PREVIEWED: Looking West: A Survey Of Art On The Left Coast
An Exclusive ARTSY Online Group Exhibition
MARK MOORE FINE ART
On View Now Through November 07, 2021
Artists included in this Exclusive ARTSY Online Group Exhibition on view now are: Yoram Wolberger; Wayne White; Peter Alexander; Craig Kauffman; Kara Maria; Joshua Dildine; Andrew Schoultz; Dirk Staschke; Lita Albuquerque; Michael Batty; Amy Elkins; Jimi Gleason; Heidi Schwegler; Eric Orr; Tony DeLap; Robert Therrien; Robert Standish; Jeffry Mitchell; Allison Schulnik; and, Ed Ruscha.
View the entirety of this show and all 60+ works included now by going to: https://bit.ly/3sSbrgc
AMY ELKINS Ten Years out of a Death Row Sentence (Ocean), 2009-2016 Archival Pigment Print 20 × 24 in / 50.8 × 61 cm Edition 5/5 + 2AP
PREVIEWED: Looking West: A Survey Of Art On The Left Coast
An Exclusive ARTSY Online Group Exhibition
MARK MOORE FINE ART
On View Now Through November 07, 2021
Artists included in this Exclusive ARTSY Online Group Exhibition on view now are: Yoram Wolberger; Wayne White; Peter Alexander; Craig Kauffman; Kara Maria; Joshua Dildine; Andrew Schoultz; Dirk Staschke; Lita Albuquerque; Michael Batty; Amy Elkins; Jimi Gleason; Heidi Schwegler; Eric Orr; Tony DeLap; Robert Therrien; Robert Standish; Jeffry Mitchell; Allison Schulnik; and, Ed Ruscha.
View the entirety of this show and all 60+ works included now by going to: https://bit.ly/3sSbrgc
Artists included in this Exclusive ARTSY Online Group Exhibition on view now are: Yoram Wolberger; Wayne White; Peter Alexander; Craig Kauffman; Kara Maria; Joshua Dildine; Andrew Schoultz; Dirk Staschke; Lita Albuquerque; Michael Batty; Amy Elkins; Jimi Gleason; Heidi Schwegler; Eric Orr; Tony DeLap; Robert Therrien; Robert Standish; Jeffry Mitchell; Allison Schulnik; and, Ed Ruscha.
View the entirety of this show and all 60+ works included now by going to: https://bit.ly/3sSbrgc
Mark Moore Fine Art is proud to present an ARTSY online exclusive exhibition of work by Canadian-painter MICHAEL BATTY from his “Kinetic Series” of paintings titled, “Motion Capture”.
Michael Batty is a painter and a printmaker that operates with a formal language arising from a microcosm of the particle world. His “Kinetic Series” paintings, for example, is calligraphic in nature, with each exacting stroke of colour activating the silence of the blank canvas. With these interacting elements, the eye is guided through the painting in a search to both connect with, and de-code, the image. These repetitious elements create visual illustrations of natural forces, such as gravity and inertia and form a work of kinetic art.
Many works in this series are made up of multiple canvases and serve as a way of further increasing the dynamic relationships within this body of work. These paintings function by way of a physical interplay with one and other; each is a direct metamorphosis of the other. The paintings flow “to and fro” like an animated abstract GIF.
Michael Batty graduated from Emily Carr College of Art and Design in Vancouver in 1989 with a major in painting. He attended the renowned artist workshops in Emma Lake, Saskatchewan, and studied printmaking at The Art Institute at Capilano College in Vancouver. Batty’s paintings can be found in collections around the world, including the Waldorf Astoria in Beijing, China, W Guangzhou, China, Four Seasons, Dubai, UAE, and Bank of Montreal in Calgary and Toronto.
As always, all work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.
MICHAEL BATTY Descend, 2020 Archival pigment print on 100% cotton acid free paper 12 × 33 in / 30.5 × 83.8 cm Editions 1-5 of 10 + 2AP $600
Just Released: MICHAEL BATTY “THE WHITE PLAINS PORTFOLIO”
In this new series of limited edition prints, artist Michael Batty explores the variations on these themes that led him to his major monumental painting commission for the White Plains Hospital in 2020. The WHITE PLAINS PORTFOLIO is a set of seven works – each an edition of ten with just two artist proofs. The first five sets of these works will be released today in pre-publication as a set of all seven pieces at a special price of $3150. for the entire portfolio.
