Monthly Archives: September 2015

TOMORROW: Andrew Schoultz Interview on PeriscopeTV

Andrew Schoultz will be participating in a live streamed interview on “influencersTV“(influencers47@influencers) PeriscopeTV tomorrow (Saturday, September 19) at 12pm PST. Schoultz will walk viewers through his current exhibition, “Cyclical Nature,” at Mark Moore Gallery, and discuss the new mural that he is producing on the exterior of the gallery as well. A statement about his current show is below:

Inspired by the recurrent nature of war and histories bound to repeat themselves, Schoultz’s latest exhibition toggles between his signature frenetic imagery and a new stark minimalism reminiscent of various art historical conventions – though both illustrate a topical, dystopian vision. In this new body of work, notions of war, spirituality, and sociopolitical imperialism are prominent motifs, which parallel an equally repetitive contemporary pursuit of accumulation and power. “Cyclical Nature” examines not only the repetition of the same wars, but also the way in which they are recorded and memorialized, as well as how the past is recorded (and often glorified).

“Many of the wars being fought are the same wars that have been fought for hundreds and hundreds of years. For me, it makes sense to reference some historical art that was perhaps talking about, or recording the history, and put it in a contemporary context … after all, it is the same story, just a different time period. “ –Andrew Schoultz

Referencing iconic imagery such as suits of armor, battle horses, war ships, and all-seeing eyes, Schoultz makes connections between emblems of power and violence across cultures and epochs. All too reminiscent of the modern world, Schoultz shows us a beautiful yet brutal world of power structures, and urges us to resist.

Schoultz (b. 1975, WI) received his BFA from the Academy of Art University, San Francisco (CA). He has had solo exhibitions in Los Angeles, New York, San Francisco, Copenhagen, Philadelphia, Rotterdam, Boston, London, Portland, Detroit and Milan. He has been included in group exhibitions at the Andy Warhol Museum (PA), Torrance Art Museum (CA), Havana Biennial (Cuba), Hyde Park Arts Center (IL), Laguna Art Museum (CA), San Francisco Museum of Modern Art (CA), among others. His work can be seen in the public collections of the San Francisco Museum of Modern Art (CA), Frederick R. Weisman Foundation (CA) and the Progressive Art Collection (OH), in addition to his publicly funded murals in Portland (ME), Jogjakarta (Indonesia) and San Francisco (CA). Schoultz lives and works in San Francisco (CA).

Join us online and watch the artist in his element! For information about available work or the artist, please email info@markmooregallery.com.

IMG_6775_edited_10

Advertisements

Kiel Johnson at Fellows of Contemporary Art (CA)

Gallery artist Kiel Johnson is part of 6H to 8B, a new exhibition opening at Fellows of Contemporary Art on September 19th.

6H to 8B presents graphite and charcoal works by artists living in Los Angeles. Referring to the density range of graphite and charcoal pencils, 6H to 8B presents drawings, sculpture and animation in a spectrum of styles, spanning from photo-realism to abstraction. Demonstrating the multiple possibilities of charcoal and graphite, these works address ideas of comedy, violence, awkwardness, nostalgia and the politics of the present.

To learn more about the exhibition click here.

For more information about the artist or available work, please email info@markmooregallery.com.

Kiel Johnson. Generate-Regenerate. 2014. Graphite on paper. 9 x 12 inches

Kiel Johnson. Generate-Regenerate. 2014. Graphite on paper. 9 x 12 inches

Josh Azzarella speaking at Akron Art Museum (OH)

On Thursday, September 17th, gallery artist Josh Azzarella will be part of a photography panel at Akron Art Museum on Reality and Fiction.

The panel discussion is held in conjunction with the exhibit Proof, that Azzarella is included in. Proof features photographs from the Civil War to the present. The exhibition highlights familiar favorites from the collection, including classic documentary photographs by Walker Evans, Lewis Hine and Weegee, as well as major series commissioned by the museum from Lee Friedlander and Robert Glenn Ketchum. Contemporary artists who have filtered these documentary styles to question photographic truth are represented by recent acquisitions by Jennifer Williams, Josh Azzarella and Barbara Probst.

