Monthly Archives: September 2017

Highly Recommended: Mark Bennett: Dream Houses – The Blueprint Drawings 1992-2017

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Image: Mark BennettTown of Mayberry, 1997 / Mark Moore Fine Art

ON VIEW NOW: “Mark Bennett: Dream Houses – The Blueprint Drawings 1992-2017” – an exclusive online ARTSY exhibition focusing on the Mark Bennett unique original “SitCom” drawings of the last two decades just recently released from the artist studio. This presentation ends on September 25th.

You can view this exclusive ARTSY online exhibition of these works now by clicking on the follwing link below:

https://www.artsy.net/show/mark-moore-fine-art-mark-bennett-dream-houses-the-blueprint-drawings-1992-2017

For additional information on this work or this artist please visit the website at www.markmoorefineart.com or contact Mark Moore Fine Art at: info@markmoorefineart.com

#markmoorefineart #markbennett

Yoram Wolberger Previews New “Trophy” Sculpture

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Yoram Wolberger, TROPHY #2 (Baseball), 2017; Cast and Polished Stainless Steel; 78 x 36 x 36 inches (approximate dimensions); Edition of 3 (+ 2 Artist Proofs) – Price Upon Request

Mark Moore Fine Art is pleased to announce the release of a new major sculpture work by MMFA artist YORAM WOLBERGER on September 7, 2017.

Yoram Wolberger uses childhood toys and everyday domestic items to create his large scale sculptures, foregrounding the latent symbolism and cultural paradigms of these objects that so subtly inform Western culture. By enlarging this ephemera to life size, Wolberger emphasizes the distortions of their original manufacture disallowing any real illusion and conceptually forcing the viewer to reconsider their meanings. When enlarged beyond any possibility of dismissal, we see that toy soldiers create lines between Us and Them, plastic cowboys and Indians marginalize and stereotype the Other, even wedding cake bride and groom figurines dictate our expected gender roles.

The artist has just finished a major new work in his series of TROPHY TOPPER sculptures that he began in 2008. Please note that Edition 1/3 and 2/3 have already been sold in each of these editions. The artist still has one example that remains available in the edition of three, as does one Artist Proof.

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As the artist states:

My art manipulates and challenges our perceptions of the familiar through a variety of sculptural interventions. I often choose to work with everyday, culturally iconic, objects to which we attach deep-seated and often unconscious meanings. Transformed beyond their expected context, these evolved objects suggest new associations and provoke fresh insights into their larger meaning and relevance.

For this project, I am interested in examining the contrast between the symbolic and the material dimensions of what I refer to as “common sports trophies”. Specifically, these are the small silver or gold-colored figurines typically awarded in recreational sport. With their idealized figures, such trophies are awarded to represent essential qualities of greatness in a participant. As cultural artifacts, however, our common trophies epitomize values that are intrinsic not only to sport, but to American society and community as well.

In the archaeology of American cultural artifacts, common sports trophies are fitting symbols of personal achievement within a democratic society. Cast from non-precious materials to shine like silver and gold, they are at once common objects and personal treasures. Originally reserved for champions, they are now often awarded to recreational players in honor of a variety of achievements other than victory, including participation.

My intention is to design and construct life-size figurines, standing between 6 and 8 feet tall and meticulously replicating the smaller versions found on common sports trophies. Fabricated from stainless steel casts and polished to a chrome-like finish, they will magnify the humble grandeur of the familiar shiny figurines while exposing the typical casting seams, mass-production flaws and design shortcuts that normally escape our attention. Enlarged 20 times beyond their original size, the trophies’ imperfections become relevant and, it is my hope, intriguing.

For some, the sculptures will evoke personal memories, inspiring moments and achievements. For some, they will stand as noble monuments of the American Dream. And for others still, the contrast between the figures’ idealized poses and their structural imperfections, will provoke deeper contemplation of our cultures values of competition, achievement and the risks that accompany the rise to fame.

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Yoram Wolberger (b. 1963, Tel Aviv, Israel) earned his MFA from the San Francisco Art Institute’s (CA) New Genres Department. He has had solo exhibitions in New York, Los Angeles and San Francisco, and has been featured in group exhibitions at the Brooklyn Museum of Art (NY), deCordova Sculpture Park (MA), the Aldrich Contemporary Museum (CT), Orange County Museum of Art (CA), Museum of Contemporary Art (IL) and the Israeli Museum of Modern Art (Israel) among others. His works have been acquired for the permanent collections of the Brooklyn Museum of Art (NY), Frederick R. Weisman Foundation (CA), the Orange County Museum of Art (CA), Sweeney Art Gallery, University of California Riverside (CA) and the McNay Art Museum (TX). The artist lives and works in San Francisco, CA.

