At the Top of Her Lungs”. Below are excerpts from each series description:

At the Top of Her Lungs

At this penning, on September 11th, 2020, the West is ablaze. A mere 40 miles away, a temperate rainforest, home to life aged greater than 2,000 years, struggles for its last breath. Forests as filtration systems for life are essential to all beings on this planet. By recasting our failings to project beauty, viewers are placed in direct contact with the history of their kind and in a way that engages their own activism. By activating a community to save animals, perhaps, we can save each other.  At the Top of Her Lungs is an ongoing series of portraits. The creatures depicted in these works, present, and past, beseech us to heed mother nature’s plea —  wake.

Divine Forms

In this new exhibition, Divine Forms, mirrored vessels – the forms of which reference early Christian iconography – are placed centrally in the gallery, reflecting and engaging the paintings that encircle them. Each artwork invites exploration of the natural world. At the same time, the installation turns the mirror on us, the viewer, causing us to reflect upon the power we have on the planet and the role we play in the preservation – or destruction – of the natural world. She asks us: how will we wield our collective power?

In the many animal portraits, and also reflections seen of oneself in-gallery, are the faces of mother nature. “Her One Voice” asks us to see ourselves as the solution and to take action in the best interest of all species.

ABOUT THE ARTIST

Rossano’s work uses the spectacle of art to disarm an audience, opening that audience to truths about man and nature. On the surface, it appears as though he is manufacturing representational art; the hidden reality is quite different. Rossano has made butterflies from fighter aircrafts; used whitewash and tar to tell a story of human behavior refusing to disappear; and employed 800-year-old trees as a historic reference to modern humanity.

Through the use of contextually significant materials, the artist’s work relates an environmental truth hidden in plain sight. Engaging in intensively researched life science theory, Rossano curates a narrative of his own manufacture, which exposes the viewer to that hidden truth and the theory it supports. Through a mutual desire to protect the natural world, he enlists prominent life scientists to, together, lead viewers to poignant, of the moment theories, represented in three dimensions.

Until a recent shift in scale, the vast majority of what he made reflected personal toil, crafted, conceived and researched by his hand and mind alone. No longer pursuing intimate works, Rossano now continues in the same vein with large-scale installations in the homes of U.S. President’s, and more, exposing ever larger audiences to the conceptual matrix surrounding his work and our world. These new works are created in association with other artists, corporations, and individuals, all willing to donate their time and materials to the causes Rossano addresses and messages they deliver – a model of community collaborating for a cause.

The scientist, the environmentalist, and the conservationist constantly face the challenge of convincing an audience to care about their work, cause, etc. Although artists face the same challenges, more often than not, it is an ego driven exercise. Rossano have chosen to make makes things regardless of profit, that are about something bigger than ourselves, , about individuals and creatures—whether they be human or other—that need our help. 

Joseph Rossano, born to clinicians and research scientists, graduated from Louisiana State University as an artist. His path joined him, via mentorship, collaboration, and exhibition, with renowned artists and institutions including Dale Chihuly, Judy Pfaff, The Pilchuck Glass School, Waterford Crystal, Museum of Glass, the South Australia Museum, Google, and more. Integrating cutting edge technology and science with his art, Rossano engages and challenges the viewer to reflect upon humankind’s impact on our planet and its varied ecosystems. Much of his youth was spent exploring the North Shore of New York’s Long Island and hiking in the Catskill Mountains. These were formative years that evolved a life focused on creating environmental awareness through art.

#artexhibition #artshow #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #laartist #contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart #thesalmonschool #josephrossano

Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition of six new works by Southern California artist JIMI GLEASON titled “Amor Fati”.