The discussion will feature artists Josh Azzarella and Barry Underwood as well as photojournalist Peggy Turbett. Moderated by Akron Art Museum Assistant Curator Elizabeth Carney, the panel will take place in the museum’s Arnstein galleries, allowing the artwork on view to further enrich the discussion.

For more information about the artist or available works, please email info@markmooregallery.com.

untld 33 balcony 20x30in 2007

Vernon Fisher: Solo Exhibition in Chicago

Opening on September 11, from 5-8pm, Vernon Fisher‘s newest solo exhibition will take place at Zolla/Lieberman Gallery (Chicago, IL) through October 24, 2015. Says the gallery:

Zolla/Lieberman Gallery is pleased to announce the opening of Vernon Fisher: Lifting Weights in Space. For more than 40 years, Fisher has used photo-realism, cartoons, text, pop icons, maps and grids to create interdisciplinary post-modern narratives.  He blurs the lines of the emotional and the scientific, often insisting the viewer consider perspective.  Fisher’s illustrated stream of conscience include bits of digital noise and washed abstractions appearing at random that invite speculation and challenge the conventions of contemporary composition.  

Vernon Fisher (b. 1943, Texas) has been included in two Whitney Biennials (most recently in 2000). Museum installations include the Museum of Modern Art, NY; the Hirshhorn Museum, Washington, D.C.; and the Museum of Contemporary Art Chicago. Major public collections include: Albright-Knox Museum, Buffalo, (NY), Art Institute of Chicago (IL), Baltimore Museum of Art (MD), Corcoran Gallery of Art, Washington, D.C., Dallas Museum of Art (TX), Denver Art Museum (CO), Frederick R. Weisman Art Museum, Minneapolis (MN), High Museum of Art, Atlanta (GA), Hirshhorn Museum and Sculpture Garden, Washington, D.C., Krannert Art Museum, University of Illinois at Urbana-Champaign, IL, Los Angeles County Museum of Art (CA), Modern Art Museum of Fort Worth (TX), Museum of Contemporary Art Chicago (IL), Museum of Fine Arts, Houston (TX), Museum of Modern Art (NY), Orange County Museum of Art (CA), Phoenix Art Museum (AZ), San Antonio Museum of Art (TX), Museum of Contemporary Art San Diego (CA), San Francisco Museum of Modern Art (CA), Solomon R. Guggenheim Museum (NY), Tucson Museum of Art, (AZ), Whitney Museum of American Art, and The Walker Art Center, Minneapolis (MN). The artist lives and works in Fort Worth, TX.

For more information about the artist or available works in Los Angeles, please email info@markmooregallery.com.

VERNON

David Maisel Acquired by Denver Art Museum

The gallery is pleased to announce that a major work, “Lake Project 15” (2002), by Mark Moore Gallery artist David Maisel, has been acquired by Denver Art Museum.

The Denver Art Museum is an educational, nonprofit resource that sparks creative thinking and expression through transformative experiences with art. Its holdings reflect the city and region—and provide invaluable ways for the community to learn about cultures from around the world. Its mission is to enrich the lives of present and future generations through the acquisition, presentation, and preservation of works of art, supported by exemplary scholarship and public programs related to both its permanent collections and to temporary exhibitions presented by the museum.

David Maisel is a visual artist based in San Francisco, CA. His large-scaled, surreal photographs chronicle the complex relationships between natural systems and human culture. His research-based practice has been the subject of five monographs, including “The Lake Project” (Nazraeli Press, 2004), “Oblivion” (Nazraeli Press, 2006), “Library of Dust” (Chronicle Books, 2008), “History’s Shadow” (Nazraeli Press, 2011), and “Black Maps: American Landscape and the Apocalyptic Sublime” (Steidl, 2013). Maisel’s images of radically altered terrain have transformed the practice of contemporary landscape photography. His hallucinatory worldview encompasses both stark documentary and tragic metaphor, and explores the relationship between nature and humanity today. Maisel’s images of environmentally impacted sites consider the aesthetics and politics of open pit mines, clear-cut forests, rampant urbanization and sprawl, and zones of water reclamation. These surreal and disquieting images take us towards the margins of the unknown, and as the Los Angeles Times has stated, “argue for an expanded definition of beauty, one that bypasses glamour to encompass the damaged, the transmuted, the decomposed.” Maisel also explores similar ideas of perception through alternative techniques in other bodies of work, such as “History’s Shadow” (completed during the artist’s residency at the Getty Research Institute) and “Library of Dust,” which The New York Times has called “a fevered meditation on memory, loss, and the uncanny monuments we sometimes recover about what has gone before.”

