Los Angeles Landscape (North East, North West, South East, South West), 2015
A feature article on artist Kim Rugg can be viewed now on ARTSY at the polling link: https://www.artsy.net/mark-moore-gallery/article/mark-moore-fine-art-kim-rugg-patterns-landscape-jody-zellen
Detail Image
#markmoorefineart #kimrugg
Posted in Mark Moore Gallery
MARK BENNETT, Home of Oliver & Lisa Douglas (Green Acres), 2017, Lithograph on Rives BFK paper, 24 x 36 inches (Edition of 10)
Mark Moore Fine Art is proud to present “Mark Bennett: Dream Houses – The Blueprint Drawings 1992-2017” an exclusive online ARTSY exhibition focusing on the Mark Bennett unique original “SitCom” drawings of the last two decades just recently released from the artist studio.
Concurrent with this presentation, I am very pleased to announce the release of a brand new very limited print edition related to this body of work, The Home of Oliver & Lisa Douglas.
Green Acres is an American sitcom starring Eddie Albert and Eva Gabor as a couple who move from New York City to a country farm. Produced by Filmways as a sister show to Petticoat Junction, the series was first broadcast on CBS, from September 15, 1965, to April 27, 1971.
Receiving solid ratings during its six-year run, Green Acres was cancelled in 1971 as part of the “rural purge” by CBS. The sitcom has been in syndication and is available in DVD and VHS releases. In 1997 the two-part episode “A Star Named Arnold is Born” was ranked #59 on TV Guide’s 100 Greatest Episodes of All Time.
Mark Bennett‘s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.
For the past 25 years, Los Angeles-based artist Mark Bennett has made art firmly rooted in the collective American experience of television. His drawings and lithographs are “blueprints” of famous television houses from such classic sitcoms as The Dick Van Dyke Show, The Brady Bunch, and Perry Mason. Drawing these fictional dwellings from memory, Bennett documents the minutiae of the characters’ lives by constructing their environments with a painstaking level of detail. His floor plans narrate the American Dream, charting not only the architecture, but also the subtext of our culturally accepted models for living.
You can view this exclusive ARTSY online exhibition of the original drawings that remain available from this body of work now by clicking on the follwing link below:
To order, please contact Mark at: mark@markmoorefineart.com
This work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.
Posted in Mark Moore Gallery
MARK BENNETT, Home of Wilbur & Carol Post (Mr. Ed), 2017, Lithograph on Rives BFK paper, 24 x 36 inches (Edition of 10)
Mark Moore Fine Art is proud to present “Mark Bennett: Dream Houses – The Blueprint Drawings 1992-2017” an exclusive online ARTSY exhibition focusing on the Mark Bennett unique original “SitCom” drawings of the last two decades just recently released from the artist studio.
Concurrent with this presentation, I am very pleased to announce the release of a brand new very limited print edition related to this body of work, The Home of Wilbur & Carol Post.
Mister Ed is an American television sitcom produced by Filmways which originally aired in syndication from January 5 to July 2, 1961, and then on CBS from October 1, 1961, to February 6, 1966. The show’s title character – a talking horse – originally appeared in short stories by Walter R. Brooks.
Mark Bennett‘s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.
For the past 25 years, Los Angeles-based artist Mark Bennett has made art firmly rooted in the collective American experience of television. His drawings and lithographs are “blueprints” of famous television houses from such classic sitcoms as The Dick Van Dyke Show, The Brady Bunch, and Perry Mason. Drawing these fictional dwellings from memory, Bennett documents the minutiae of the characters’ lives by constructing their environments with a painstaking level of detail. His floor plans narrate the American Dream, charting not only the architecture, but also the subtext of our culturally accepted models for living.
You can view this exclusive ARTSY online exhibition of the original drawings that remain available from this body of work now by clicking on the follwing link below:
To order, please contact Mark at: mark@markmoorefineart.com
This work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.
Posted in Mark Moore Gallery
MARK BENNETT, Home of James West (The Wild Wild West), 2017, Lithograph on Rives BFK paper, 24 x 36 inches (Edition of 10)
Mark Moore Fine Art is proud to present “Mark Bennett: Dream Houses – The Blueprint Drawings 1992-2017” an exclusive online ARTSY exhibition focusing on the Mark Bennett unique original “SitCom” drawings of the last two decades just recently released from the artist studio.
