Monthly Archives: July 2017

CLOSING MONDAY: David Klamen: Multifarious Paintings

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David Klamen further investigates the nature, source, and limits of knowledge by undermining the foundation of our empirical experience: our sense of sight. Klamen plays with the history of art, utilizing modern and pre-modern conventions as metaphors for our search for meaning. Check out this exclusive ARTSY online presentation now before it closes on July 17th.

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Klamen earned his Bachelor’s of Fine Arts at the University of Illinois, Champaign/Urbana in 1983 and his Master’s of Fine Arts in Painting at the School of the Art Institute in 1985. He is currently is a Professor of Fine Arts at Indiana University Northwest. Klamen is represented in the following public collections: the Metropolitan Museum of Art (NY), Los Angeles Museum of Contemporary Art (CA), the Museum of Contemporary Art (IL), the Whitney Museum of American Art (NY), the San Francisco Museum of Modern Art (CA), the Chazen Museum of Art (WI), and National Museum of Contemporary Art, Seoul, Korea.

This special presentation can be viewed at the following link:

https://www.artsy.net/show/mark-moore-fine-art-david-klamen-multifarious-paintings

Please find a link attached for you our most recent on-line catalog on the work of DAVID KLAMEN as part of our ongoing STATEMENTS Series of publications. Please download it and enjoy it compliments of MMFA at:

http://www.markmoorefineart.com/attachment/en/581c5e0c84184e51358b4568/Press/581c5ead84184e51358b8134

#markmoorefineart
#davidklamen

David Klamen Online Catalog Now Available for Download 

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Please find a link attached for you our most recent on-line catalog on the work of DAVID KLAMEN as part of our ongoing STATEMENTS Series of publications. Please download it and enjoy it compliments of MMFA at:

http://www.markmoorefineart.com/attachment/en/581c5e0c84184e51358b4568/Press/581c5ead84184e51358b8134

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Mark Moore Fine Art is proud to present “Multifarious Paintings” an exhibition of paintings by artist, David Klamen. Marking the artist’s first solo online exhibition, this recent body of work showcases Klamen’s newest paintings of paintings. In these works, the artist further investigates the nature, source, and limits of knowledge by undermining the foundation of our empirical experience: our sense of sight. In each new painting, Klamen radically re-invents famous paintings from the pre-modern and modern era, overlapping seemingly incompatible artistic visions as a metaphor for our phenomenological search for meaning.

According to Plato’s concept of forms, the world that we know through our senses often deceives us by way of subjective images. Klamen’s multi-canvas installation, “Meta-Paintings” (2013), elaborates on this concept by presenting well-known works of art in a re-contextualized space, highlighting the deception of each image through masterful illusion and imagination. In these twenty-five smaller paintings, Klamen presents an installation that playfully mimics a salon style hanging. The diagonal slopes created by the various slanting paintings suggest a cubist bas-relief that compresses art historical time periods and physical space. As is the case with nearly all of his paintings, each iconic artwork (as well as its frame, and oftentimes wall label) is meticulously rendered as a representation of a representation, moving further and further from its archetypal form—pointing to a distortion of reality already present in the original image.

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To further complicate the simulacrum, Klamen plays with the viewer’s perception by drastically altering the perspective of the painting, tilting the work at an oblique angle within his own canvas. In his “remixes,” Klamen manipulates images from the art historical canon by warping then into optical oscillations full of contingencies and surprises. The psychedelic result suggests a disoriented ocular state that hints at the malleable nature of our reality—a reality that relies heavily on the conviction of our individual experiences.

This special presentation can be viewed at the following link:

https://www.artsy.net/show/mark-moore-fine-art-david-klamen-multifarious-paintings

#markmoorefineart  #davidklamen

Meghan Smythe “Flesh for Fantasy” Opens Today!

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Mark Moore Fine Art is pleased to announce an exclusive ARTSY online exhibition of award-winning sculptor Meghan Smythe titled “Flesh For Fantasy”, on view July 10 – August 13, 2017.