Maisel is the recipient of a 2011 grant from the Center for Cultural Innovation, a 2008 Artist Residency from the Headlands Center for the Arts, and a 2007 Scholar/Artist Residency from the Getty Research Institute. Maisel has received fellowships from the National Endowment for the Arts and the Opsis Foundation. He was appointed a Trustee of the Headlands Center for the Arts in 2011. His work has been shown globally, including in such prestigious institutions as the California Museum of Photography (CA), Scottsdale Museum of Contemporary Art (AZ), Portland Art Museum (OR), Fotografie Forum International (Frankfurt), American Academy (Rome), Musee des Beaux Artes (Bordeaux), and Seoul Arts Center (Seoul) among many other venues. Maisel’s works are in major public collections, including the Metropolitan Museum of Art (NY), the Getty Museum (CA), the National Gallery of Art (D.C.), the Victoria and Albert Museum (London), and the Los Angeles County Museum of Art (CA), among many other institutions. He received his BA from Princeton University, studied at Harvard’s Graduate School of Design, and received his MFA from California College of the Arts. The artist lives and works in Sausalito (CA).

For more information about the artist or available work, please email info@markmooregallery.com.

LAKE_PROJECT_15

Penelope Umbrico Acquired by Pérez Art Museum Miami

The gallery is thrilled to announce the recent acquisition by Pérez Art Museum Miami (PAMM) of Penelope Umbrico‘s large work, “Suns from Sunset from Flickr,” (2015) for its permanent collection.

Pérez Art Museum Miami (PAMM) is a modern and contemporary art museum dedicated to collecting and exhibiting international art of the 20th and 21st centuries. PAMM serves one of the most diverse populations in one of the fastest growing regions in the country, where a unique confluence of Caribbean, North and South American cultures adds vibrancy and texture to the civic landscape. The city’s thriving community of artists, designers and collectors and its avid and growing art-engaged public are driving Miami’s demand for a world-class museum and dynamic center of visual arts education. PAMM transformed Museum Park into a central destination on Miami’s cultural map, promotes progressive arts education, builds community cohesiveness and contributes substantially to downtown revitalization.

Penelope Umbrico offers a radical reinterpretation of everyday consumer and vernacular images. Umbrico works “within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects, and information that surrounds us, searching for decisive moments—but in these worlds, decisive moments are cultural absurdities.”
She finds these moments in the pages of consumer product mail-order catalogs, travel and leisure brochures; and websites like Craigslist, EBay, and Flickr. Identifying image typologies—candy-colored horizons and sunsets, books used as props—brings the farcical, surreal nature of consumerism to new light.

Penelope Umbrico (born in Philadelphia, 1957) graduated from the Ontario College of Art and Design in Toronto, and received her MFA from the School of Visual Arts, New York. She has participated extensively in solo and group exhibitions, including at the San Francisco Museum of Modern Art and PS1 Contemporary Art Center, New York. Umbrico is core faculty in the School of Visual Arts MFA Photography, Video, and Related Media Program. Selected public collections include the Guggenheim Museum (NY), International Center of Photography (NY), McNay Museum of Art (TX), Metropolitan Museum of Art (NY), Museum of Contemporary Photography (IL), Museum of Contemporary Art, San Diego (CA), Museum of Modern Art (NY), and the San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), among others. She lives in New York City.

Umbrico

Mark Moore Gallery at Sydney Contemporary 2015

Sydney Contemporary, Australasia’s International Art Fair, returns in 2015 from September 10-13 (Opening Night on September 10th) with over 70 leading galleries from around the Pacific Rim and beyond. For the first time, the gallery will participate in a video-focused section of the fair with available works by Josh Azzarella and Allison Schulnik.