Concurrent with this presentation, I am very pleased to announce the release of a brand new very limited print edition related to this body of work, The Home of James West.
The Wild Wild West is an American television series that ran on the CBS television network for four seasons (104 episodes) from September 17, 1965 to April 4, 1969. Two television movies were made with the original cast in 1979 and 1980, and the series was adapted for a motion picture in 1999.
Developed at a time when the television western was losing ground to the spy genre, this show was conceived by its creator, Michael Garrison, as “James Bond on horseback.”. Set during the administration of President Ulysses Grant (1869–77), the series followed Secret Service agents James West (Robert Conrad) and Artemus Gordon (Ross Martin) as they solved crimes, protected the President, and foiled the plans of megalomaniacal villains to take over all or part of the United States.
Mark Bennett‘s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.
For the past 25 years, Los Angeles-based artist Mark Bennett has made art firmly rooted in the collective American experience of television. His drawings and lithographs are “blueprints” of famous television houses from such classic sitcoms as The Dick Van Dyke Show, The Brady Bunch, and Perry Mason. Drawing these fictional dwellings from memory, Bennett documents the minutiae of the characters’ lives by constructing their environments with a painstaking level of detail. His floor plans narrate the American Dream, charting not only the architecture, but also the subtext of our culturally accepted models for living.
You can view this exclusive ARTSY online exhibition of the original drawings that remain available from this body of work now by clicking on the follwing link below:
To order, please contact Mark at: mark@markmoorefineart.com
This work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.
Posted in Mark Moore Gallery
MARK BENNETT, Home of Jim & Margaret Anderson, 2017, Lithograph on Rives BFK paper, 24 x 36 inches (Edition of 10)
https://www.artsy.net/artwork/mark-bennett-home-of-jim-and-margaret-anderson
Mark Moore Fine Art is proud to present “Mark Bennett: Dream Houses – The Blueprint Drawings 1992-2017” an exclusive online ARTSY exhibition focusing on the Mark Bennett unique original “SitCom” drawings of the last two decades just recently released from the artist studio.
Concurrent with this presentation, I am very pleased to announce the release of a brand new very limited print edition related to this body of work, THE HOME OF JIM AND MARGERET ANDERSON.
Most will remember this home on 607 South Maple Street in Springfield from the TV Sitcom “Father Knows Best” that starred Robert Young, Jane Wyatt, Elinor Donahue, Billy Gray, and Lauren Chapin. The series, which first began on radio in 1949, aired for six seasons with a total of 203 episodes. The series debuted on CBS in October 1954. It ran for one season and was canceled the following year. NBC picked up the series where it remained for three seasons. After a second cancellation in 1958, CBS picked up the series yet again where it aired until May 1960.
Mark Bennett‘s (b. 1956, Tennessee) whimsical works engage with pop culture and celebrity to an extreme degree. His blueprint lithographs of Baby Boom era sitcoms and popular television series depict the ultimate pairing of flight of fancy and stoical logic; the purely imaginary floor plans grounded by the dry format of an architect’s design. His works are both pleasingly nostalgic and vaguely disconcerting in their premonition of a society obsessed by television and celebrity culture.
For the past 25 years, Los Angeles-based artist Mark Bennett has made art firmly rooted in the collective American experience of television. His drawings and lithographs are “blueprints” of famous television houses from such classic sitcoms as The Dick Van Dyke Show, The Brady Bunch, and Perry Mason. Drawing these fictional dwellings from memory, Bennett documents the minutiae of the characters’ lives by constructing their environments with a painstaking level of detail. His floor plans narrate the American Dream, charting not only the architecture, but also the subtext of our culturally accepted models for living.
You can view this exclusive ARTSY online exhibition of the original drawings that remain available from this body of work now by clicking on the follwing link below:
To order, please contact Mark at: mark@markmoorefineart.com
This work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.