For more information on this upcoming release and availability, please contact Mark Moore at: mark@markmoorefineart.com

#markmoorefineart #yoramwolberger

Jason Salavon Featured at Beall Center for Art + Technology (UC Irvine)

Jason Salavon’s work Rainbow Aggregator (detail image below) will be featured in the upcoming show titled “Drawn from a Score” at the Beall Center for Art + TechnologyBat the University of California Irvine.

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Real-time software, internet connection, computer, large display
Ed. 3 + 2 AP

Rainbow Aggregatoris a continuous, real-time representation of “trending topics” sourced from Twitter and Google.  The relentless conversion of global activity into a scrolling, over-saturated rainbow reflects our abundant data-stream through both literal (text) and abstract (color) means.

There are approximately 30 trends shown and they are updated every few minutes as the piece transitions.  This cycling from quiet color-solid to dense data to solid again composes the stream into visual stanzas reminiscent of orchestration while the colors themselves are derived directly from the tending data.
“Drawn from a Score”
Beall Center for Art + Technology
University of California, Irvine
712 Arts Plaza, Irvine, CA, 92697
949.824.6206

Opening Reception: Saturday, October 7, 2017, 2-5pm

On View Through: Saturday, February 3, 2018

Drawn from a Score features artists who produce art from a score, ranging from “event scores” – developed by John Cage and others in the late 1950s – to the contemporary uses of code as a score for computational works. In addition to traditional written scores, it will include drawings, sculptures, performances, video projections and computer-generated forms of art.

In Cage’s seminal course at the New School for Social Research, he taught young artists how to write visual “event scores” using chance operations, found sound, and everyday objects to produce live performances. “Drawn from a Score” will present some of these early scores by Cage and artists who took his New School course from 1956-58. It will also feature a reconstruction of Cage’s 1968 “Reunion”––his chess board that triggers sound while a game is being played––that underline his idea of how to produce “indeterminacy.”

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Real-time software, internet connection, computer, large display
Ed. 3 + 2 AP

Other historical examples in the exhibition will include score-based work by Conceptual and Fluxus artists from the 1960s. Sol Lewitt’s written “instructions” serve as scores to produce detailed, geometric line drawings that are made directly on the wall’s surface. Assorted event scores by Fluxus artists will be exhibited and performed live. Additionally, the exhibition will show the score and ephemera from “The House of Dust” (1971), a collaboration between Fluxus artist Alison Knowles and the composer James Tenney that yielded the first computer-generated poem created in the language Fortran. A few years later, German artist Manfred Mohr made Plotter prints also using Fortran that will also be on view.

Some of the more contemporary works in this exhibition also use computer generated or real-time animation in projections. Los Angeles-based Casey Reas expands on Sol Lewitt’s instructions by writing computational scores to make infinitely mutable projected images. Israeli artist Shirley Shor’s “Landslide” uses computationally generated imagery to project virtual on the physical surface of white sand, creating a constantly changing topography.

“Drawn from a Score” will be accompanied by a series of public events and/or performances. A publication with writing from guest essayists will examine the use of scores in the works in the exhibition from the historical and the analogue, to contemporary forms of digital production.

This exhibition is possible due to the generosity of the Beall Family Foundation.

#markmoorefineart #jasonsalavon #beallcenter

New Works Available at MMFA

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LITA ALBUQUERQUE, SONUS, 1988 / mixed media and gold leaf on panel / 12 x 12 x 2 inches

I might suggest you review the Mark Moore Fine Art ARTSY page as I just updated it with some wonderful new works available. To check it out, please go to:

https://www.artsy.net/mark-moore-gallery 

Some highlights include works by: Lita Albuquerque; Mark Bennett; Tim Bavington; Sebastian Bremer; Deborah Butterfield; The Clayton Brothers; Mark Di Suvero; Chris Duncan; Julie Heffernan; Kris Kuksi; Annie Liebovitz; Julie Oppermann; Zemer Peled; Richard Prince; Andrew Schoultz; Christoph Schmidberger; Allison Schulnik; Ali Smith; Marc Swanson; Robert Therrien; Ryan Wallace; Andy Warhol; Kehinde Wiley; Yoram Wolberger; and, Kenichi Yokono.

Please note that all work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.
I do hope this work is of interest. Please let me know if you have any questions at: mark@markmooregallery.com
#markmoorefineart