Monthly Archives: December 2024

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE by The Frederick R. Weisman Art Foundation

Rebekah Andrade
Mind Map 7, 2022
Oil, acrylic, paper, and pastel on canvas
28 x 24 in
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)

 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist REBEKAH ANDRADE, titled “Mind Map 7” from 2022 by The Frederick R. Weisman Art Foundation. 

Rebekah Andrade (Canadian, b. 1980) is an abstract painter based in Charlotte, North Carolina. She holds a BFA in Visual Arts from Emily Carr University of Art + Design in Vancouver, Canada, and a Graphic Design Certificate from Parsons School of Design in New York City,Rebekah Andrade’s work explores the language of painting by way of expressionism, geometric abstraction, hard-edge painting, and pattern. Her process draws from past work, personal references, familiar forms, objects, textures, and symbols. This structured methodology is transmitted through selected colors of layered paint, collage, and mixed media techniques, always leaving traces of the process visible. Her intention with the work is to investigate and work through questions surrounding the history of representation, limits of perception, aesthetics, status, and reproduction of images, thus providing her insight and clarity into our contemporary visual culture and communicational trends.

In 2019, Andrade embarked on a transformative residency at Otis College of Art in Los Angeles, further expanding her creative horizons. Her innovative work has garnered attention across international borders, with exhibitions spanning Canada, the United States, and Chile. Her work has been published in Edeltraut, The Gathered Gallery, New American Painting #144.

The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation.

The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. 

Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

#markmoorefineart #markmooregallery #rebekahandrade #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist BETH LIPMAN by The Crocker Art Museum

Beth Lipman
Gazing Ball with Lemon and Fly, 2014
c-print mounted to aluminum with gloss laminate
36 x 23 in
COLLECTION OF THE CROCKER ART MUSEUM

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist BETH LIPMAN, titled “Mind Map 7” from 2022 by The Crocker Art Museum.

Beth Lipman is an American artist whose sculptural practice explores aspects of material culture and deep time through still lives, site-specific installations, and photographs. Ephemeral and intricate, the work addresses mortality, materiality, and temporality. Lipman is also known for site responsive installations that activate the specific history of objects, individuals, and institutions.

Lipman has exhibited her work internationally at such institutions as the Ringling Museum of Art (FL), ICA/MECA (ME), RISD Museum (RI), Milwaukee Art Museum (WI), Gustavsbergs Konsthall (Sweden) and the Renwick Gallery of the Smithsonian American Art Museum (DC). Her work has been acquired by numerous museums including the North Carolina Museum of Art, Brooklyn Museum of Art (NY), Kemper Museum for Contemporary Art (MO), Smithsonian American Art Museum (DC), Jewish Museum (NY), Norton Museum of Art, (FL), and the Corning Museum of Glass (NY). 

The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org

#markmoorefineart #markmooregallery #bethlipman #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist CHRISTOPHER RUSSELL by The Crocker Art Museum

Christopher Russell
The Explorers #6, 2017
Pigment print sliced and scratched with a razor
36 × 24 in | 91.4 × 61 cm
COLLECTION OF THE CROCKER ART MUSEUM

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist CHRISTOPHER RUSSELL by The Crocker Art Museum. 

Each piece by Christopher Russell (American, b. 1974) is unique and combines color photography and drawing. Based in the Pacific Northwest, Russell has long been taken with the majesty of Carleton Watkins who photographed in that area and others 150 years ago. Russell photographs in some of the same land but from the opposite end of the history of photography. He makes fuzzy or hazy color photographs by limiting the functionality of the lens. The resulting abstract images form the foundation for his own imaginary vistas. He then manipulates the resulting prints, scratching into the emulsion, and sometimes painting over the scratches, creating an artwork that is at once a photograph, a drawing, a painting and a bas-relief.Russell’s work challenges the traditional conception of photography as producer of evidence and provokes reflection on our understanding of nature and the landscape. He uses historical plant and floral patterns from the Arts and Crafts era of the late 19th to the early 20th Century as source material for his drawing, and thus alludes to the concept of the infinite within nature. Though he pushes conceptual and art historical boundaries, Russell remains a Romanic, and his artwork is a way for the viewer to experience the wonder that he has found, and that continues to inspire him.