Posted in Mark Moore Gallery
John Bauer will tread a thin beauty and discord. Content of his repeated gestures combined as veneers referring to the description, as if condensing multiple film images into a single overall composition. Without reference to the external environment as much as internal psychological state, Bauer uses monochromatic palette associated with photography and the pixilated effect on the print media to heighten Sense of Virtuality and information overload. His images are full of frenetic, apocalyptic energy reflective urban experiences.
Despite the intense vivacity Bauer’s fabrics are piercingly harsh one. Was carried out only in a palette-gloss and matt black and metallic silver, Bauer’s paintings have introduced the elegance of the flat surfaces of the label is encoded within the glamor of the industrial design and holographic shine of futurism. Bauer through a densely stacked models, translucent layers, and an emotional journey, an impersonal characteristics of digitized imagery and his detached processes work to get the unique subjectivity of infusing a seamless and generics with the contemplative aura of personal consultations.
Merging real meanings of abstraction, the reproducibility of pop, and graphicness design, John Bauer’s canvases set up airplanes using the visual language of folds, confusing and should be re-fragmented, contradictory compositions. Beginning each painting is a low-technology, computer drawing, Bauer develops his work through the complex process includes hands-off painting techniques such as stenciling, silk-screening and spraying digitized graphics that turn towards the sublime picturesque areas abstraction.
Check out the Feature Article on ARTSY on this extremely talented artist “John Bauer Is Producing Heat after Death” By Brent Everett Dickinson at:
Posted in Mark Moore Gallery
The San Diego Art Institute is excited to invite you to the opening of BC to BC on Saturday September 16th from 10am to 5pm featuring ceramic sculptures by 34 of the West Coast’s most innovative contemporary artists from Baja California to British Columbia. BC to BC is on view through October 20, 2017.
Featured Artists: Allison Schulnik, Peter Shire, Jeffry Mitchell, Kristen Morgin, Jessica Jackson Hutchins, Maggie Boyd, Juan Villavicencio, Clayton Bailey, Jeff Irwin, + many more!
Organized by N. American Souvenirs
#markmoorefineart #sandiegoartinstitute #jeffrymitchell #allisonschulnik
Posted in Mark Moore Gallery
Image: Kim Rugg, What The Duke Did Next, 2007 / Mark Moore Fine Art
Check out the review of the work on Kim Rugg on ARTSY at the following link:
Kim Rugg received her MFA in Sculpture from the Royal College of Art (London). Her work can be seen in the permanent collections of the National Gallery of Art (D.C.) and the Frederick R. Weisman Foundation (CA), the Museum of Contemporary Art, San Diego (CA), Honolulu Museum of Art, the Norton Museum (FL), and the Museum of Fine Arts Houston (TX) among others. She has been included in exhibitions at the San Jose Institute of Contemporary Art (CA), Elizabeth Foundation for the Arts (NY), Galerie Schmidt Maczollek (Cologne), and Nettie Horn Gallery (Manchester), P.P.O.W. Gallery (NYC), and was the recipient of the Thames and Hudson Prize from the Royal College of Art Society in 2004. She lives and works in London (UK).
#markmoorefineart #kimrugg
Posted in Mark Moore Gallery
JOHN BAUER, Untitled (#1308), 2016; Oil and enamel on linen; 20 × 16 in (50.8 × 40.6 cm)
Mark Moore Fine Art presents an exclusive online ARTSY exhibition from September 12 through October 8, 2017 by Los Angeles painter JOHN BAUER. Marrying digital manipulation with traditional stenciling, spraying, rolling, brushing, and printing, John Bauer revisits the intimacy of Abstract Expressionist mark-making from a mediated postmodern distance.
Fueled by the Southern California surf culture of his youth, as well as the history and contemporary practices of abstraction, John Bauer creates paintings that channel the infinite potential of both the Pacific Ocean and gestural articulation. Inspired by purists like Ad Reinhardt and Mark Rothko, and also postmodernists like Andy Warhol and Albert Oehlen, Bauer paints using both traditional and unconventional means. His more traditional works are generated by a process of daily interactions with his mid to large scale canvases, using brushes to build up, erase, and rework layers of gestural, exuberant marks. For his more experimental works, Bauer pulls from what he calls his “image bank” of Photoshop files. Using his computer, he crafts these images into an arrangement, which he then screen-prints in layers onto the canvas; creating works situated tantalizingly between the digital and the handmade.
