Daniel Canogar OCULUS Unveiled At The Novartis Pavillion Basel, Switzerland


Generative Animation on LEDs embedded in solar panels (zero-energy media façade)
42.8m ø, 13.9m h
Total area, 1‘439.0m2

Oculus is a generative animation that features the Novartis Pavillon zero-energy media facade in Basel, Switzerland. The Pavillon, built with a unique solar panel technology developed by iart studio, presents an artistic program curated by Martin Furler and Sabine Himmelsbach.

Oculus is a generative abstract animation that responds in real-time to data related to climate change. An algorithm, custom-designed by Studio Daniel Canogar, accesses a number of webpages that monitor different phenomena, including polar ice caps melting, carbon dioxide levels, active fire data and global temperature anomalies. Oculus’ animation references this data through four different versions of color-coded graphics, with a visual vocabulary that artistically reinterprets traditional climate change visualizations.

Thanks to the internet we have a more complete understanding of climate change. The data culled from myriads of data entry points around the planet is giving us a bigger and more detailed picture of what is happening to our global ecosystem; however, the vast amount of information creates representational challenges. Oculus’ algorithmic animation moves beyond the hard numbers and structured graphics of climate-change data, and instead creates a more emotional and sensorial experience of this climate information.

Check out the new special ARTSY VIEWING ROOM focused on artist Daniel Canogar’s amazing new work: https://bit.ly/3u46gZX

Daniel Canogar (Madrid, 1964) received an M.A. from NYU and the International Center for Photography in 1990. His work as a visual artist focuses on photography, video, and installation art.

Daniel Canogar has created numerous public art pieces, including Waves, a permanent sculptural LED screen for the atrium of 2 Houston Center, Houston; Travesías, a sculptural LED screen commissioned for the atrium of the European Union Council in Brussels during the Spanish Presidency of the European Union in 2010; Constelaciones, the largest photo-mosaic in Europe created for two pedestrian bridges over the Manzanares River, in MRío Park, Madrid; Helix, a permanent LED sculptural screen made for Quantum of the Seas, a Royal Caribbean cruise ship andClandestinos, a video-projection presented on various emblematic monuments including the Arcos de Lapa in Rio de Janeiro, the Puerta de Alcalá in Madrid and the church of San Pietro in Montorio in Rome.

His recent work includes Storming Times Square, screened on 47 of the LED billboards in Times Square, New York; “Small Data”, a solo exhibition at bitforms, New York, and Max Estrella Gallery in Madrid; “Quadratura”, a solo exhibition at Espacio Fundación Telefónica in Lima; “Vórtices”, an exhibition exploring issues of water and sustainability at the Fundación Canal Isabel II in Madrid;Synaptic Passage, an installation commissioned for the exhibition “Brain: The Inside Story” at the American Museum of Natural History in New York and two installations at the Sundance Film Festival 2011 in Park City, Utah.

He has exhibited in the Reina Sofia Contemporary Art Museum, Madrid; the Palacio Velázquez, Madrid; Max Estrella Gallery, Madrid; bitforms Gallery, New York; Filomena Soares Gallery, Lisbon; Guy Bärtschi Gallery, Geneva; Mimmo Scognamiglio Artecontemporanea, Milano; the Santa Mónica Art Center, Barcelona; the Alejandro Otero Museum, Caracas; the Wexner Center for the Arts, Ohio; the Offenes Kulturhaus Center for Contemporary Art, Linz; the Kunstsammlung Nordrhein Westfallen, Düsseldorf; Hamburger Banhof Museum, Berlin; Borusan Contemporary Museum, Istanbul; the American Museum of Natural History, New York; the Andy Warhol Museum, Pittsburgh and the Mattress Factory Museum, Pittsburgh.

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