Christopher Russell was born in Sacramento in 1974 and received a BFA from The California College of Arts and Crafts and an MFA from the Art Center College of Design. He has had a solo exhibition at the Hammer Museum in Los Angeles and his work has been featured in group exhibitions at The J. Paul Getty Museum, Los Angeles County Museum of Art, The Norton Simon Museum, Berkeley Art Museum, Armory Center for the Arts, White Columns, Tokyo Institute of Photography, and De Appel Arts Center, The Netherlands, among others. Russell also produces his own unique books in addition to his ‘zine Bedwetter. His first novel is Sniper, and other books include Budget Decadence (2nd Cannons Publications), Pattern Book (Insert Blanc Press) and Landscape (Kolapsomal Press) which was included in Phaidon’s The Photobook: A History Vol 3 edited by Martin Parr. His work is included in numerous museum collections including the Brooklyn Museum, The J. Paul Getty Museum, Museum of Contemporary Art, Antwerp, Museum of Contemporary Art, Los Angeles, Museum of Contemporary Art, San Diego, Los Angeles County Museum, Rhode Island School of Design Museum, Hammer Museum, Museum of Fine Arts, Houston, and the Tokyo Metropolitan Museum of Photography. 

The Crocker Art Museum features the world’s foremost display of California art and is renowned for its holdings of European master drawings and international ceramics. The Crocker also holds permanent collections of Asian, African, and Oceanic art, ceramics, and photography. The Museum offers a diverse spectrum of exhibitions, events, and programs to augment its collections, including films, concerts, studio classes, lectures, children’s activities, and more. The Museum has also dedicated the historic building’s entire first floor as an education center, which includes four classrooms, space for student and community exhibitions, the Gerald Hansen Library, and Tot Land. Discover it all at: crockerart.org

#markmoorefineart #markmooregallery #christopherrussell #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Check Out GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST – A New Documentary About Artist Heidi Schwegler

Check out the trailer to a short documentary about the artist HEIDI SCHWEGLER at: https://bit.ly/4g4UO8Y

GIVE A BEAR HUG TO THE THINGS THAT SCARE YOU THER MOST is a documentary about the artist Heidi Schwegler. Faced with a crisis in her art practice, Schwegler leaves for unfamiliar settings, and begins to see her surroundings in new ways.

Heidi Schwegler explores a wide range of materials in the service of her subject matter. Drawn to the peripheral ruin, she deftly incorporates found objects with traditional craft and sculpture media. “When [an object] is no longer contextualized by function and ownership, the discarded thing’s anonymity and ambiguity render it pervious to the imagination,” she says, approaching such things as a source of investigation. “I consider its formal qualities as raw material – but a very particular raw material that is both new and an indicator of past use, past value and past purpose.”

Schwegler’s accolades include an Individual Artist Fellowship from the Oregon Arts Commission, Hallie Ford Fellowship and two MacDowell Colony Fellowships in the Visual Arts. She was artist-in-residence at MacDowell, Pilchuck, VCCA, Yaddo, Anderson Ranch Arts Center, and Bullseye Glass Company, among others. Notable exhibitions of her work include the 2018 Bellevue Art Museum Biennial, Portland2016: A Biennial of Contemporary Art, curated by Michelle Grabner and presented by Disjecta Contemporary Art Center; her 10-year retrospective, Botched Execution, at The Art Gym at Marylhurst University, OR and the Sheldon Museum of Art in Lincoln, NE. Schwegler holds a BFA from the University of Kansas and MFA from the University of Oregon. She lives and works in Yucca Valley, CA where is the founding director of Yucca Valley Material Lab. where is the founding director of Yucca Valley Material Lab.

Her sculptural work is in the permanent collection of the Portland Art Museum, Laguna Art Museum, Schneider Museum of Art, Crocker Museum, The Frederick R. Weisman Art Foundation Collection, and the Hallie Ford Museum.

#markmoorefineart #markmooregallery #heidischwegler #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

ON VIEW: Christopher Russell: Recent Work – An ARTSY Exclusive Online Exhibition

🎉 EXCITING NEWS 🎉 We’re thrilled to announce the exclusive ARTSY online exhibition of CHRISTOPHER RUSSELL: RECENT WORK. This highly anticipated exhibition marks Russell’s return to Mark Moore Fine Art, featuring a selection of his “Mountains” series and pieces from his newer series, “The Explorers.” Each unique piece combines color photography and drawing for a one-of-a-kind experience.

VIEW THIS SHOW NOW AT: https://bit.ly/4eLlmeU

Hailing from the Pacific Northwest, Russell’s work draws inspiration from pioneer photographer, Carleton Watkins. But with a contemporary twist! His purposely hazy and abstract images challenge the traditional role of photography in capturing evidence, instead inviting reflection on our understanding of nature and the landscape. His work also incorporates historical plant patterns from the Arts and Crafts era, symbolizing the infinite within nature.