PREVIEWED: Looking West: A Survey Of Art On The Left Coast
An Exclusive ARTSY Online Group Exhibition
MARK MOORE FINE ART
September 09, 2021 – November 07, 2021
Artists included in this Exclusive ARTSY Online Group Exhibition on view now are: Yoram Wolberger; Wayne White; Peter Alexander; Craig Kauffman; Kara Maria; Joshua Dildine; Andrew Schoultz; Dirk Staschke; Lita Albuquerque; Michael Batty; Amy Elkins; Jimi Gleason; Heidi Schwegler; Eric Orr; Tony DeLap; Robert Therrien; Robert Standish; Jeffry Mitchell; Allison Schulnik; and, Ed Ruscha.
View the entirety of this show and all 60+ works included now by going to: https://bit.ly/3sSbrgc
Michael Batty is a painter and a printmaker that operates with a formal language arising from a microcosm of the particle world. The minimalist pieces speak with geometry and line, and explores the balance between order and chaos by introducing random elements to the tightly rendered surfaces.
Michael Batty graduated from Emily Carr College of Art and Design in Vancouver in 1989 with a major in painting. He attended the renowned artist workshops in Emma Lake, Saskatchewan, and studied printmaking at The Art Institute at Capilano College in Vancouver. Batty’s paintings can be found in collections around the world, including the Waldorf Astoria in Beijing, China, W Guangzhou, China, Four Seasons, Dubai, UAE, and Bank of Montreal in Calgary and Toronto.
PREVIEWED: Looking West: A Survey Of Art On The Left Coast
An Exclusive ARTSY Online Group Exhibition
MARK MOORE FINE ART
September 09, 2021 – November 07, 2021
Artists included in this Exclusive ARTSY Online Group Exhibition on view now are: Yoram Wolberger; Wayne White; Peter Alexander; Craig Kauffman; Kara Maria; Joshua Dildine; Andrew Schoultz; Dirk Staschke; Lita Albuquerque; Michael Batty; Amy Elkins; Jimi Gleason; Heidi Schwegler; Eric Orr; Tony DeLap; Robert Therrien; Robert Standish; Jeffry Mitchell; Allison Schulnik; and, Ed Ruscha.
View the entirety of this show and all 60+ works included now by going to: https://bit.ly/3sSbrgc
MICHAEL BATTY Ascend, 2020 Archival pigment print on 100% cotton acid free paper 12 × 33 in / 30.5 × 83.8 cm Editions 1-5 of 10 + 2AP $600
Just Released: MICHAEL BATTY “THE WHITE PLAINS PORTFOLIO”
In this new series of limited edition prints, artist Michael Batty explores the variations on these themes that led him to his major monumental painting commission for the White Plains Hospital in 2020. The WHITE PLAINS PORTFOLIO is a set of seven works – each an edition of ten with just two artist proofs. The first five sets of these works will be released today in pre-publication as a set of all seven pieces at a special price of $3150. for the entire portfolio.
Home of the Jetsons, 2001 Archival pigment print on Hot Press Cotton Rag 24 × 36 in / 61 × 91.4 cm Edition 5/10 + 2AP
PREVIEW: MARK BENNETT EXCLUSIVE ARTSY ONLINE EXHIBITION
@MarkMooreGallery is proud to present “Mark Bennett: Dream Houses – Thirty Years of Fantasy Blueprints” an exclusive online ARTSY exhibition focusing on the Mark Bennett original “SitCom” floorplans of the last three decades just recently released from the artist studio.
You can view this exclusive ARTSY online exhibition of the original drawings and lithographs that remain available from this body of work now by clicking on the following link: https://bit.ly/2TEosfV
The Home of Fred & Wilma Flintstone, 1997 Lithograph on Rives BFK paper 24 × 36 in / 61 × 91.4 cm
For the past 25 years, Los Angeles-based artist Mark Bennett has made art firmly rooted in the collective American experience of television. His drawings and lithographs are “blueprints” of famous television houses from such classic sitcoms as The Dick Van Dyke Show, The Brady Bunch, and Perry Mason. Drawing these fictional dwellings from memory, Bennett documents the minutiae of the characters’ lives by constructing their environments with a painstaking level of detail. His floor plans narrate the American Dream, charting not only the architecture, but also the subtext of our culturally accepted models for living.
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