This presentation on recent work can be view now at the following link:

https://www.artsy.net/show/mark-moore-fine-art-meghan-smythe-flesh-for-fantasy

Out of each our 5790projects group shows that focuses solely on debuting and showcasing young emerging talent from Los Angeles each year, a selection committee nominates one featured artist to be considered for the annually-awarded Moore Family Trust Grant. This prize consists of a cash prize and a gallery exhibition. After much deliberation, the committee has elected to award the 5790projects Award 2014 Prize to sculpture artist, MEGHAN SMYTHE.

Using a traditional sculptural format (the monument), Meghan Smythe captures contradicting extremes within human gesture: intimacy and brutality, beauty and ugliness, or the lewd and tender. In her attempt to achieve an “elegant vulgarity,” she encapsulates moments that define our mortality in unanticipated ways; oftentimes toeing the delicate line between erotic and macabre tendencies that give way to life, and ultimately death. Glass, ceramic, and concrete are woven together in an elaborate, orgy-like web of body parts and organic artifacts, as if suddenly cast with Pompeii-like circumstances. Like excavated antiquities or fossils, Smythe’s ceramic compositions allude to the cyclical nature of civilization – a dramedy in which all of the players are subject to conquest and demise.

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As art critic Leah Ollman stated in her review of her 2015 exhibition at the Mark Moore Gallery in the Los Angeles Times, “Limbs are entwined, tongues extended. Clay is rarely, if ever, this carnal. Some of the skin is mannequin-smooth but veined with cracks. Some seeps a pink foam or a pale fecal flood. Erotic pleasure plays a part here, but is only one of many competing charges.”

“Throughout this, and Smythe’s other works, there is a violent fragmentation that zigzags between sexual fantasy and deathly dismemberment. With its human shipwreck of compromised flesh, “Young Unbecoming” brings to mind Gericault’s “Raft of the Medusa,” and exudes comparable, palpable urgency.”

“Smythe is a sculptor of struggle. Primal forces contend in the work, as do various aesthetic and formal dispositions. The sobriety of the relic is countered by the whimsy of glass and resin follies. Figures pallid and cadaverous lie upon a surface oozing with puddles in the happy hues of Easter eggs.”

“The friction between generation and decay, elegance and entropy, is what makes Smythe’s work so alive and also so tough to digest. It doesn’t go down easy, or at all. Stubborn, sensual, visceral — it sticks.”

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Mehgan Smythe (b. 1984, Kingston, ON) received her MFA from the Alfred University School of Art and Design (NY). Her work has been shown at the Arizona State University Art Museum (AZ) and the Gardiner Museum, Toronto (ON). She was the Visiting Artist in Residence at California State University, Long Beach (CA) from 2012-2014, where she continues to teach Ceramic Arts. The artist lives and works in Long Beach, CA.

Available works by Meghan Smythe can be found on the Mark Moore Fine Art ARTSY website at:

https://www.artsy.net/mark-moore-gallery/artist/meghan-smythe

All work is available subject to prior sale and prices are subject to change without notice. All taxes, tariffs, shipping and/or viewing expenses, if any, would be additional.

I do hope this work is of interest. Please let me know if you have any questions.

#markmoorefineart #meghansmythe

Meghan Smythe Featured in ARTSY Writer

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Assistant Professor of Ceramics Linda Swanson looks at the work of Meghan Smythe in the recent major exhibition titled “Épisode” – the second Virginia McClure Ceramics Biennale at the McClure Gallery in Montreal.

You can read this essay at the following link now:

https://www.artsy.net/mark-moore-gallery/article/mark-moore-fine-art-linda-swanson-work-meghan-smythe

The exhibition entitled “Épisode” features four artists whose works speak not only to excellence and innovation in ceramics, but to its relevance as a discipline that allows for a specifically corporeal, embodied articulation of contemporary human experience

“The ceramics scene in Canada is developing rapidly alongside resurging interest in materiality in the arts,” says Swanson. “These exhibitions showcase what is happening in Canada and internationally and brings these exciting developments in the contemporary ceramics scene to Quebec for the first time.”

Swanson’s choice of artists — Phoebe Cummings (Stafford, U.K.), Benjamin DeMott (Chicago, U.S.), Janet Macpherson (Toronto, Canada) and Meghan Smythe (Los Angeles, U.S.) — has resulted in an inspiring, materially seductive exhibition. Each artist recognizes the historical heritage of ceramics, yet offers a highly original and imaginatively provocative vision.