VIEW NOW AT: http://bit.ly/3O5jmkU

“In Gleason’s deliciously unnatural abstractions, the devil is not in the details only because diabolical beauty spills so profusely from every nook and cranny.  His densely textured surfaces are a cornucopia of unimaginable delights.” – Art Critic DAVID PAGEL (Los Angeles Times)

Gleason is now the subject of considerable curatorial and critical applause. His work is exhibited in significant public institutions, including the Armand Hammer Museum, the Long Beach Museum of Art, the Seattle Art Museum, the Tucson Museum of Art and the Frederick R. Weisman Art Foundation. The artist’s paintings are actively collected by a growing number of major public and private collections around the world. 

#contemporaryart #abstractart #artcurator #artstudio #studioview #artist #art #modernart #contemporaryart #dailyart #instaart #instagood #contemporaryartist #kunst #artcollectors #markmoorefineart 

Mark Moore Fine Art is very pleased to present an Exclusive ARTSY Online Exhibition by artist BETH LIPMAN featuring selections available for the first time from her recent exhibition at the Wichita Art Museum, “All in Time”, a mid-career retrospective of the artist featuring her work from the mid-2000s through today.

VIEW THIS SHOW NOW AT: https://bit.ly/3UY3VOG

Beth Lipman is an American artist whose sculptural practice explores aspects of material culture and deep time through still lives, site-specific installations, and photographs. Ephemeral and intricate, the work addresses mortality, materiality, and temporality. Lipman is also known for site responsive installations that activate the specific history of objects, individuals, and institutions. ReGift, a site-specific installation investigating Florence Scott Libbey, will be on view at the Toledo Museum of Art in the summer of 2023.

The work generates from the “Still Life” genre, symbolizing the splendor and excess of the Anthropocene and the stratigraphic layer humanity will leave on earth. Assemblages of inanimate objects and domestic interiors, inspired by private spaces and public collections, propose portraits of individuals, institutions, and societies. The collision of sacred and profane artifacts with aspects of the natural world focuses attention on the evolving set of beliefs stemming from the narrative power of objects. Referencing both tangible and digital archives further unravel socially constructed hierarchies as the installations invite the viewers to step into uncanny webs of association.

She has received numerous awards including a USA Berman Bloch Fellowship, Pollock Krasner Grant, Virginia Groot Foundation Grant, and a Louis Comfort Tiffany Foundation Grant. Recent works include Living History, a large-scale site-specific sculpture that explores the dual concepts of deep maps and deep time and Belonging(s) a sculptural response to the life of Abigail Levy Franks for the Crystal Bridges Museum of American Art (AR). 

Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY).

#bethlipman #markmoorefineart #markmooregallery #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

NEW WORK BY YORAM WOLBERGER

Image: YORAM WOLBERGER, Thank You (Poppy), 2023, Fiberglass Composite and Ink, 60 x 63 x 5 inches / Edition: 5/5 plus 2 Aps

FOR MORE INFO: bit.ly/3glhxEf

Mark Moore Gallery is pleased to announce the release of a new major wall sculpture work by gallery artist YORAM WOLBERGER. The first of this series is now available for presale at this time.

Of this work, Wolberger writes:

“A commonly used, mass-produced shopping bag, stamped with the iconic graphic of a red Poppy and “Thank You”, escaped an overloaded trash bin near a Mall’s food court. It has been lifted high up into the air, following us on our way back home, floating over the city’s buildings, highways, and bridges. We watch it struggling to transform its beaten and wrinkled form, as if it is trying to elevate its existence, from a utilitarian by-product of consumerism to a featherlike, translucent spectacle with a new destiny.”

“My art strives to manipulate and challenge perceptions of the familiar through a variety of sculptural interventions. I often choose to work with everyday, culturally familiar iconic objects to which we attach deep-seated and often unconscious meanings.  Transformed beyond their original context, these objects suggest new associations and provoke fresh insights into their larger societal relevance and influence.”

Wolberger’s (b. 1963, Tel Aviv, Israel)  works have been acquired for the permanent collections of the Brooklyn Museum of Art (NY), Frederick R. Weisman Foundation (CA), the Orange County Museum of Art (CA), Sweeney Art Gallery, University of California Riverside (CA) and the McNay Art Museum (TX). The artist lives and works in San Francisco, CA.

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