Russell’s art knows no boundaries, blurring the lines between photography, drawing, painting, and bas-relief. But it still maintains a sense of romanticism that will leave you in awe. Don’t miss your chance to view his work at this exclusive online exhibition on ARTSY. 😍 

#MarkMooreFineArt #ChristopherRussell #RecentWork #OnlineExhibition #ARTSY #ExclusiveOpening #October24th #MountainsSeries #TheExplorers #ColorPhotography #Drawing #ContemporaryArt #PacificNorthwest #CarletonWatkins #HazyImages #MultiDimensionalArt #ChallengingBoundaries #ArtsandCrafts #NatureInspired #Romanticism #Wonder #PioneerPhotographer #MuseumCollections #DontMissOut #VirtualExperience #FineArt #GalleryExhibition #LimitedTimeOnly

“Captured Earth” featuring PENELOPE UMBRICO on view now at The Museum of Contemporary Photography at Columbia College Chicago (MoCP)

“Captured Earth,” now on view at The Museum of Contemporary Photography at Columbia College Chicago (MoCP), features artists who use natural elements in photography and installation to explore place, ecology, and the mystical qualities of the land. The exhibition includes works by renowned artist PENELOPE UMBRICO, among others.

From site-specific performances to experimental process-based pieces, the depictions in “Captured Earth” showcase the various ways artists connect with and express the significance of the natural world. For example, Tarrah Krajnak documents her nature-centered rituals using rocks and plant materials, while Alan Cohen shares his meditative walks through landscapes. Jeremy Bolen develops photographs from film submerged in a polluted river, and Barbara Crane captures the bark of trees at her Michigan cabin retreat. Penelope Umbrico’s “8,146,774 Suns From Flickr (Partial) 9/10/10” (above) assembles thousands of photos of sunsets found on a photo sharing website, highlighting humanity’s universal fascination with the sun.

The exhibition also includes works by Karl Blossfeldt, Antonia Contro with sound design by Lou Mallozzi, Whit Forrester, Bertha E. Jaques, Dakota Mace, Robert Mapplethorpe, Byung-Hun Min, Liza Nguyen, Martha Madigan, John Opera, Eliot Porter, Meghann Riepenhoff, Rachel Sussman, and Kristin Taylor. According to Taylor, the curator, the majority of these works are from the MoCP permanent collection and highlight the experimental, camera-less abilities of photography to encourage a deeper connection with nature.

In a podcast related to the exhibition, curator Kristin Taylor speaks with artists Meghann Riepenhoff and Penelope Umbrico about their backgrounds and the importance of pushing the boundaries of documentary photography. They also discuss the work of Alison Rossiter and Joanne Leonard. You can listen to the podcast at the link below: https://bit.ly/4fCEzzx

#markmoorefineart #penelopeumbrico #markmooregallery #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #photography

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist JENNIFER GUNLOCK by the Laguna Art Museum

Jennifer Gunlock
Bird’s Nest, 2016
Mixed media paper collage and drawing on 2 sheets rag paper, grommets
76 × 50 in / 193 × 127 cm
COLLECTION OF THE LAGUNA ART MUSEUM

Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist JENNIFER GUNLOCK, titled “Bird’s Nest” from 2016 by the Laguna Art Museum in Laguna Beach, CA.

This work will be included in the museum Permanent Collection and will be included in the upcoming New Acquisitions exhibition at the Laguna Art Museum spanning the breadth of LAM’s collection from the 19th century. The artworks, spanning over a century of creation, encompass a diverse array of mediums including sculpture, mixed media, film, painting, and large-format color photography.

The exhibition, titled Latest and Greatest: New Work at Laguna Art Museum will feature works by: Mark Bennett, Charles Percy Austin, Sergei Bongart, Carole Caroompas, Jedediah Caesar, Rosson Crow, Woods Davy, Fannie Eliza Duvall, John Frost, Jennifer Gunlock, Grace Carpenter Hudson, John Humble, Roger Kuntz, Jimi Gleason, Tom Lamb, Robert Landry, Malorie Marder, Carter Mull, Evan Nesbit, Deborah Oropallo, Phil Paradise, Astrid Preston, Rozeal, Richard Roth, Heidi Schwegler, Millard Owen Sheets, Robert Standish, Craig Stecyk, Jay McCafferty, Patrick Wilson, and Jennifer West. 