“The exhibition is deceptively clear. The complexity of the materials in play and the issues involved slowly unfolds to you. As you walk in, the first piece is made of raw clay, it’s extremely fragile and seems to suggest ideas about our own mortality,” says Swanson.

“Épisode” is the second of five biennales taking place between 2014 and 2022.

#markmoorefineart #meghansmythe

David Klamen: “Multifarious Paintings” on View through July 16th

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David Klamen (American, b.1961) is a contemporary painter whose work grows in conjunction with his interest in philosophy and scholarship, centralized around the questions,”How do I know what I know?” and “How do I know myself?” Klamen paints figuratively and abstractly, sometimes combining the two by incorporating geometric lines or patterns atop his high finished landscapes. Says Richard Gray Gallery, “His current paintings test epistemological strategies as diverse as OP Art (and its implication that knowledge may be a purely retinal experience), empiricism (the idea that the sole source of knowledge is direct quantifiable experience), introspection, and others. In this investigation, Klamen plays with the history of art, utilizing modern and pre-modern conventions as metaphors for our communal search for meaning.”

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Klamen earned his Bachelor’s of Fine Arts at the University of Illinois, Champaign/Urbana in 1983 and his Master’s of Fine Arts in Painting at the School of the Art Institute in 1985. He is currently is a Professor of Fine Arts at Indiana University Northwest. Klamen is represented in the following public collections: the Metropolitan Museum of Art (NY), Los Angeles Museum of Contemporary Art (CA), the Museum of Contemporary Art (IL), the Whitney Museum of American Art (NY), the San Francisco Museum of Modern Art (CA), the Chazen Museum of Art (WI), and National Museum of Contemporary Art, Seoul, Korea.

This special presentation can be viewed at the following link:

https://www.artsy.net/show/mark-moore-fine-art-david-klamen-multifarious-paintings

Please find a link attached for you our most recent on-line catalog on the work of DAVID KLAMEN as part of our ongoing STATEMENTS Series of publications. Please download it and enjoy it compliments of MMFA at:

http://www.markmoorefineart.com/attachment/en/581c5e0c84184e51358b4568/Press/581c5ead84184e51358b8134

#markmoorefineart

#davidklamen

Stephanie Washburn Recent Exhibitions and Publications

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Harper’s Magazine
Office of Loss Control, with Armando Ramos
Atkinson Gallery, Santa Barbara, CA, 2017
By the River,
ACME Gallery, Los Angeles, CA, 2017
Selections from the Frederick R. Weisman Art Foundation,
Carnegie Art Museum, Oxnard, CA, 2017
-scape,
Beaconsfield, London, UK, 2016
Upcoming:
Mark Moore Fine Art
ARTSY Online Exhibition, Summer 2017
Available works by Stephanie Washburn can be found on the MMFA ARTSY site at:
A free online catalog on Washburn is available for download at:
#markmoorefineart #stephaniewashburn

“Rainbow of Chaos” Showcases Recent Works by Feodor Voronov

Feodor Voronov: “Rainbow of Chaos” On View Now

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Mark Moore Fine Art is thrilled to announce “Rainbow of Chaos”, a presentation of recent work by artist, Feodor Voronov. This exclusive online ARTSY exhibition will be an exploration into Voronov’s manipulation of “operative formalism,” and engagement with language.

View this presentation of paintings and works on paper by Voronov now at: 

https://www.artsy.net/show/mark-moore-fine-art-feodor-voronov-rainbow-of-chaos

#markmoorefineart

#feodorvoronov

Opening Today: Stephanie Washburn RECEPTION

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Mark Moore Fine Art presents “Reception“, an exclusive online ARTSY exhibition from July 03, 2017 – August 06, 2017 by interdisciplinary artist Stephanie Washburn, including photographs, collages and drawings. Washburn continues her exploration of the interface of material and digital surfaces as well as the persistent relevance of human touch in the construction of pictorial space.

You can preview this presentation now at the following link:

https://www.artsy.net/show/mark-moore-fine-art-stephanie-washburn-reception

#markmoorefineart #stephaniewashburn