While John Bauer’s canvasses, as large as 90 x 102 inches, contain hints of abstract expressionism, his creative process marries digital manipulation with traditional stenciling, spraying, rolling, brushing and printing, much of the hand work influenced by German post-war painting.
JOHN BAUER, Nautilus, 2016; Oil and enamel on linen; 57 × 45 in (144.8 × 114.3 cm)
John Bauer (b. 1971 San Diego, California) received a BA in Studio Art in 1993 from the University of California in Santa Barbara, California. Selected solo exhibitions include: Perry Rubenstein Gallery, Los Angeles, CA (2013); Patricia Low Contemporary, Geneva, Switzerland (2010); Galleri SE, Bergen, Norway (2009); Gallery Van Bau, Vestfossen, Norway (2009); Maruani & Noirhomme, Knokke, Belgium (2008); solo presentation Art Brussels with Patricia Low Contemporary, Brussels, Belgium (2008); Patricia Low Contemporary in Gstaad, Switzerland (2007); John Bauer at Bellwether Gallery in New York (2007); Free-Floating Anxiety at Bellwether Gallery in New York (2003); and New Oils at Clementine Gallery in New York (1998).
Selected group exhibitions include Abstract America: New Art from the US, Saatchi Gallery, London, England (2009); New York’s Finest at Canada Gallery in New York (2005); Grotto II at Jessica Murray Projects in Brooklyn (2004); and Hello Chelsea at Bellwether Gallery in New York. He is represented by Patricia Low Contemporary, Switzerland. John Bauer lives and works in Los Angeles, CA.
If you would like to have a Special Private Viewing of this exclusive online exhibition by this very exciting and telented artists, please take a look on our ARTSY website now and you can review everything available at this time. To view this work, go to the following special link I have set up for you:
https://www.artsy.net/mark-moore-gallery/shows
For more information on this artist and the Mark Moore Fine Art program please check out our website: www.markmoorefineart.com
You can find additional available works by this artist and prices on our ARTSY website: www.artsy.net/mark-moore-gallery
Please note that all work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.
#markmoorefineart #johnbauer
Posted in Mark Moore Gallery
Image: JULIE HEFFERNAN, Self Portrait as Luminous Body, 2004
Check out the essay on the work of Julie Heffernan titled “A Call to Action” by Kelli Scott Kelly on ARTSY at:
Kelli Scott Kelley is a professor of painting at Louisiana State University. Kelley received her MFA from the University of Massachusetts, Amherst. She authored a book featuring her narrative artwork, entitled Accalia and the Swamp Monster, in 2014. Her work as been exhibited both nationally and internationally is featured in the permanent collections of the LSU Museum of Art, Tyler Museum of Art, and the Eugenia Summer Gallery.
This essay appears in the exhibition catalogue, When the Water Rises: Recent Paintings by Julie Heffernan, to accompany a exhibition of Heffernan’s work organized by the LSU Museum of Art with LSU School of Art and LSU College of Art + Design. When the Water Rises will travel to several venues through early 2019. More information can be found at: http://www.lsumoa.org/julie-heffernan/
Julie Heffernan (b. 1956, Illinois) received her MFA from Yale School of Art (CT), and has been exhibiting widely for the past two decades. Selected exhibitions include those at The Korean Biennial (Korea), Weatherspoon Art Gallery (NC), Tampa Museum Of Art (FL), Knoxville Museum Of Art (TN), Columbia Museum Of Art (SC), Milwaukee Art Museum (WI), The New Museum (NY), The Norton Museum (FL), The American Academy Of Arts And Letters (NY), Kohler Arts Center (WI), The Palmer Museum Of Art (PA), National Academy Of Art (NY), Mcnay Art Museum (TX), Herter Art Gallery (MA), Mint Museum (NC) and Virginia Museum of Fine Art (VA), Oklahoma City Museum of Art (OK) among numerous others. Her work has also been acquired by many of the institutions listed above.
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Posted in Mark Moore Gallery
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