CLICK HERE FOR MORE INFORMATION ON THIS EXIBITION ON THE MUSEUM WEBSITE

#markmoorefineart #markmooregallery #jennifergunlock #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Two AMY ELKINS works acquired by Cantor Arts Center at Stanford University for their Permanent Collection

Amy Elkins
Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree)

We are thrilled to share that two pieces from the AMY ELKINS photography series, A Place Where We Are in The Sun have just been acquired by Cantor Arts Center at Stanford University. One of these works, Akuuragna/Pasadena, Huntington Library Parking Lot (Fruiting Almond Tree) from 2021 is pictured above for your reference. 

Amy Elkins (American, b. 1979) is a visual artist and educator based in Northern California. She received her BFA in Photography from the School of Visual Arts and her MFA in Art Practice from Stanford University.  She works primarily in photography and installation and has been exhibited and published both nationally and internationally, including at The High Museum of Art in Atlanta, GA; South Bend Museum of Art in South Bend IN; MSU Broad Museum in Lansing, MI; Kunsthalle Wien in Vienna; the Center for Creative Photography in Tucson, AZ; the Minneapolis Institute of Arts; North Carolina Museum of Art and more.  Her photographs have been published in American Photo, Conveyor, Dear Dave, EyeMazing, Financial Times, Harpers, Huffington Post, Los Angeles Times, Newsweek, NY Arts, New York Times, New Yorker, PDN, Real Simple, Stella and Vice among many others.   She was recently awarded a Fleishhacker Foundation Eureka Fellowship and Kala Media Arts Fellowship.  Past awards include the Aperture Portfolio Prize, Peter S. Reed Foundation grant, Cadogan Award and more.  Her work is in permanent collections at The High Museum of Art, Atlanta, GA; Newcomb Museum of Art, New Orleans, LA; North Carolina Museum of Art, Raleigh, NC; The Crocker Art Museum, Sacramento, CA; Light Work, Syracuse, NY; Aperture Foundation, New York, NY; Eleanor D. Wilson Museum, Roanoke, VA; RISD Museum, Providence, RI and more. 

Most recently Elkins’ work pivots to include explorations of self as well as her family’s deeply rooted and complex history in Southern California as an 8th generation traceably born on Tongva/Gabrielino land in the greater Los Angeles area with the ancestral blood of both colonized and colonizer.  Her approach is series-based, steeped in research and oscillates between formal, conceptual and documentary. 

A Place Where We Are In The Sun uses family archives, historical documents and early Alta California maps to trace the land loss, assimilation and resilience of Indigenous, Mexican and multiracial ancestors in Southern California from the perspective of an 8th generation Angeleno. Taken by trekking into land between what is now known as Lompoc and the Greater Los Angeles area, these physically manipulated and rephotographed archives work to unearth historical conditions permeating the soil my ancestors lived on: the enclosure of land under European notions of private property and the resulting displacement of indigenous/BIPOC communities from such spaces. 

The Cantor Arts Center plays a leading role in the cultural life of the Stanford campus and greater community, welcoming some 200,000 visitors a year to its 24 galleries. The Cantor Arts Center’s collection houses over 38,000 items, including African Art, American Art, Ancient Art, the Andy Warhol Photography Archive, Art of Asia and Oceania, Art of the Indigenous Americas, Auguste Rodin, Eadweard Muybridge, European Art, Modern and Contemporary Art, Photographs, Prints and Drawings, Richard Diebenkorn Sketchbooks, Sculptures on Campus, and collections and memorabilia of the Stanford Family. Penelope Umbrico is proud to be a part of their permanant collection.

#markmoorefineart #markmooregallery #amyelkins #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

Mark Moore Fine Art is pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation

Mark Bennett
Mary Tyler Moore of the Dick Van Dyke Show, 2005
Ink on color xerox
22 × 17 in / 55.9 × 43.2 cm
COLLECTION OF THE FREDERICK R. WEISMAN ART FOUNDATION (Los Angeles)
 Mark Moore Fine Art and the artist are pleased to announce the acquisition of a major work by artist MARK BENNETT by The Frederick R. Weisman Art Foundation. 

Mark Bennett’s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.

Earning reverence from both critics and collectors alike, Bennett has been coined a master of nostalgia and social evaluation, acting as “the most earnest of his generation of West Coast artists drawing on popular culture” (Grady T. Turner, Art in America).