Housed once again in Carriageworks, Sydney’s striking contemporary arts precinct, the Fair has an expanded footprint with seven exhibition spaces offering visitors access to cutting-edge art from some of the world’s most respected established artists as well as the opportunity to discover new emerging artists. Azzarella and Schulnik will be showcased in the video section of the fair, and were also the only two video artists from America to be featured in the 62nd Sydney Film Festival. Artists from around the globe had their works displayed in the free-access Festival Hub, giving guests a close look at many different perspectives from artists at the forefront of their field.

Josh Azzarella (b. 1978, Ohio) creates videos and photographs that explore the power of context in the authorship of memory, oftentimes utilizing seminal moments in pop culture and news media to create accessible confrontations with historiography. By illuminating the individual encounter with communal experiences, Azzarella evaluates the perception of realness – which can ultimately be rooted in both the fantastic as much as the pragmatic.

Azzarella was the recipient of the 2006 Emerging Artist Award and related solo exhibition from The Aldrich Contemporary Art Museum (CT). He has previously shown at the California Museum of Photography (CA), University Art Museum, Long Beach (CA), Vancouver Art Gallery (Canada), Kavi Gupta Gallery (IL), Academie der Kunste (Berlin), Sean Kelly Gallery (NY), Catharine Clark Gallery (CA), Mississippi State University (MS), the Santa Barbara Museum of Art (CA) and DCKT Gallery (NY). His work is included in the permanent collection of the San Francisco Museum of Modern Art (CA), the Los Angeles County Museum of Art (CA), the Pennsylvania Academy of the Fine Arts (PA), the Museum of Fine Arts Houston (TX), the San Diego Museum of Modern Art (CA), the Margulies Collection (FL), Western Bridge (WA) and JP Morgan Chase (NY). He lives and works in Easton, PA.

Allison Schulnik choreographs her subjects in compositions that embody a spirit of the macabre, a Shakespearian comedy/tragedy of love, death and farce. The subjects often stare back at the audience and study them as they are in turn studied, aware of their ancestors from the Grand Theme works of the past, the genre paintings that inform them. Although a haunting sense of foreboding, discomfort and unease is palpable, a sense of understanding, compassion and hopefulness for her cast of characters is still evident in the heavy impasto paintings. Her sculptural use of oil paint references her clay-animation background, as a motion-like sensibility affords her paintings unparalleled depth and energy.

Born in 1978 (San Diego, CA), Schulnik earned her BFA in Experimental Animation from the California Institute of the Arts, Valencia (CA). She has had solo exhibitions at the Oklahoma City Museum of Art (OK), Nerman Museum of Contemporary Art (KS), Rokeby Gallery (London), Unosunove Arte Contemporanea (Rome), Division Gallery (Montreal), and ZieherSmith Gallery (NY), in addition to her inclusion in film festivals around the world. Her work has also been shown at the Garage Center for Contemporary Culture (Moscow), Hammer Museum (CA), Los Angeles County Museum of Art (CA), Santa Barbara Museum of Art (CA), Contemporary Arts Museum (LA), and Hangar-7 (Salzburg), among many others. Allison Schulnik’s work is in the public collections of the Los Angeles County Museum of Art (CA), Nerman Museum of Contemporary Art (KS), Museum of Contemporary Art, San Diego (CA), Santa Barbara Art Museum (CA), Museé de Beaux Arts (Montreal), Farnsworth Art Museum (ME), Laguna Art Museum (CA), Montreal Contemporary Art Museum (Canada), Wadsworth Atheneum Museum of Art (CT), and Montreal Museum of Fine Arts (Canada). The artist lives and works in Los Angeles, CA.

Fair previews will be available after September 1st, by request. For additional information about special events, fair access, day passes, and featured artists, please email info@markmooregallery.com.

Allison Schulnik / Hobo Clown / 2008 / video still (detail)

Allison Schulnik / Hobo Clown / 2008 / video still (detail)