Since his induction into the gallery in 1995, Bennett has been included in over three dozen significant museum and group exhibitions, including those at the Corcoran Gallery of Art (D.C.), Aldrich Museum of Contemporary Art (CT), Walker Art Center (MN) and Los Angeles County Museum of Art (CA). His work has been acquired for the permanent collections of the Museum of Modern Art (NY), Los Angeles County Museum of Art (CA), Orange County Museum of Art (CA), Laguna Art Museum (CA), Crocker Art Museum (CA), Marjorie Barrick Museum of Art, University of Nevada Las Vegas (NV), Museum of Fine Art Houston (TX), Corcoran Gallery of Art (DC), West Collection (PA), McNay Art Museum (TX), and the Portland Art Museum (OR), among others.

 The Frederick R. Weisman Art Foundation is dedicated to continuing the legacy and vision of Frederick R. Weisman, an extraordinary entrepreneur, philanthropist, and art collector. He held an uncompromising belief in the cultural value of art and understood the importance of both the individual artist and the creative process. In carrying out Mr. Weisman’s intentions, the Foundation seeks to preserve, collect, and make publicly accessible his collection of modern and contemporary art as a means to strengthen and contribute to the greater artistic and intellectual life of our time. In 1982, Frederick R. Weisman purchased the Los Angeles estate to serve as a showcase for his personal collection of 20th-century art. He and his wife, Billie Milam Weisman, an art conservator and curator, worked together to create a unique environment located within the Mediterranean-style villa. More than four hundred works of art are on display at the Foundation. The collection includes works by European Modernists, including Cezanne, Picasso, and Kandinsky, and Surrealist works by Ernst, Miro, and Magritte. The holdings in postwar art include works by Giacometti, Noguchi, Calder, Rauschenberg, and Johns; Abstract Expressionist paintings by de Kooning, Francis, Still, and Rothko; Color-Field paintings by Frankenthaler, Louis, and Noland; and Pop Art by Warhol, Lichtenstein, Oldenburg, and Rosenquist. Contemporary California works include those by Ruscha and Goode and Super Realist sculptures by Hanson and de Andrea. These holdings are part of a larger collection that Mr. Weisman established as the Frederick R. Weisman Art Foundation in 1982. Currently, under the direction of Billie Milam Weisman, the Foundation continues to make the collection available through loans to museums worldwide, docent tours at the Los Angeles estate, exhibitions in public-art venues, and the funding of several art museums, including the Frederick R. Weisman Museum of Art at Pepperdine University in Malibu, the New Orleans Museum of Art, the San Diego Museum of Art, and the Frederick R. Weisman Art Museum at the University of Minnesota, designed by Frank O. Gehry.

#markmoorefineart #markmooregallery #markbennett #artexhibition #artshow #painting #contemporarypainting #contemporaryart #artcollector #artcurator #artconsultant #artadvisor #abstractart #abstractpainting #laartist

ARTSY Featured Exhibition – THE CREATIVE PROCESS: Inside The Studio Of Jennifer Gunlock

ARTSY Featured Exhibition – THE CREATIVE PROCESS: Inside The Studio Of Jennifer Gunlock

Experience the art world like never before with “The Creative Process” series, revealing new works straight from the studio of JENNIFER GUNLOCK Gain a personal look at the artist’s studio practice and discover exciting new art in this exclusive series of ARTSY online exhibitions.

VIEW NOW AT: https://bit.ly/4ghGFFT

Jennifer Gunlock‘s work explores the relationships between the objects of nature and those imposed upon them by human activity. By layering photographs taken on her travels, decorative papers and drawing, she constructs tree-based forms which are awkwardly fused with architectural motifs. Each composition reflects a long passage of time in which buildings and trees stretch and crumble, each pushing against the other. The work is a commentary on humanity’s direct impact on the environment, as well as Earth’s interminable shapeshifting over the long history of its existence.

The exhibition will take you on a captivating journey through Jennifer’s unique perspective on landscapes, showcasing the way she disrupts traditional notions of nature and reimagines them in mesmerizing ways. It’s exhibitions like these that remind us of the power of art to challenge our perceptions and inspire us to see the world through a new lens. 

Gunlock is a 2022 recipient of the Pollock-Krasner Foundation grant. 

VIEW THE EXHIBITION OVERVIEW ON YOUTUBE AT:

#ArtsyFeaturedExhibition #TheCreativeProcess #JenniferGunlock #InsideTheStudio #ArtWorld #NewArt #ExclusiveSeries #OnlineExhibitions #NatureVsHumanActivity #ArtCommentary #Perspective #Landscapes #DisruptingTraditions #PollockKrasnerFoundation #Grantee #NewWorks #StudioPractice #ArtisticJourney #Inspiration #PowerOfArt #ChallengingPerceptions #EarthShapeshifting #CaptivatingJourney #ArtInterpretation